The Exterminating Angel Film Difficulty Ranking: 3

Ever had a party where the friends you invited just don’t go home? They’ve stayed for dinner, stayed the night, and even though you’ve fed them breakfast in the morning, they’re still here! Well that’s what happens in Bunuel’s Exterminating Angel. It’s intriguing, entertaining, and Bunuel-level absurd. You’ve got to love it!

Why Watch the Exterminating Angel?
  • See more of Bunuel’s dark view of human nature (watch Viridiana for more)
  • To laugh at the aristocracy just like Monty Python’s Twit of the Year
  • For surrealism at it’s finest – there are bears and sheep wandering through the house, floating hands, and chicken legs in purses!
  • To learn how to small talk and ditch someone you don’t want to speak to anymore onto someone else
The Breakdown

The film starts with guests arriving in their fancy cars at the gates of a mansion in Spain. As the guests are entering the house, the servants are trying to leave like rats from a drowning ship. But what is the problem with this house?

Well it’s full of the aristocracy that’s why. The guests have their fancy dinner, and continue to have drinks, and then coffee, then go to sleep. At this party, the guests just don’t leave.

In the morning, the host tries to get them to leave after breakfast, but his plan fails. None of the guests leave. In fact, in a surrealist twist, none of them can leave. They are somehow all confined to fight for survival in the morning room of this giant mansion.

Yes, this film is absurd. But it’s also intriguing and entertaining enough to keep on watching. As for the political allegories, Roger Ebert puts it best:

“The dinner guests represent the ruling class in Franco’s Spain. Having set a banquet table for themselves by defeating the workers in the Spanish Civil War, they sit down for a feast, only to find it never ends. They’re trapped in their own bourgeois cul-de-sac. Increasingly resentful at being shut off from the world outside, they grow mean and restless; their worst tendencies are revealed.”

Conclusion

This is vintage Bunuel. Just like in Viridiana he subtly makes fun of Franco’s Spain. In this case he makes fun of the aristocracy who are trapped in their upper class bubble (their own oversized mansion).

 

The Devil’s Backbone Film Difficulty Ranking: 2

Click on the Poster to Watch!

If you liked Pan’s Labyrinth you’ll love The Devil’s Backbone. It’s another great film from Guillermo del Toro set during the Spanish Civil War. The Devil’s Backbone is a horror film with depth, unlike a bunch of the horror films around today. So go ahead, watch this and let your imagination loose!

Why Watch the Devil’s Backbone?
  • It’s one of Guillermo Del Toro’s first and best films (he’s famous for Pan’s Labyrinth, Hellyboy, and Blade)
  • You want a horror film with a bit more depth than your classic slasher or psychological thriller
  • It’s another great movie about which plays out during the Spanish Civil War (also check out Lengua de las Mariposas and Pan’s Labyrinth)
  • There’s also the classic Guillermo Del Toro creations and style
The Breakdown

“What is a ghost? A tragedy condemned to repeat itself time and again? An instant of pain, perhaps. Something dead which still seems to be alive. An emotion suspended in time. Like a blurred photograph. Like an insect trapped in amber”

As the opening lines above are read, a plane flying across the night sky opens it’s bomb doors to drop bombs on a village below. One of the bombs falls into the ground, brutally injuring a young boy.

The boy was a member of a small walled sanctuary in the middle of the Spanish desert. The sanctuary is full of young boys left by men and women fighting in the Spanish Civil War. The place is run by an old woman with a wooden leg and an old man who has a love for books and curiosities (typical del Toro style). The location is like the wild west and is ripe for the spookiness that unfolds.

Del Toro perfectly stages the horror scenes. Each one follows the rhythm written by the many horror films that preceded it. There’s the first ominous sighting early on in the film which goes unnoticed by all of the characters. This reveals the ghost to us. Next, the protagonist sees the ghost and the rest of the character’s usually don’t believe him. This identifies the audience with the protagonist (we’re the only one’s who know of the ghost). Then finally, in the climax, the ghost is revealed to all.

The Conclusion

The Devil’s Backbone is one of Guillermo del Toro’s best. Just like Pan’s Labyrinth it contains a young kid living during the Spanish Civil War. However, this film is a more classic horror. Even though Pan’s Labyrinth borrows from the horror genre, The Devil’s Backbone will give you more spooks. What’s the best thing to do? Watch both!

 

Viridiana Film Difficulty Ranking: 4

Who said you couldn’t make fun of a dictatorship whilst living in under a dictatorship? Luis Bunuel proves us wrong by returning to Spain to deliberately make this film that satirizes Franco. Would anyone dare do this today?

