Flies Film Difficulty Ranking: 2

Flies is a warm-hearted drama set in Mexico City that follows a grumpy old woman and a young boy both tangled in the web of the Mexican healthcare system. Watch it if you’re a fan of arcade games (a form of Space Invaders plays a significant part in the narrative), to navigate the brutalist buildings of Mexico City through the eyes of a 9 year-old, or if you’re simply a fan of modern Mexican films shot in black and white (see Roma, Gueros, or We Shall Not Be Moved).

From: Mexico, North America
Watch: IMDb, Trailer
Next: We Shall Not Be Moved, Gueros, Death of Mr. Lazarescu

Flies – The Breakdown

I was a little worried that this film was going to be a bit too loyal to its title. Five minutes in and all you’ve seen is an old lady (Olga) trying to swat a fly buzzing around her apartment. Breaking Bad had a 47-minute episode directed by Rian Johnson which follows the main characters trying to kill a fly in the meth lab for the majority of the episode, so my fear wasn’t unfounded. Luckily, the film soon introduces Cristian and his dad, who are looking for a place to stay in the city while his mum is in hospital.

The faults of the Mexican healthcare system bring Olga and Cristian together. Olga has just put a room in her apartment up for rent because she needs money to afford to remove her bunions. Meanwhile, Cristian and his dad need a cheap place to stay in the city whilst his mum is in hospital. They’re far from home, most likely because the specialists she needs can only be found in Mexico City. The same faults of the Mexican healthcare system also fuel Cristian’s relationship with Olga. Cristian’s dad only leaves Cristian alone at Olga’s apartment because he has to find work to pay for his wife’s desperately needed medicine. As the chain of events revolves around the healthcare system, Flies becomes a subtle critique of a system that fails to fully meet its citizens needs.

Despite the social critique which underlying the movie, Flies is a very warm-hearted film that offers an intimate glimpse into the lives of young Cristian and the solitary Olga. Through Cristian’s eyes and likability, the film takes us into the everyday corners of the city: the comedors (daily eateries), brutalist apartment blocks, and even the hospital’s security guard posts. Director Fernando Eimbcke conveys Cristian’s perspective naturally through these everyday shots and interactions, making the film a wonderful modern addition to the recent black and white releases showcasing neo-realist Mexico City alongside Gueros, We Shall Not Be Moved, and Eimbcke’s debut Duck Season.

The Exterminating Angel Film Difficulty Ranking: 3

Ever had a party where the friends you invited just don’t go home? They’ve stayed for dinner, stayed the night, and even though you’ve fed them breakfast in the morning, they’re still here! Well that’s what happens in Bunuel’s Exterminating Angel. It’s intriguing, entertaining, and Bunuel-level absurd. You’ve got to love it!

Why Watch the Exterminating Angel?
  • See more of Bunuel’s dark view of human nature (watch Viridiana for more)
  • To laugh at the aristocracy just like Monty Python’s Twit of the Year
  • For surrealism at it’s finest – there are bears and sheep wandering through the house, floating hands, and chicken legs in purses!
  • To learn how to small talk and ditch someone you don’t want to speak to anymore onto someone else
The Breakdown

The film starts with guests arriving in their fancy cars at the gates of a mansion in Spain. As the guests are entering the house, the servants are trying to leave like rats from a drowning ship. But what is the problem with this house?

Well it’s full of the aristocracy that’s why. The guests have their fancy dinner, and continue to have drinks, and then coffee, then go to sleep. At this party, the guests just don’t leave.

In the morning, the host tries to get them to leave after breakfast, but his plan fails. None of the guests leave. In fact, in a surrealist twist, none of them can leave. They are somehow all confined to fight for survival in the morning room of this giant mansion.

Yes, this film is absurd. But it’s also intriguing and entertaining enough to keep on watching. As for the political allegories, Roger Ebert puts it best:

“The dinner guests represent the ruling class in Franco’s Spain. Having set a banquet table for themselves by defeating the workers in the Spanish Civil War, they sit down for a feast, only to find it never ends. They’re trapped in their own bourgeois cul-de-sac. Increasingly resentful at being shut off from the world outside, they grow mean and restless; their worst tendencies are revealed.”

Conclusion

This is vintage Bunuel. Just like in Viridiana he subtly makes fun of Franco’s Spain. In this case he makes fun of the aristocracy who are trapped in their upper class bubble (their own oversized mansion).

 

Crime of Father Amaro Film Difficulty Ranking: 2

If you love controversy with plenty of drama, check out The Crime of Father Amaro. It’s a full frontal attack on the Catholic Church in Mexico which many tried to ban. Whilst it’s not as damaging as Spotlight, it will remind you that all of us are human no matter what position we’re in.

Here’s a dramatic trailer for a dramatic film.

Why Watch Crime of Father Amaro?
  • It’s controversial – religious groups lobbied to ban it in Mexico but their attempts backfired as the publicity rocketed this film to success at the box office
  • To see Gabriel Garcia Bernal (famous for Y Tu Mama Tambien, No, Motorcycle Diaries and many more)
  • If you love a bit of melodrama
  • It was Oscar nominated for best foreign language picture
The Breakdown

The opening of the film deliberately leads us to sympathize with the young Father Amaro (Garcia Bernal). Firstly, he’s charitable. When the elderly man he sits next to on the bus is robbed, he reimburses him with his own money. Secondly, he appears friendly. The local kids run around him after he playfully grabs their football and he chills with the fellow pastors to watch football on TV. He has all the makings of a great guy. However, the melodrama slowly kicks to life as he begins to take advantage of one of the parish girls who is clearly infatuated with him.

There are plenty of omens that something is going to go wrong. Firstly,  you’ll notice that wherever Father Amaro is, the statues of the Saints and Jesus are always watching him. There’s a statue of Jesus that watches over him at home, from his bedside table. Furthermore, the director makes sure you notice each of the saints looking down at him whenever he is in the church by cutting to static shots of each one as he walks down the aisle. Nothing he does escapes from their view.

Secondly, the saints have a helper in a crazy old woman aptly named Dionisia after the Greek God Dionysus, the God of Wine, as well as ritual madness and religious ecstasy. It’s clear that Dionisia is both mad and madly religious. In addition, she also comparable to the witches from Shakespeare’s Macbeth. She predicts the love affair between Father Amaro and Amelia.

The two omens (the Saints and Dionisia) are both critiques of Catholicism. Firstly, of all the sins that are committed in plain sight of the saints and then confessed the next day. And secondly, of how it is interpreted by the population (Dionisia has malformed dolls posing as Saints, and tries to exorcise her disabled neighbor).

Image result for crime of father amaro

Conclusion

The Crime of Father Amaro is another great controversial melodrama from Mexico. It attacks the Catholic Church it’s hypocrisies, so it’s not surprising that Catholic groups tried to ban it. Unfortunately for them, the controversy propelled it to become the biggest film in Mexico.

If you want even more religious controversy, check out Oscar winner Spotlight. However, if you want blatant provocation, check out the Mexican film Battle in Heaven. If you want to see some more great Mexican film, check out our Top Ten Mexican Films here.