Soviet-made Cuban films don’t do half measures, they go all in. I am Cuba is no exception. The cinematography is more stylish than most films you’ll ever see and some of the shots are truly unforgettable. Add in Cuban history from the 1920s to the 1950s and you’ve got one truly epic film.
From: Cuba, North AmericaContinue reading “I am Cuba – A Soviet Made Masterpiece”
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Next: Lucia, Battle of Algiers, Battleship Potemkin
How well do you know your Cuban history? Lucia charts the evolution of revolutionary consciousness in Cuba from Spanish Imperialism until after the Cuban revolution through the stories of three women named Lucia (living in 1896, 1932, and 1960 respectively). Who’d thought a Cuban film made in the 1960s would be more progressive than most of the Hollywood films of today because of it’s political consciousness and female protagonists.
Part one. It’s 1895. Lucia, a lady from the upper class, gossips with her friends about another lady who has just returned from Paris with a rich, chubby husband before they all head into church. She catches the eye of a trader whilst in church, and they both exchange smiles. This is romance of the 1890s.
As part one progresses, you gradually see more and more of the demise of Spanish imperialism. Firstly, from the horrific story of Fernandina; a former nun that crazily roams the streets after being raped. Secondly from the doomed love affair of Lucia. And, lastly from the chaotic battles that take place at the end of the segment. The chaos which ends part one is a long way from the playful gossip that starts the film.
You’ll also notice how Humberto Solas adds loads of emotion to his film. For example, in Fernandina’s rape scene, he quickly cuts between different angles preventing us from focusing on one view point which disrupts our viewing flow. To add to the effect, he uses a hand-held camera. The combination of the quick cutting and the hand-held camera make us feel Fernandina’s confusion and horror as all these soldiers are frantically chasing her. If you’ve seen Sergei Eisenstein’s famous Battleship Potemkin, you’ll recognise this chaotic montage.
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From: Cuba, North America Watch: Trailer, IMDb, Website Next: The Project of the Century, I Am Cuba, Let it BurnContinue reading “Epicentro – An Outsider’s Perspective of Cuba”
From: Cuba, North America Watch: Trailer, Vimeo, Tubi Next: The Clash, Kings of Nowhere, I Am Cuba
The Project of the Century opens like an old science fiction movie with green font on a black screen. Obviously this looks dated to modern eyes, and that is exactly the directors intention. For in this film, Carlos Machado Quintela conveys the failed hope of a nation. A Cuba that had so much hope for a prosperous future but was doomed to failure. It’s presented in the incomplete Cuban Nuclear plant where a father and son have come together with their macho grandfather for a strange time of bonding and reminiscing.
After a few stock images of nuclear power plants and white women on beaches signifying the promise of the science Cuban was invested in, the colors switch to a black and white present day (2012) to signify the dead hope. Instead of the vivid colors and vibrant life portrayed in the old tourist agency style videos, the actual location now looks more like a dystopia you might recognize from High Rise or Ion de Sosa’s off-season Benindorm based sci-fi Androids Dream. There’s just a cluster of high rise flats without any signs of life besides the three men, surrounded by abandoned construction sites. It’s meant to be a place meant to be brimming with people, but instead of rockets being launched, there’s just the smoke of fumigators patrolling the block.
The three generations of the film (grandfather, father, son) represent the dying hope across the three generations of Cuba. The grandfather, having grown up during the revolution, still dreams of the brilliant promise of Cuba’s early days under Castro. He’s boisterous and stubborn, and refuses to listen to the despair of the younger generations. His son, now in his middle age, studied abroad in the USSR and Germany with some of the world’s top scientists. He was assigned with working on the ‘Project of the Century’ – the building of Cuba’s nuclear power plants, supposed to provide power to the country. However, after investing years of his life in the country and project, the USSR collapsed, leaving Cuba without allies and the resources needed to finish the great project. As a result, his life’s work was for nothing, and the excitement for a prosperous Cuban future was vanquished. His son, a man in his mid-20s is a symbol of the lack of hope and pride in present day Cuba. He’s jobless, has no direction, and disappoints his older relatives.
Having grown up in different eras, having been apart for some time, and being men, they argue and fight. Without jobs, hope for the future, and direction, fighting is just something to pass the time until the eldest dies and they can finally move on from Cuba’s brilliant history and pride.
Firstly, it’s worth watching I Am Cuba to feel the optimism that filled Cuba following the revolution that has died in The Project of the Century. It’s vibrant and full of energy to contrast with the darkness of this film.
You could also watch Kings of Nowhere or Once Upon a Time in Venezuela – two documentaries featuring towns that have seen better days. The former features a town consumed by a dammed lake, whilst the latter features a town being polluted by sediment.
Or if you’re looking for more macho family antics, check out The Clash. It features a Peruvian teenager going to live with his macho Peruvian dad in Canada.
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