Check out this sleepwalking scene for a mere taste of the controversy.

Why Watch Viridiana?
  • Get to know one of the dark side of one of the most famous directors of the 20th century: Luis Bunuel
  • To see a film that savagely pokes fun at Spain under Franco, dictator from 1939 until 1973 (the film was banned in Spain until his death in 1975)
  • For a ‘Last Supper’ scene which got it banned in the Vatican
  • If you like laughing at human nature and the absurdity of life
The Breakdown

We meet Viridiana in the courtyard of her convent talking with her mother superior. She is told to go visit her uncle before she takes her vows to become a nun. A strange request as she hardly knows him. In a Bunuel film, this can only mean trouble.

Sure enough after Viridiana arrives at her uncle’s house, she is fetishised by Bunuel (meaning she is made into the object of her uncle’s sexual fetish). Bunuel shows her taking off her stockings and nun frock in one scene and has the uncle’s maid spy on her through a key hole.

Bunuel makes it even weirder when the uncle asks Viridiana to wear his dead wife’s wedding dress (she died on her wedding night). Sure enough she looks just like her.

Bunuel’s depiction of the weird uncle is a satire of the aristocracy under Franco. He paints them as perverted and stuck in tradition (his house is full of old artifacts and looks like Mrs.Faversham’s from Dickens’ Great Expectations).

But Bunuel does not just satirize the aristocracy. Everyone is a victim in this film!

Conclusion

Bunuel has a pretty dark view of humanity. No one in this film gets away without being made fun of from the creepy old uncle to the group of beggars Viridiana takes care of. Even Viridiana is made fun of with her saintly actions.

One scene which perfectly depicts Bunuel’s world view is a scene in which Jorge (the uncle’s son) buys a dog that is being dragged along on a lead under a running horse cart. He buys the dog to free it. However, as he walks off with the dog, he does not see another cart drive past with another dog being dragged along under it.

 

4

Agora

Film Difficulty Ranking: 1

Agora is an epic. It’s The Imitation Game meets Gladiator – there’s celebration of an unknown heroine with plenty of Roman drama to keep you stuck in your seats. There is religion, violence, and philosophy. Plus for all you subtitle haters this ones for you, it’s all in English with great performances from Rachel Weisz and Oscar Isaac (before he was famous) to go with it!

Why Watch Agora?
  • Do you hate slavery, sexism, racism and/or violence? Then watch this film!
  • Wondering where all the female leads are in Ancient epics? Well there’s one here!
  • To time travel back to Roman controlled Egypt!
  • For a romantic flute solo.

Agora opens with the Earth and the stars. From the stars, we descend to earth to enter one of Hypatia’s lectures in 4th century Egypt. She is conducting a lecture on the centre solar system. One wily student suggests that the Earth is not the centre of the universe, to which one of the Christians takes offence, for how can the Earth, the kingdom of God, not be at the centre.

Whilst you might not find this description truly gripping, I promise these opening set the scene for some BIG confrontations!!

Without spoiling too much, Director Alejandro Amenabar exploit mass movement to emphasise the battle scenes. The large casts during the battle scenes show power in ways that 20 people could not. When this massive cast starts moving, there is even more dramatic effect. Seen from above (aerial shots), we see masses of people running from one end of the screen to the other. The mass movement of these large casts emphasises the violence and mercilessness of the perpetrators in a way that a smaller cast could not replicate.

The aerial shots also play another part in the film. A few times the aerial shots of the streets in Egypt zoom out to the country, and then zoom further away showing the earth among the stars. This sequence is also shown in reverse, zooming into Egypt from the Earth and stars, before zooming in to see the streets of Alexandria. As well as being visually impressive, these sequences point out the insignificance of the battles of humanity relative to the universe. All throughout, the Earth remains unchanged as do the stars surrounding us. This supports the directors bias for our astrologer/philosopher Hypatia whose life is dedicated towards our understanding of the universe. (or maybe I’m just seeing it through my own tinted glasses).

Anyway, I strongly recommend this film for those with any interest in the rise of religion or the Roman Empire in Egypt. You should also watch this film to see a woman celebrated for her academic research. Over 1,500 years later, we still haven’t reached true equality.

“You don’t question what you believe… I must”

 

The deserted landscape of off-season Benidorm

Androids Dream Film Difficulty Ranking: 4

How would Bladerunner have looked if it had a minutely small budget?

Like Androids Dream.

From: Spain, Europe
Watch: Trailer, Mubi
Next: Bladerunner, High Rise, Logan's Run
Continue reading “Androids Dream – A Low Budget Spanish Bladerunner”