Asia

Best Asian films

If you’re looking for the best Asian films, there’s plenty to choose from. Asia holds approximately 60% of the world’s population, so it’s no surprise the continent has a wealth of great films. The continent hosts one of the world’s largest (if not the largest) film industries in India’s Bollywood, the most famous animation studio outside the U.S. in Japan’s Studio Ghibli, as well as the second largest film market in the world by box office receipts in China (second only to the U.S.).

But that’s not all. The Iranian art-house cinema scene is still booming despite government bans. Southeast Asia holds two of the most famous torch-bearers of the transcendental film movement in Apichatpong Weerasethakul and Lav Diaz. Plus, there’s South Korean, Bong Joon-ho, whose Parasite became the first foreign language film to win the Best Picture. And we haven’t even mentioned the growing film presence of the countries in Central Asia, the Arabian Peninsula, the Levant, and the Caucasus.

So scroll down to see some of the best Asian films. Or, if you know where you want to go, pick a country from the links below.

Afghanistan, Armenia, Azerbaijan, Bahrain, Bangladesh, Bhutan, Brunei, Cambodia, China, Cyprus, East Timor, Georgia, India, Indonesia, Iran, Iraq, Israel, Japan, Jordan, Kazakhstan, Kuwait, Kyrgyzstan, Laos, Lebanon,Malaysia, Maldives, Mongolia, Myanmar (Burma), Nepal, North Korea, Oman, Pakistan, Palestine, Philippines, Qatar, Russia, Saudi Arabia, Singapore, South Korea, Sri Lanka, Syria, Taiwan, Tajikistan, Thailand, Turkey, Turkmenistan, United Arab Emirates, Uzbekistan, Vietnam, Yemen

*We’re still looking for the best Asian films from countries without links. Send us your recommendations.

The Propaganda Game (North Korea) – What do you Know about North Korea?

The Propaganda Game Film Difficulty Ranking: 2

How dangerous do you think North Korea is to the world? Secondly, do you think you are an open minded person? The Propaganda Game exposes life in Korea and the propaganda we and North Koreans see every day. Is one side right? Can we find the truth? Read on.

Image result for the propaganda game

Why Watch The Propaganda Game?

To learn about North Korea
See how powerful propaganda can be (in this case it shows the propaganda we see that shapes our view of North Korea, and also the propaganda the citizens of North Korea see)
It will open your mind as you think about Cultural Relativism: the theory that beliefs, customs, and morality exist in relation to the particular culture from which they originate and are not absolute
It’s on Netflix

The Breakdown

The Propaganda Game starts with shots of what appears to be life in a typical Asian city. There are people meditating in parks, kids roller skating over ramps, and everything looks like it comes from a tourist brochure.

The shots are of course of life in North Korea. For a nice juxtaposition, the director layers western news reporters reports of life in North Korea over the top. It is clear that something is wrong as the pictures of North Korea obviously do not match up to the propaganda pushed by western media.

This is what film maker Alvaro Longoria explores in this film: propaganda. He points out that there are two players in the propaganda game, the North Korean government, and western media. Both are perpetrating myths and both myths are pretty much opposite. I’ve set out both myths below:

The western media perpetrate a myth that North Korea is a rogue state which poses a nuclear threat to the world and subjugates all of it’s citizens against their will.
North Korea perpetrates a myth that the west (in particular the U.S.) are the fault of all the problems in the country and that the whole world idolises their leaders and look towards North Korea as a beacon of the revolution.

Though the amazing shots and interviews we get in North Korea we can make our own judgements.

Conclusion

The most important message of this film is that we should always keep an open mind. Blindly accepting a point of view we see in the news can hide the truth. This goes for both the people in North Korea and the anyone who follows western media. We are all subject to propaganda, so we must always remain vigilant in trying to find see all sides of the agenda. In this case, there is no truth. Check out the trailer below.

Saudi Runaway – Sundance Film Festival 2020

Despite reforms from MBS, the current ruler of Saudi Arabia, 1,000 women escape Saudi Arabia each year. Saudi Runaway follows Muna, a typical Saudi Arabian woman trying to make herself one of the 1,000 to escape the oppressive patriarchy. All the footage is shot on her phone camera, often in secret from under her hijab, to document a snippet of her life.

