human interest

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Saudi Runaway – Sundance Film Festival 2020

Despite reforms from MBS, the current ruler of Saudi Arabia, 1,000 women escape Saudi Arabia each year. Saudi Runaway follows Muna, a typical Saudi Arabian woman trying to make herself one of the 1,000 to escape the oppressive patriarchy. All the footage is shot on her phone camera, often in secret from under her hijab, to document a snippet of her life.

Muna gains our trust right from the start by showing us things we shouldn’t see. She takes us into the crowds of the Hajj pilgrimage circling the Kaaba by capturing the crowds from a phone camera hidden under her veil. She also documents her family secretly in prayer and the patriarchal words her family and fiance say without realizing they’re being filmed. From these secretive observational moments we can start to build a picture of the society and family she lives in and its restrictiveness. We can also feel the risk she’s taking in secretively filming her family. She obviously hasn’t told them about the film as all they’re faces are blurred. Because of the risks she takes and secretive shots she has shared with us, she immediately gains out trust and empathy.

The film strengthens our connection with Muna through a series of video diary entries in which she shares experiences from her life and plans her escape. We hear about the patriarchal oppression she faces: how her husband won’t let her drive and how she can’t go to the supermarket or leave the house without a man. We also hear about her slim chance for escape: she cannot leave the country without a man’s permission in Saudi Arabia, so she has to get married before attempting an escape in the UAE whilst she’s on her honeymoon. Amazingly, she captures all of the tension of her ordeal, even taking a minute to document her final thoughts before she attempts her escape.

The only fault I could give this exciting documentary is the touch of melodrama the European director adds to the raw footage from Muna. In some of the tense moments, the soundtrack feels like it’s emphasizing the emotions more than it needs to. It makes the film feel ‘more produced’ and therefore less intimate and trustworthy by taking away from the realness of the first hand footage shot by Muna. The ‘dear Sue’ addresses in Muna’s video diary also make the film feel more like an act, by recognizing the foreign hand in its creation.

Overall, Saudi Runaway is a documentary that any fans of escape documentaries (see Midnight Traveller) or viewers interested at an inside look of Saudi Arabia should watch.

Head to our Sundance Film Festival Hub for more reviews from the Sundance Film Festival 2020.

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Tune Into The Future – Luxembourg City Film Festival 2020

Many decades before the internet gave us nerd culture, there was Hugo Gernsback, an eccentric Luxembourgish writer and inventory who went on to become the father of modern science fiction.

Festival Scope

Tune into the Future tracks Hugo Gernsback’s life and inventions from his roots in Luxembourg and Europe, to finding his path and career in New York. It’s a story told with plenty of animations, interviews, personal anecdotes from his grandson, with references stretching from Tesla and Superman (Superman’s creator was inspired by Hugo’s publications).

Tune into the Future starts with some small square black and white footage of Hugo back in the day before the narrator interrupts the footage to tell us we’re missing the true (colorful) story. At this point the small black and white square footage expands to take up the entire screen and starts parading through images of Hugo’s fantastic speculative inventions from the future. The director, Eric Schockmel knows the inventions are the most eye catching part of Hugo’s work so he uses them to get us hooked in order to tell Hugo’s life story.

The director’s experience working with Museum Exhibits definitely shines through this documentary. He successfully manages to keep the audience engaged and interested throughout by mixing dry one on one interviews and personal anecdotes with animations that bring the anecdotes and Hugo’s ideas to life. It reminded me a bit of the educational YouTube videos made by Kurzgesagt – informative, but always engaging.

The way the documentary is presented matches Hugo’s own attempts to popularize science. He, like the director, used a mix of media to promote visions of utopia and drive interest in science across the world. In Schockmel’s case, he makes the film to rejuvenate Hugo’s efforts to popularize science in a time when experts and utopian ideas are being forgotten around the world. It’s time for the world to start dreaming again.