The Exterminating Angel Film Difficulty Ranking: 3

Ever had a party where the friends you invited just don’t go home? They’ve stayed for dinner, stayed the night, and even though you’ve fed them breakfast in the morning, they’re still here! Well that’s what happens in Bunuel’s Exterminating Angel. It’s intriguing, entertaining, and Bunuel-level absurd. You’ve got to love it!

Why Watch the Exterminating Angel?
  • See more of Bunuel’s dark view of human nature (watch Viridiana for more)
  • To laugh at the aristocracy just like Monty Python’s Twit of the Year
  • For surrealism at it’s finest – there are bears and sheep wandering through the house, floating hands, and chicken legs in purses!
  • To learn how to small talk and ditch someone you don’t want to speak to anymore onto someone else
The Breakdown

The film starts with guests arriving in their fancy cars at the gates of a mansion in Spain. As the guests are entering the house, the servants are trying to leave like rats from a drowning ship. But what is the problem with this house?

Well it’s full of the aristocracy that’s why. The guests have their fancy dinner, and continue to have drinks, and then coffee, then go to sleep. At this party, the guests just don’t leave.

In the morning, the host tries to get them to leave after breakfast, but his plan fails. None of the guests leave. In fact, in a surrealist twist, none of them can leave. They are somehow all confined to fight for survival in the morning room of this giant mansion.

Yes, this film is absurd. But it’s also intriguing and entertaining enough to keep on watching. As for the political allegories, Roger Ebert puts it best:

“The dinner guests represent the ruling class in Franco’s Spain. Having set a banquet table for themselves by defeating the workers in the Spanish Civil War, they sit down for a feast, only to find it never ends. They’re trapped in their own bourgeois cul-de-sac. Increasingly resentful at being shut off from the world outside, they grow mean and restless; their worst tendencies are revealed.”

Conclusion

This is vintage Bunuel. Just like in Viridiana he subtly makes fun of Franco’s Spain. In this case he makes fun of the aristocracy who are trapped in their upper class bubble (their own oversized mansion).

 

Viridiana Film Difficulty Ranking: 4

Who said you couldn’t make fun of a dictatorship whilst living in under a dictatorship? Luis Bunuel proves us wrong by returning to Spain to deliberately make this film that satirizes Franco. Would anyone dare do this today?

Check out this sleepwalking scene for a mere taste of the controversy.

Why Watch Viridiana?
  • Get to know one of the dark side of one of the most famous directors of the 20th century: Luis Bunuel
  • To see a film that savagely pokes fun at Spain under Franco, dictator from 1939 until 1973 (the film was banned in Spain until his death in 1975)
  • For a ‘Last Supper’ scene which got it banned in the Vatican
  • If you like laughing at human nature and the absurdity of life
The Breakdown

We meet Viridiana in the courtyard of her convent talking with her mother superior. She is told to go visit her uncle before she takes her vows to become a nun. A strange request as she hardly knows him. In a Bunuel film, this can only mean trouble.

Sure enough after Viridiana arrives at her uncle’s house, she is fetishised by Bunuel (meaning she is made into the object of her uncle’s sexual fetish). Bunuel shows her taking off her stockings and nun frock in one scene and has the uncle’s maid spy on her through a key hole.

Bunuel makes it even weirder when the uncle asks Viridiana to wear his dead wife’s wedding dress (she died on her wedding night). Sure enough she looks just like her.

Bunuel’s depiction of the weird uncle is a satire of the aristocracy under Franco. He paints them as perverted and stuck in tradition (his house is full of old artifacts and looks like Mrs.Faversham’s from Dickens’ Great Expectations).

But Bunuel does not just satirize the aristocracy. Everyone is a victim in this film!

Conclusion

Bunuel has a pretty dark view of humanity. No one in this film gets away without being made fun of from the creepy old uncle to the group of beggars Viridiana takes care of. Even Viridiana is made fun of with her saintly actions.

One scene which perfectly depicts Bunuel’s world view is a scene in which Jorge (the uncle’s son) buys a dog that is being dragged along on a lead under a running horse cart. He buys the dog to free it. However, as he walks off with the dog, he does not see another cart drive past with another dog being dragged along under it.