Muna gains our trust right from the start by showing us things we shouldn’t see. She takes us into the crowds of the Hajj pilgrimage circling the Kaaba by capturing the crowds from a phone camera hidden under her veil. She also documents her family secretly in prayer and the patriarchal words her family and fiance say without realizing they’re being filmed. From these secretive observational moments we can start to build a picture of the society and family she lives in and its restrictiveness. We can also feel the risk she’s taking in secretively filming her family. She obviously hasn’t told them about the film as all they’re faces are blurred. Because of the risks she takes and secretive shots she has shared with us, she immediately gains out trust and empathy.

The film strengthens our connection with Muna through a series of video diary entries in which she shares experiences from her life and plans her escape. We hear about the patriarchal oppression she faces: how her husband won’t let her drive and how she can’t go to the supermarket or leave the house without a man. We also hear about her slim chance for escape: she cannot leave the country without a man’s permission in Saudi Arabia, so she has to get married before attempting an escape in the UAE whilst she’s on her honeymoon. Amazingly, she captures all of the tension of her ordeal, even taking a minute to document her final thoughts before she attempts her escape.

The only fault I could give this exciting documentary is the touch of melodrama the European director adds to the raw footage from Muna. In some of the tense moments, the soundtrack feels like it’s emphasizing the emotions more than it needs to. It makes the film feel ‘more produced’ and therefore less intimate and trustworthy by taking away from the realness of the first hand footage shot by Muna. The ‘dear Sue’ addresses in Muna’s video diary also make the film feel more like an act, by recognizing the foreign hand in its creation.

Overall, Saudi Runaway is a documentary that any fans of escape documentaries (see Midnight Traveller) or viewers interested at an inside look of Saudi Arabia should watch.

Head to our Sundance Film Festival Hub for more reviews from the Sundance Film Festival 2020.

Eyes Wide Open (Israel)

Eyes Wide Open Film Difficulty Ranking: 4

Do you know much about the Hassidic Jews of Israel? Do you know how restrictive religion and conservative societies can be? Watch Eyes Wide Open to learn how religion can repress your sexuality and turn you into an outcast. Check out the melodramatic and revealing trailer below if you’re not convinced.

Why Watch Eyes Wide Open?

To learn a bit about the Orthodox Jewish religion
For a great companion to the Israel-Palestine conflict shown in Omar and Ajami. In this film you will see a different side of Israel.
Find out how difficult it can be for religious gay people
For the two main actors who manage to so much with so few words

The Breakdown

A man tries to open a sliding door to a shop as the rain pours down on him. He gives up trying to unlock the padlock with his key and grabs a rock to break the lock. After a few throws, the lock falls off. He carefully peels off a poster from the door (a notice of death) and enters the shop.

A tracking shot of the floor shows an overturned chair. The man carefully folds up the poster and puts it to the side. We can deduce who has died from the clues the director leaves in the opening sequence. The way the man carefully folds the poster notice of death means that it must be someone close to the man. And the fact he has a key shows that it is probably a relative. So when the man finds a picture of a young boy and an older man sitting outside the shop he has entered we can deduce it is an old picture of him and his father.

In this film, you need to pay attention to the film’s subtleties. The two main characters do not share much dialogue. Instead they communicate in short, clear sentences. However, pay attention to the way they say things, as this reveals more than what they say. Their short and unemotional conversation reveals their repressed emotions. The strict religious society they are a part of prevents them from expressing their sexuality.

Conclusion

Eyes Wide Open is beautifully filmed and acted. It will also open your eyes to the difficulty of living as part of a strict religious society as a gay person. You may have witnessed the difficulty of living within a strict religious society in Sand Storm or Asmaa. But unfortunately the plight of gay people in strict religious communities is rarely shown. Eyes Wide Open is one of these rare films that is also beautifully filmed.

Closed Curtain

Closed Curtain Film Difficulty Ranking: 5

“You think you can capture reality in here?”

Closed Curtain stands up for Iranian activists. To understand this film, you have to know a little a bit about the director, Jafar Panahi. After making a number of critically acclaimed films, Panahi was placed under house arrest after being charged with producing propaganda against the Iranian government. What was his reaction? To keep making films under house arrest and having them smuggled out of the country. So here’s Closed Curtain, the second film released under house arrest.

Why Watch Closed Curtain?

