From What is Before Film Difficulty Ranking: 5

This is Lav Diaz. He’s one of torch bearers of the slow film movement having made some of the longest cinematic films. In From What is Before he documents the history of a small rural town in the Philippines during Marcos’ rule. Like Gabriel Garcia’s Macondo, this small town serves as a metaphor for the entire country. As a result, this is your chance to experience contemporary Filipino history.

Here’s a little snippet courtesy of the Toronto International Film Festival. It shows you exactly what slow cinema is like – are you patient enough to try it?

Why Watch From What is Before?
  • You want to one of the best examples of Slow Film there is!
  • To truly immerse yourself in the recent history of the Philippines
  • Witness how fear can undermine a community
  • For your chance to see the beautiful Filipino countryside in monochrome
The Breakdown

“This story is a memory of my country”

The film starts with a beautiful black and white shot of the Filipino countryside. You can see the fields of corn, tall hills in the distance, and a small shack in the foreground. This is the rural Philippines in 1970.

From the outset you can tell this is a slow film. You can tell because the camera rarely moves, each of the shots lasts for at least 2 minutes, and there is very little dialogue. Contrast this with the 5 second shot length in Hollywood films, and a load of action and dialogue, and you’ll understand why this is called slow film.

The length of From What is Before allows Lav Diaz (the director) to properly show us the gradual growth of fear in the rural town he examines. You’ll meet all the people of the town before the first signs of Marcos’ martial law start appearing around the 3 hour mark. Then you’ll see how the military rule slowly undermines the community through fear.

Conclusion

For an exploration into the power of fear in undermining unity, this film is a masterclass. Watch as Marcos’ martial law slowly envelops a small town in the Filipino country.

For more Slow film try the following:

The Towrope Film Difficulty Ranking: 3

Could you escape from the Colombian Civil War? Even in the remote parts of Colombia where The Towrope is set, the effects of the Civil War are unavoidable. It seems like everyone knows someone who has been affected by the conflict. However, the part of Colombia inĀ The Towrope is like another world. Welcome to the grey skies and cold rain you don’t see on the Colombian guide books.

Why Watch The Towrope?
  • To see more evidence of the beautiful, diverse landscape of Colombia (for more evidence see Colours of the Mountain and Embrace of the Serpent)
  • See how the landscape becomes an extra character (like the sparse desert landscape of New Mexico in Breaking Bad)
  • Learn how the Civil War has permeated all parts of Colombia
  • See what it’s like to live in the remote countryside without electricity
The Breakdown

The Towrope starts with the silhouette of a limp figure hanging from a stake. It’s dawn, and the sky is so grey that it’s impossible to see if it’s a dead person or a scarecrow; either a sign of the civil war or a sign of fertility.

It’s not people, but the landscape that sets the tone of this film. The grey sky and persistent rain is not the sunny, hot Colombia that foreigners probably think of. The lake they live by is empty and quiet and not full of tourists or visitors. The landscape and weather defines the life of the locals. They have to continually fix their houses to withstand the weather and their movement and freedom is limited by the lake.

The gloomy weather compliments the dark backdrop of the Civil War. 19 year old Alicia arrives at her Uncle’s house on the lake after her hometown was destroyed by the Civil War. It’s not clear if her family have been killed or abandoned. Her Uncle reluctantly lets her stay with him but does not offer her much hospitality.

Image result for la sirga

Conclusion

This slow paced film masterfully builds tension. The sound of creaking floorboards and rain and wind battering the sides of the house ominously hint that trouble is nearby. All the signs of Civil War are around, but nothing is explained in any detail. It’s not clear how they have been affected by the Civil War and if danger is nearby. All we can do is keep guessing.

Melancholia Film Difficulty Ranking: 5

As one of the longest cinematic films in existence, watching Melancholia is no easy feat. It is twice as long as Gone With the Wind or over twice as long as Lord of the Rings: Return of the King. In addition, this film feels long. There are plenty of scenes where we are watching one person in one position for five minutes or more. But you’ll miss out on a Filipino film talent if you ignore this one, and a chance to get to know the country without the long-haul flight!

