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Dear Diary Film Difficulty Ranking: 3

You may have seen Rome and Italy in a number of films, but you have never seen it like it is in Dear Diary. Nanni Moretti will guide you around the country like the best tour guides – one that doesn’t care what people think of him. He parodies the Italians whilst making fun of himself for our entertainment. It’s a bit Monty Python esque and a bit Quixotic! Go watch this man’s stream of consciousness!

Why Watch Dear Diary?
  • For a visual stream of consciousness portrayal of Rome and Italy
  • It’s also a great comedy with plenty of parody
  • There’s a great soundtrack featuring Juan Luis Guerra and Cheb Khaled!
  • To see director Nanni Moretti dancing in a cafe
The Breakdown

Chapter 1. On My Vespa

‘Dear diary, there’s one thing I like the most.’ And cut to Nanni Moretti riding down the back streets of Rome on his Vespa. There’s music, there’s no cars, and the streets are beautifully lined with trees!

You know those moments when you are walking on your own and your mind starts to wander? Then a few minutes later you realise that you’ve walked a mile without paying attention to what you’ve walked past. Well, the only way I can describe this film is by comparing it to one of those moments. Nanni Moretti guides us around Rome, but as he keeps getting distracted as he is doing so and takes us on his tangents.

What’s even more amazing is that he even interrupts the improvised tour he takes us on. For example, in one scene he turns up at a group dancing merengue in a square in Rome. He walks up to the band singing and starts singing along with the lead singer. He’s kind of like a Don Quixote making his way around Rome. One thing is for sure, you’ll never get a tour of Rome like this!

Conclusion

Just like The Great Beauty this great Italian film just seems to flow naturally. But unlike The Great Beauty this film is funny as well! Where else are you going to see a Director riding around Rome on a Vespa while dancing to Cheb Khaled’s ‘Didi’. Plus, I haven’t even talked about the hilarious second chapter or the darkly funny third chapter. This is one to watch!

Toni Erdmann Film Difficulty Ranking: 2

“Don’t lose your humour”

The message of Mr. Erdmann is one we should all live by. Never lose your humour and do not take life too seriously. This film is for anyone who wants to have a laugh (granted there haven’t been many comedies featured on this site). Luckily for you, Toni Erdmann, will keep you laughing until after the film has finished. You’ll understand once you’ve seen it – no one saw that coming! It’s also up for an Oscar at the 2017 Academy Awards!

Why Watch Toni Erdmann?
  • It’s hilarious (suitable for Monty Python fans, Airplane fans, Napoleon Dynamite fans, Some Like it Hot fans, and more)
  • Like the best comedies, this one is also explores other issues, most notably where we look for happiness
  • You thought your dad was embarrassing? Mr. Erdmann is the next level!
  • See a little bit of Romanian society, and a Bulgarian Kukeri suit
The Breakdown

Toni Erdmann starts with a postman delivering a package to Mr. Erdmann. He rings the doorbell, and seconds later Mr. Erdmann answers and confusedly asks the postman who the package is for. It is addressed to Toni Erdmann. Mr. Erdmann then says that his brother must have ordered it – he’s fresh out of jail for using mail bombs. He disappears into the house whilst the postman stands there worrying about if the package is another mail bomb. Mr. Erdmann reappears, this time dressed in glasses and goofy teeth, posing as his ‘brother.’

Mr. Erdmann sees his daughter a few scenes later at his wife’s house but she is always on the phone setting up meetings and working. She is only in Germany for a few days, having taken a few days off from her job in Romania. To surprise her, Mr. Erdmann decides to fly to Romania. He obviously hoped to find a happy daughter because of her very successful career, but we can tell that this is not the case. We know she has not found happiness by the sad frown on her face (she never smiles), the dying plants in her apartment, and her fatigue (from her awful sleeping pattern).

Her life is full of superficiality. She is too focused on her career to be happy, she does things she doesn’t want to do, like take her clients’ wife shopping, and loses herself at fancy parties. Mr. Erdmann tries to awaken her through his strange humour. He dons a wig, glasses, and fake teeth and pretends to be her CEO’s ‘Life Coach’. Of course, she doesn’t see the funny side of his antics. However, he hilariously keeps making fun of himself and her fake life to try and help her out of her sombre life.

Conclusion

In a world where there is a glut of unfunny American comedies that all seem the same, Toni Erdmann is a breath of fresh air. Through the laughs which rise to a crescendo in the last 20 minutes, there is also a message: never lose your sense of humour. Mr. Erdmann certainly hasn’t and spends a month trying to make sure his daughter has not lost hers.

 

The Marriage of Maria Braun Film Difficulty Ranking: 2

Click on the Poster to Rent!

Do you want to see a great German film that resembles a Hollywood great? Here’s Rainer Werner Fassbinder’s most accessible film. It’s the story of Maria Braun, the German ‘American dream’. She lives the rags to riches story, but in typical Fassbinder fashion, she carries a lot of baggage. For a introduction to Fassbinder, this one is perfect. Then, follow it up with Ali: Fear Eats the Soul.