To experience house arrest (this was the second film Panahi directed under house arrest)
See a double decker tea-pot
For a great film from one of Iran’s top directors (check out The Circle or Taxi Tehran for another great film from Panahi)
Learn about some more of the different laws in Iran (See Divorce: Iranian Style)

The Breakdown

Through a closed gate we can see a barren beach outside of a house. A car stops on the road by the beach and a man gets out, collects a few bags, and walks slowly to the house. The man enters the house and the camera cuts to show him. Inside the house, the camera is free. The man opens his bag to reveal his pet dog. He quickly attaches dark curtains to all of the windows in the house to block out the light.

It isn’t clear from the start what is going on. The man who releases his dog into the house seems a bit crazy as he frantically covers every opening to the world outside. However, just like the woman who runs into the house 20 minutes into the movie, he is victimised by some strange laws. The TV shows us that the man is hiding his dog from death after the state has declared all dogs as unclean animals. The woman appears in the house after she is persecuted for partying on the beach. Just like the director, they have all ended up under house arrest for unjust reasons.

To make us feel under house arrest, Panahi carefully confines the camera within the house. From the start, when we see the man with the dog arrive outside the house, the camera is fixed behind the house borders. People enter and leave the house, but we only see them from the behind the house window. Through this, Panahi captures the isolation felt under house arrest as well as the limits of his artistic creativity.

Conclusion

Closed Curtain is a clever and unique way of portraying Iran. Panahi depicts Iran’s limitations through the limitations of house arrest. However, whilst the film is clever and unique, it is not Panahi’s, or Iran’s most accessible film. This is for the more experienced art-house film viewer. Therefore save this one until you’ve watched a few films with lower Film Difficulty Ranking’s before attempting this one! For another Iranian film, try Under The Shadow!

Melancholia

Melancholia Film Difficulty Ranking: 5

As one of the longest cinematic films in existence, watching Melancholia is no easy feat. It is twice as long as Gone With the Wind or over twice as long as Lord of the Rings: Return of the King. In addition, this film feels long. There are plenty of scenes where we are watching one person in one position for five minutes or more. But you’ll miss out on a Filipino film talent if you ignore this one, and a chance to get to know the country without the long-haul flight!

Why Watch Melancholia?

You haven’t seen a 7 hour film before and fancy a challenge (14th on the longest cinematic film list on Wikipedia)
To understand the effect of the Marcos dictatorship on Filipino people – there were many desparacidos like in Argentina!
An opportunity to see different segments of Filipino society
With no music, hear the true sounds of the Philippines

The Breakdown

The film starts with a still shot of a woman in a bedroom folding clothes. After she folds her clothes and places them onto her bed, she pauses for a few minutes to contemplate. It sounds like she is sobbing as she sits on the bed, with her back to the camera. Next a fixed shot on a balcony shows her leave her room dressed up in skimpy clothes and big boots. She is a new prostitute in a small Filipino town in the country.

There is a lot you can say about this film because it is so long. However, there are a few things which remain constant throughout the film. Firstly, the pairing of fixed cameras and long takes (each around five minutes long) forms most of this film. These shots make us feel like a fly on the wall for the whole film. Unlike a Hollywood blockbuster, everything appears in real time. We see the banal acts of folding clothes, sitting down contemplating, and even sleeping. As a result, things seem more real, it is almost like we are spying on someone we don’t know.

Also unlike Hollywood blockbusters, there are no intrusive close-ups in the entire film. We cannot see the character’s faces clearly, making it harder for us to interpret their emotions. It’s hard to describe so I’ll try and distinguish it from the emotion triggered by close-ups of crying faces. Close-ups of crying faces makes the viewer sad and sometimes cry. It is also very obvious and open, creating an emotional bond between the character and the viewer. In contrast the distanced shots of people sobbing in Melancholia is partly concealed. As we cannot see their faces clearly we feel distanced and slightly intrusive. As a result, it does not feel like we can help the character’s share their emotional burdens. Their sadness is inevitable and unavoidable: Melancholia.

Conclusion

If you can afford seven and a half hours and have any interest in the Philippines, I’d recommend checking out Melancholia. It’s an intense dive into the psyche of the Marcos ruled Philippines. If you are daunted by the length but are interested in Filipino film, check out some other films from Lav Diaz (the director) such as Norte, the End of History. He is a talent!