Why Watch Melancholia?
  • You haven’t seen a 7 hour film before and fancy a challenge (14th on the longest cinematic film list on Wikipedia)
  • To understand the effect of the Marcos dictatorship on Filipino people – there were many desparacidos like in Argentina!
  • An opportunity to see different segments of Filipino society
  • With no music, hear the true sounds of the Philippines
The Breakdown

The film starts with a still shot of a woman in a bedroom folding clothes. After she folds her clothes and places them onto her bed, she pauses for a few minutes to contemplate. It sounds like she is sobbing as she sits on the bed, with her back to the camera. Next a fixed shot on a balcony shows her leave her room dressed up in skimpy clothes and big boots. She is a new prostitute in a small Filipino town in the country.

There is a lot you can say about this film because it is so long. However, there are a few things which remain constant throughout the film. Firstly, the pairing of fixed cameras and long takes (each around five minutes long) forms most of this film. These shots make us feel like a fly on the wall for the whole film. Unlike a Hollywood blockbuster, everything appears in real time. We see the banal acts of folding clothes, sitting down contemplating, and even sleeping. As a result, things seem more real, it is almost like we are spying on someone we don’t know.

Also unlike Hollywood blockbusters, there are no intrusive close-ups in the entire film. We cannot see the character’s faces clearly, making it harder for us to interpret their emotions. It’s hard to describe so I’ll try and distinguish it from the emotion triggered by close-ups of crying faces. Close-ups of crying faces makes the viewer sad and sometimes cry. It is also very obvious and open, creating an emotional bond between the character and the viewer. In contrast the distanced shots of people sobbing in Melancholia is partly concealed. As we cannot see their faces clearly we feel distanced and slightly intrusive. As a result, it does not feel like we can help the character’s share their emotional burdens. Their sadness is inevitable and unavoidable: Melancholia.

Conclusion

If you can afford seven and a half hours and have any interest in the Philippines, I’d recommend checking out Melancholia. It’s an intense dive into the psyche of the Marcos ruled Philippines. If you are daunted by the length but are interested in Filipino film, check out some other films from Lav Diaz (the director) such as Norte, the End of History. He is a talent!

Too Early, Too Late

Too Early, Too Late Film Difficulty Ranking: 5

Too Early, Too Late isn’t your typical documentary. Instead of following a person, animal, or political movement, it documents the landscape through a series of long sweeping shots of fields, land, and people. If you’re a people watcher, or someone who likes to sit on a park bench and contemplate the view, you’ll enjoy Too Early, Too Late. It requires patience, an open mind, and some open ears.

From: France, Egypt, Europe, Africa
Watch: YouTube, Rent on Amazon
Next: Playtime, Peace, Reminiscences of a Journey to Lithuania
Read The Full Review

Eldorado XXI Film Difficulty Ranking: 5

The American West is still alive today in Peru. Migrants from across the country are flocking to the highest settlement in the world for their ‘American dream’ (their rags to riches story). However, the only thing most people find is an incredibly harsh landscape. Check it out below.

Why Watch Eldorado XXI?
  • You’re into ‘Slow Film‘ and want to see more!
  • To see a film from Peru – and our first feature from this diverse South American country on FilmRoot
  • Experience a little of Peruvian mountain life
  • If you’re fascinated by the American West and the Gold Rush
The Breakdown

ElDorado XXI starts with a 25 minute still shot of miners walking up and down a mountain in the darkness. All you can make out is the vague silhouette of their bodies and the mountain from their headlamps. Whilst we watch these miners ramble up and down in the dark we hear the story of one of them.

One of them arrived at Rinconada (the mine) a few months ago after they hit bankruptcy in the city. They heard the rags to riches stories of people finding gold at the Rinconada mine and followed their version of the ‘American dream.’

Unfortunately for them, finding riches was not as easy as in the stories they had heard. They were homeless for parts and had to spend months away from their children, left with relatives in the city. The only thing they could do was work for longer and pray for luck.

That’s when you hear some strange stories about superstitions and rituals that some of the miners use to help their luck. Sacrificing Alpaca fetuses apparently bring luck, but a human fetus would ‘be more effective’. Welcome to the Peruvian wild west!

Conclusion

Eldorado XXI gives you an idea of what life is like in the Peruvian mountains – the modern equivalent of the American wild-west. People flock to this beautiful landscape in search of quick riches, but most of them never strike gold. You’ll see the life and community these migrants have formed and hear of the weird rituals that they try to boost their luck. Well worth a watch.