Why Watch The Marriage of Maria Braun?
  • For a German film that appeals to anyone used to watching Hollywood dramas
  • It’s a perfect gateway into Rainer Werner Fassbinder films (he’s one of the most renowned German directors)
  • To experience post-war Germany through Maria Braun (she’s an allegory for the countries ups and downs)
  • Or, you just want to watch a long, immersive, classic drama
The Breakdown

“Do you, Hermann Braun take this woman for this lawfully wedded wife”

As Maria and Hermann get married, a bomb drops on their ceremony, shattering the glass of all the windows and leaving a gaping hole in the ceiling. Their wedding papers fly out the window. Before the vicar can run for safety, the couple grab him and they all fall to the ground on the marriage document. As more bombs drop and the buildings around them start falling down, they sign their marriage with the scared vicar as witness.

The manic introduction continues throughout the film. It is a tremendous roller coaster ride! Maria is the crazy woman who takes centre stage for the film. At times she is the ‘American dream’ as she makes her own opportunities and success. However, she is also an allegory for the plight of post-war Germany so make sure you pay attention! For example, she is supported by America and later finds success with a united Europe whilst her husband is lost in Russia (East Germany).

In addition to the allegories, listen out for some scenes which use sound to eke out even more emotion. One example of this is obvious when Maria goes to the train station for the last time wearing her ‘Have you seen Hermann Braun’ sign. In this scene, the background noise of the crowds of people fade and the sound of the steam train gets louder. All you hear is the steady spurting of the steam: on, off, on, off. At this time, Maria looks at the fence covered in posters of missing soldiers and hopelessly at the train. The sound enhances her despair as she realises she will never see her husband again.

Conclusion

The Marriage of Maria Braun is an incredible portrait of a strong woman who makes her own success against the odds. She is Germany’s melancholic heroine, at times an epitome of the American dream. However, whilst this film is Fassbinder’s most Hollywood film, it mirrors the fate of post-war Germany. Go watch some Fassbinder!

For more Fassbinder, we highly recommend Ali: Fear Eats the Soul. For another great

Play Film Difficulty Ranking: 3

In the late 2000s a group of black boys aged 12-14 robbed other children’s phones on around 70 occasions in Gothenberg. This film tracks one of their robbery scams to see how they did it whilst cleverly making the victims (and the audience) look (and feel) helpless. Watch it here (Amazon).

Image result for play film

Why Watch Play?
  • It’s controversial but clever
  • It will make you feel uneasy and helpless
  • If you’ve seen Force Majeure (Amazon) or Cannes winner The Square and want to see more from director Ruben Ostlund
  • To experience mall culture in Sweden
The Breakdown

Play starts with a still shot of the centre of a shopping mall. Two 10 year old white boys enter the middle of the frame talking about what they need to buy next. Then, the camera slowly pans to the left, settling on a group of 5 black kids. They’ve spotted the two white kids and play rock, paper, scissors to decide who is going to go rob them.

Turns out, their trick is a lot longer than you might expect. One of the black boys asks one of the white boys for the time. Then when the white kid pulls out his phone, the black kid tells him that his phone looks just like the one that was robbed from his little brother. Cue a tour around town to find his ‘little brother’ to verify if the phone is the one that was robbed from him.

The race and class separation between the two groups is obvious. One group, with two white kids and one Asian kid, is obviously more well off than the group of black kids that rob them. They are in the mall shopping for new clothes and video games. In contrast, the black kids are just messing around. They’re not there to spend money, they’re there because they have nothing else to do. Robbing the richer kids is their entertainment. It gives them something to do and gets them enough funds to afford dinner.

For more on the identity dynamics, I recommend reading IndieWire’s review of Play here.

How the Director uses static images to convey helplessness

First of all, the bystanders in this film are pretty useless. Every time they see the group of kids in trouble, they refuse to help and just carry on with their own lives instead. The static frames make the bystanders look even more useless. Instead of cutting between close-up shots of the victims and antagonists, the static frame shows us their surroundings. You can see bystanders sitting or standing at the edge of the screen, pretending to be oblivious to the action. Their cowardice makes us question ourselves: would we be like them and just ignore kids being bullied near us?

The static frames also convey the victims helplessness. Once the victims enter the frame they’re stuck. They can leave the screen, but they will always return to it. Similarly, the audience is forced to watch the victims being bullied and robbed. There are short breaks from the main narrative, such as a group of Native Americans singing in the street, but our focus will always be diverted back to the kids being bullied. It’s as if the director wants us to feel helpless whilst trying to show us enough bullying to encourage us to help the helpless.

Conclusion and What to Watch Next

Play is brilliantly daring. It’s controversial and clever – it highlights cowardice and staunch social boundaries (class and race) and provokes debate. However, one word of advice, just like a lot of other controversial art (gangsta rap) you’ve got to look deeper than the surface.

For a funnier but even more awkward film from Ruben Ostlund, I strongly recommend Academy Award Nominee, Force Majeure (Amazon).

I’d also strongly recommend watching both Girlhood and La HaineThey’re two more films that focus on underprivileged kids looking for their way in life in societies where they’re marginalised.

Or, if you’re looking for more Swedish film, you must check out anything by Ingmar Bergman. Start with Wild Stawberries or The Seventh Seal (Amazon).

 

 

 

 

Vitalina Varela

Vitalina Varela Film Difficulty Ranking: 5

Why Watch Vitalina Varela

  • For an entry point into the world of Slow Film
  • If you like classical painting – this film is a piece of art
  • It’s a stoical story of grief and recovery
From: Portugal, Europe
Watch: Trailer, JustWatch
Next: Horse Money, From What is Before, Cocote
Continue reading “Vitalina Varela – An Artistic Meditation on Mourning”