Should the Wind Drop is a timely cinematic introduction to the disputed territory of Nagorno-Karabakh. It’s a country that has suffered genocide and unending land disputes, which recently flared up with neighboring Azerbaijan (the country most of the international community places it within).
We enter the country with Alain, an airport inspector traveling from France. He, like most of us, arrives without much knowledge of the country’s history. He’s here to inspect the regional airport which has been shut down since the outbreak of war in the 1990’s. If it passes all his tests, it can be officially opened and both establish the country’s existence globally, and open it up for it’s residents.
We follow Alain’s transformation from an auditor “just doing his job” to a sympathizer of the independence cause. During his time there he meets a good portion of the population and slowly opens up to their way of life. He grows to sympathize with the optimistic airport operator, the TV host, and his taxi driver shown in his more open conversation with them. His connection to Nagorno-Karabakh peaks with a jovial drinking session with the local soldiers. It’s the one time he seems to stray from the commitment to his job and truly mix with the locals. His transformation serves us (the audience), as like him, we have probably come to this movie with little prior knowledge of the country and people. Whilst it seems foreign at first, we, like him, end the film with a connection to the place and it’s characters through his experiences.
As a result of it’s significance to the locals, the airport has become a symbol of pride and hope. It has the potential to free them from their landlocked prison and regional disputes and become recognized internationally. It also literally fuels the village as one little boy walks by the airport every day to fill up his water bottles to sell in the village. Everyone in the town is seen drinking his ‘magic water’. It symbolizes their faith in the airport and the modern world it will bring.
As a symbol of recognition, the movie itself is just like the airport. In being made and celebrated at international film festivals, it puts Nagorno-Karabakh on the map, finishing what the airport started.
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