coming of age - FilmRoot

The Condor Daughter (Bolivia) – LALIFF 2026

The Condor Daughter Film Difficulty Ranking: 2

The Condor Daughter is a beautifully shot tale of tradition standing against the threat of expanding globalization. You’ll be transported to the awesomely scenic mountains of the Bolivian Andes and thrown into the Quecha culture of the Totorani community. You’ll follow Clara, a young woman working with her adopted mother as a midwife, as she battles the allure of modernity and fame.

From: Bolivia, South America
Watch: IMDb
Next: Utama, Whale Rider, The Secret of Kells

The Condor Daughter Breakdown

It starts the same way we all enter the world; in childbirth. Clara sings tenderly as a mother pushes her child into the world. The dimly lit room they’re in contrasts with the brightly lit hospital environments endemic to modernity. But the brightness comes in the next shot. As the baby arrives, the images cut to a still shot of the mountains, showing the incredible setting and linking the birth (and the communities lives) to Pachamama – mother nature. This link is built upon throughout the film with majestic shots of the mountains at sunrise and sunset to mark each day and cement the importance of nature to the community. When their crops fail and livestock die, it’s as if this connection has been disturbed, and they look to Clara’s flirtation with modernity as the culprit.

Clara has followed her adopted mother into the midwife profession. As one of the foundations of the cycle of life, midwifery is hugely important to maintaining tradition. Losing cultural control of midwifery destroys a pillar of the Quechua culture, opening up a space for encroaching globalization to exploit. The stakes are made clear in a scene in which a patient says she’s going to deliver her child in the government clinic because of the cash bonus and child benefits this entitles her to. Clara’s mother understands the threat of modernization, but Clara does not. Clara is drawn to the allure of the city and fame. However, like other indigenous films which explore the battle between tradition and modernity, parental inflexibility pushes their kids away. Clara’s personal struggle for freedom mirrors the communities battle to retain their own culture.

The strict parent and modernity vs. tradition narrative feels overly familiar – see Utama, Whale Rider, or even The Secret of Kells – but it’s always engrossing. However, the top reason to watch The Condor Daughter is for the stunning cinematography.

Head to our LALIFF 2026 festival Hub for more reviews from LALIFF 2026.

Nobody Knows – Children Forced to Become Adults

Nobody Knows Film Difficulty Ranking: 3

Nobody Knows is one of the most moving and heart breaking films I’ve seen. You’ll meet some children treated as baggage (very literally in the opening scene) by their irresponsible mother. They’re left at home alone to fend for themselves for long periods forcing them to learn and do everything themselves. In this film, the adults are childish and the kids are forced to become adults to survive.

From: Japan, Asia
Watch: Trailer, JustWatch
Next: Shoplifters, Grave of the Fireflies, The Florida Project

Wadjda (Saudi Arabia) – The Perfect Coming of Age Film

Wadjda Film Difficulty Ranking: 2

This is your opportunity to see the perfect heartwarming story from Saudi Arabia. In fact, it’s probably your best chance to see a film from Saudi Arabia, as this was the first feature film shot entirely in the country. So go watch it here (rent on Amazon) now.

Image result for wadjda

Why Watch Wadjda?

It’s the first feature film shot entirely in Saudi Arabia and by a female director!
If you love coming-of-age films
To experience the what life as a woman is like in Saudi Arabia
If you saw Children of Heaven and want to see more similar films!

The Breakdown

The film starts in a girls school in Saudi Arabia. The very first thing you see is a close up of the shoes on the feet of the girls as their names are being taken for register in the morning. The camera passes an array of smart school shoes before settling on a pair of converses. This is how we meet our protagonist Wadjda.

The close up shots don’t stop when we meet Wadjda, as all the scenes of her at school and at home are never shot from far away. Therefore we are never given a complete view of her school or her home, and you rarely get an establishing shot (a shot which allows you to ‘establish’ the setting) of the area she lives in. But this changes as she begins to challenge the authority of her parents and school. Towards the end of the film, these establishing shots are more common. You’ll see a wider view of the school assembly hall, complete shots of the square by their house, and a shot of Wadjda cycling through the town. The whole world frees up just as Wadjda starts breaking boundaries. It’s an subtle way of using camera distance to reflect the restrictive social boundaries.

Religion and Gender Roles

Of course you’ll also witness all the lack of freedom of women in Saudi Arabia in this film. You’ll hear some great quotes, such as:

“If you can see them (the men), they can see you. Respectable girls go inside”
“Don’t touch the Koran if you are on your period”
“A woman’s voice must not be heard by a man outside. Her voice is her nakedness”

These lines are meant to be provocative, but they’re also pretty funny and add to the slightly comic tone of the film. And that’s what makes this film great: it’s a feelgood film but it doesn’t hide the repressive society.

Conclusion and What to Watch Next

Wadjda perfectly walks the line between becoming a heavy political movie and a childish one. As a result, it’s the perfect coming of age film: Wadjda is an awesome character oppressed by the cultural and religious restrictions. The way she stands up to society is amazing. So go and watch it here.

