Vitalina Varela

Vitalina Varela Film Difficulty Ranking: 5

Why Watch Vitalina Varela

  • For an entry point into the world of Slow Film
  • If you like classical painting – this film is a piece of art
  • It’s a stoical story of grief and recovery
From: Portugal, Europe
Watch: Trailer, JustWatch
Next: Horse Money, From What is Before, Cocote
Continue reading “Vitalina Varela – An Artistic Meditation on Mourning”
Reminiscences of a Journey to Lithuania Film Difficulty Ranking: 4

Have you ever been displaced or exiled from your home? Or simply been away from home for more than a few months? Well you may sympathize with Jonas Mekas when watching this film. Reminiscences of a Journey to Lithuania is a walk in the shoes of a displaced person. It’s the incredibly intimate diary film of Jonas Mekas’ return to Lithuania to see his mother and family after 25 years in exile.

Here’s an example of three minutes from the film.

Why Watch Reminiscences of a Journey to Lithuania?
  • To see what makes a great diary film (films like a diary, often shot home video style)
  • Experience the life of a displaced person by seeing Mekas’ return from exile, shot mostly from a 1st person perspective
  • It’s one of the most intimate films you’ll see (you’ll be transported into Mekas’ life)
  • Because it was added to the U.S. National Film Registry because of it’s cultural, aesthetic, and historical significance
The Breakdown

Reminiscences of a Journey to Lithuania is made up of three parts:

  1. Shots of Mekas and his brother in Brooklyn, New York from just after they were moved there from displacement camps in Germany
  2. Footage of their return to Lithuania after 25 years in exile
  3. Hamburg, the place they were both detained in Nazi German slave labour camps after fleeing Lithuania

The most time is spent on part 2, shooting their reunion with their mother and family after 25 years in exile. But because of the way the film is shot, it never really feels like they were home.

How the Style of the Film Emphasizes their Displacement

There are a few things you’ll notice straight away when watching Reminiscences of a Journey to Lithuania.

  1. There are a lot of cuts! The entire film is made up of short shots, so you never really have time to concentrate on one image.
  2. There’s no diegetic sound (ie. sound that comes directly from the film shown, apart from two singing scenes). All the sound comes from the melancholic piano soundtrack or from Mekas’ brother’s narration.
  3. As above, there’s also no dialogue. The whole film is narrated by Mekas’ brother.

When these three stylistic elements are combined in the film, it makes everything appear to be a memory from the past. Each short shot is like another memory of their former life in Lithuania.

If you’re not convinced, think of your childhood. Can you actually visualize a 3 minute long memory from your childhood with all the emotions you felt without relying on old VHS footage? If you can, you’re gifted. If not, your memory is probably composed of a load of snippets of things that made you laugh, smells, tastes, and people’s faces. This is exactly how Reminiscences of a Journey to Lithuania is composed, with short snippets of fresh fruit, family faces, and funny memories.

So even though the film is from the present, it looks like a distant memory that can never be relived. The style matches their inability to return home, after fleeing the country as Nazis and Soviets advanced in WW2.

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Conclusion

Because the film appears like a distant memory it’s pretty melancholic and nostalgic all the way through. The sounds of the piano and crackling film also don’t help to lift the mood.

Melancholy aside, it’s no surprise that this film was added to the U.S. National Film Registry by the Library of Congress. It intimately depicts the experiences of a displaced person abroad and returning home. No other filmmaker allows the audience to get as close to the displaced person experience as Jonas Mekas. For this, and because it’s a beautifully made film, you should watch Reminiscences of a Journey to Lithuania.

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Uncertain Future Film Difficulty Ranking: 3

Uncertain Future gives you a rare look into the small country at the heart of Africa: Burundi. It takes place in 2015 when President Nkurunziza seeks to rule for a third term against the wishes of a lot of the citizens of Bujumbura (the capital). Get a first hand look at the protests and violence in Eddy Munyaneza’s brave documentary.

From: Burundi, Africa
Watch: Trailer, Amazon (Rent), Vimeo (Rent)
Next: Winter on Fire, The Square, Rosewater
Continue reading “Uncertain Future – Political Unrest in Burundi”

I’m No Longer Here Film Difficulty Ranking: 3

If you’re looking for an entry point into the Cholombiano sub culture of Monterrey, you’ve come to the right place. I’m No Longer Here has the cumbia music, the dance crews, the slang, and the unique haircuts. The narrative bounces between Monterrey and New York as it follows Ulises from leading a crew in his Mexican hometown, to his new exile in New York to escape the gangs he was mistakenly mixed up in. In New York, he never fits in. He’s only at peace when he’s listening to cumbia or dancing. Otherwise, he’s alone in a world where local Latinos make fun of him and where the Americans that like him can’t communicate with him. Tune in for the music, dancing, and ‘fish out of water’ immigrant experience.

From: Mexico, North America
Watch: Trailer, Netflix
Next: Wild Style, Los Lobos, Sin Nombre
The Endless Cycle

Last year at the start of the pandemic, discrimination against African immigrants in the Chinese city of Guangzhou hit the international news circuit. A McDonalds branch refused to serve Black people in the city, there were reports of Black students being evicted from their accommodations, and there were reports of a Nigerian man attacking a Chinese nurse. It’s within this context that The Endless Cycle is set, featuring a Ghanaian immigrant in Guangzhou. The opening scene addresses the tension straight away with the protagonist watching the Chinese news report on the Nigerian man that attacked a Chinese nurse.

The Endless Cycle feels like a documentary in the way that we follow the main character’s everyday life. It features the monotonous tasks in his routine, such as cycling from place to place, Face-Timing friends and relatives, and working at the office. There’s not much dialogue either to make it feel more like a drama. In his routine, we get a glimpse into life in COVID era China where temperature checks and QR code tracking are just part of the new paradigm. It looks more normal than quarantine life elsewhere in the world, making it interesting to see for the American viewer.

However, the documentary style is a bit misleading as there are some scenes which are obviously dramatized, such as the scenes between the main character and his boss’ kid at work. The dialogue in these scenes feels more forced and unnatural. The most obvious example of this is the Taxi Driver scene which ends in him fighting a taxi driver in the road. What is probably meant to highlight the prejudice against Black people in China (with the taxi driver’s avoiding him) ends up supporting ignorant stereotypes of Black male aggression and thereby ruining the otherwise interesting portrayal of the Black experience in China. It also damages the credibility of other scenes that we may have otherwise trusted. Because of the obvious dramatization in certain scenes, it feels like this is probably more of a Chinese perspective of the Black experience in China.

Therefore if you’re looking for a film which shows a Chinese perspective of the Black experience in China, The Endless Cycle is worth a watch. However, if you’re looking for a movie about the Black experience in China told by a Black person, The African Who Wanted to Fly might be the closest you can get.


Check our Pan African Film Festival 2021 page for more reviews coming out of the 29th edition of the festival.