Girlhood – A New-Wave of French Film?

Film Difficulty Ranking: 3

More in line with the likes of Adulthood than Boyhood, Girlhood is an artistic dive into the black working class blocks of Paris. Marieme is our heroine/anti-heroine, a black female who is forced to make a life for herself after she is denied high-school education. Can she weave her way through all the obstacles thrown her way? Or is she confined by her identity and social standing?

Why Watch Girlhood?
  • To see Paris as you probably haven’t seen it before – where concrete towers replace the Eiffel tower.
  • You’re a fan of coming-of-age films
  • Witness the potential of GIRL POWER
  • Check out some beautifully coloured cinematography
The Breakdown

An heavy techno beat breathes life into the darkness of the opening credits. Floodlights break up the darkness as a group of American football players run out of a dimly lit tunnel onto the pitch. One of the girls scores a touchdown and everyone starts celebrating and singing, before the lights shut off and darkness is back. The opening briefly shows us the power of girl groups and also marks the first screen-wipe of darkness.

Pay attention when the director black-washes the screen as each time marks a key point in Marieme’s adolescence. Each time is like the ending and beginning of a new chapter. Each time also follows either a happy or sad moment that defines Marieme. I’d also recommend paying attention to the soundtrack, as the director chooses particular moments for when the songs are played. For example, Marieme and her friends sing along to Rihanna’s ‘Diamonds’ at a time when their happiness and freedom is high. At this moment, the song emphasises their happiness and camaraderie.

Whilst the screen-wipes and songs signify key moments of the film, I am not sure what the role of the colours are. Nevertheless, the colours are beautiful. From the pale blue and pink hues of Marieme’s bedroom walls, lit up by a dim lamp to the slightly washed out colours of daylight in the concrete jungle. The vivid dark blue and black hues of the hotel-room party strongly reminded me of the beautiful cinematography of Barry Jenkins’ Moonlight. See the beautiful colours for yourself and leave a comment if you think you know what they signify.

Conclusion

Girlhood is an important film. The director’s goal was to capture the stories of black teenagers, characters that are mostly underdeveloped in French films. In addition to race, this film is important because it also challenges conceptions of gender and class. All three; gender, class, and race (in that order?) come together to put obstacles in Marieme’s way. Can she escape?

 

 

 

 


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