If you want more, I’d first check out another awesome family friendly film from Iran: Children of Heaven. It’s even more heartwarming.

But I’d also recommend checking out The Bicycle Thieves. It’s obvious that Wadjda draws a lot of influences from The Bicycle Thieves. It uses bikes as a symbol of freedom and even shares a similar final shot.

Play (Sweden) – Cowardice, Social Boundaries, and Controversy

Play Film Difficulty Ranking: 3

In the late 2000s a group of black boys aged 12-14 robbed other children’s phones on around 70 occasions in Gothenberg. This film tracks one of their robbery scams to see how they did it whilst cleverly making the victims (and the audience) look (and feel) helpless. Watch it here (Amazon).

Why Watch Play?

It’s controversial but clever
It will make you feel uneasy and helpless
If you’ve seen Force Majeure (Amazon) or Cannes winner The Square and want to see more from director Ruben Ostlund
To experience mall culture in Sweden

The Breakdown

Play starts with a still shot of the centre of a shopping mall. Two 10 year old white boys enter the middle of the frame talking about what they need to buy next. Then, the camera slowly pans to the left, settling on a group of 5 black kids. They’ve spotted the two white kids and play rock, paper, scissors to decide who is going to go rob them.

Turns out, their trick is a lot longer than you might expect. One of the black boys asks one of the white boys for the time. Then when the white kid pulls out his phone, the black kid tells him that his phone looks just like the one that was robbed from his little brother. Cue a tour around town to find his ‘little brother’ to verify if the phone is the one that was robbed from him.

The race and class separation between the two groups is obvious. One group, with two white kids and one Asian kid, is obviously more well off than the group of black kids that rob them. They are in the mall shopping for new clothes and video games. In contrast, the black kids are just messing around. They’re not there to spend money, they’re there because they have nothing else to do. Robbing the richer kids is their entertainment. It gives them something to do and gets them enough funds to afford dinner.

For more on the identity dynamics, I recommend reading IndieWire’s review of Play here.

How the Director uses static images to convey helplessness

First of all, the bystanders in this film are pretty useless. Every time they see the group of kids in trouble, they refuse to help and just carry on with their own lives instead. The static frames make the bystanders look even more useless. Instead of cutting between close-up shots of the victims and antagonists, the static frame shows us their surroundings. You can see bystanders sitting or standing at the edge of the screen, pretending to be oblivious to the action. Their cowardice makes us question ourselves: would we be like them and just ignore kids being bullied near us?

The static frames also convey the victims helplessness. Once the victims enter the frame they’re stuck. They can leave the screen, but they will always return to it. Similarly, the audience is forced to watch the victims being bullied and robbed. There are short breaks from the main narrative, such as a group of Native Americans singing in the street, but our focus will always be diverted back to the kids being bullied. It’s as if the director wants us to feel helpless whilst trying to show us enough bullying to encourage us to help the helpless.

Conclusion and What to Watch Next

Play is brilliantly daring. It’s controversial and clever – it highlights cowardice and staunch social boundaries (class and race) and provokes debate. However, one word of advice, just like a lot of other controversial art (gangsta rap) you’ve got to look deeper than the surface.

For a funnier but even more awkward film from Ruben Ostlund, I strongly recommend Academy Award Nominee, Force Majeure (Amazon).

I’d also strongly recommend watching both Girlhood and La Haine. They’re two more films that focus on underprivileged kids looking for their way in life in societies where they’re marginalised.

Or, if you’re looking for more Swedish film, you must check out anything by Ingmar Bergman. Start with Wild Stawberries or The Seventh Seal (Amazon).

Mustang (Turkey) – Sisterhood vs. the Turkish Patriarchy

Mustang Film Difficulty Ranking: 2

If you love coming-of-age films like I do then you will love this film. It has all the qualities of a classic family film but with a bit more grit. You’ll learn about the fierce patriarchy in Turkey and the freedom that girls lose when they become women. A nominee at Cannes and the Academy Awards go watch this – it’s on Amazon Prime.

As with most trailers, you’ll get spoilers after the first 30 secs.

Why Watch Mustang?

To experience what it is like growing up as a young girl in a patriarchy
It’s another great coming-of-age film (for more great coming of age films check out Colours of the Mountain, Kikujiro, or Girlhood)
If you have young kids or plan to have kids
Learn how important football is!

The Breakdown

“It’s like everything changed in the blink of an eye. One moment we were fine, then everything turned to shit”

In the blink of an eye, 5 sisters living in rural Turkey transformed from innocent kids into guardians of their families honour.

After school, instead of getting on the bus home, all of the sisters went to the beach with some of their fellow classmates. They all played together in the sea and had shoulder fights then stole some apples from a nearby orchard. A bunch of innocent fun. They are free.

But their freedom is curtailed by a gossiping neighbour who tells the girl’s grandma that they were rubbing their private parts on boys necks in the sea. And with that, their innocence is lost forever.

Conclusion

Mustang reminds me of the great kids films such as The Little Princess which keep you emotionally invested until the end of the film. However, this contains a bit more political weight. Director Deniz Gamze Erguven’s intention was to uncover to women issue in Turkey. A must watch!