Malta

Simshar Film Difficulty Ranking: 2

In Simshar, 11 year old Theo’s first trip with his Maltese fisherman family goes terribly wrong when the ship sinks far from land in the Mediterranean Sea. Meanwhile, Alex a medic on a Turkish merchant vessel that rescues a group of migrants in trouble gets stuck on the ship as the surrounding countries wage a bureaucratic war over who should take them in.

From: Malta, Europe
Watch: IMDb, JustWatch, Kanopy
Next: The Black Pin, The Courtyard of Songs, The Insult

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Simshar Breakdown

There’s plenty going on in Simshar. Perhaps too much. Instead of focusing on the Simshar incident or the migrant crisis, it tries to connect both in two separate stories. However, their connection never feels strong enough to make Simshar a compelling melodrama or political drama.

Instead of being a movie that examines the migrant crisis through the Simshar incident, this movie is a dramatized depiction of the Simshar incident featuring another narrative tied to the migrant crisis. Whilst they both are related to the sea and Malta, the director doesn’t nearly do enough to tie the two stories. It feels like the migrant crisis pieces are included to make the film more relevant to the political climate in which it was made.

Even the dates of the film feel off. Whilst the Simshar incident happened in 2008, the migrant crisis didn’t fully explode until slightly later in the 21st century. This is not to say that there weren’t African migrants traversing the Mediterranean in 2008 – there were – but it was not nearly as well covered in European news in 2008 as in 2014 when this film was made. Making this movie about an international immigration crisis, and not just about a fishing tragedy, probably made Simshar a lot more marketable on the film festival circuit than if it just focused on the fishing tragedy.

However, if you’re into Mediterranean melodrama, the Simshar incident narrative might appeal to you. It’s sepia tinted scenes backed by a slightly whimsical accordion soundtrack evokes a romanticized depiction of Maltese life. It almost feels a bit nostalgic too, as if it’s looking fondly back on a time in Malta before the migrant crisis and foreign rules (fishing restrictions) threatened it. The no-nonsense Maltese family that clings onto their way of life despite national and international fishing restrictions runs against the change caused by the migrant crisis.

The romanticized portrayal of Maltese life feels slightly problematic in contrast with the underdeveloped migrant characters in the migrant crisis narrative. The Maltese characters are given screen time to build their characters through dialogue and actions, whereas the migrants are only spoken to. It means that viewers naturally sympathize with the traditional Maltese people and not the migrants as they’re actually humanized on screen. This is most evident in a scene in which one black migrant shouts “you don’t know what we’ve been through” to white Maltese hecklers. We, like the Maltese characters don’t know what they’ve been through, and unfortunately the film never tries to answer this either. As a result, Simshar’s attempt to cover the migrant crisis, whilst also dramatizing the Simshar incident feels half hearted, leaving both narratives feeling flat.

What to Watch Next

If you like warm portrayals of quaint Southern European life, check out Cinema Paradiso and The Courtyard of Songs. Both fully immerse the viewer without trying to make political statements. Or if you’d really like to see film that does manage to integrate a political statement into a small town Mediterranean film, try the gentrification narrative of Montenegro’s The Black Pin.