So Long My Son

So Long My Son Film Difficulty Ranking: 4

If you’re looking for an epic cross generational drama with tragedy, family rivalry, and common people subject to the government, you’ve come to the right place. So Long My Son is the story of two families driven apart by China’s infamous one child policy and their differing fortunes. It’s just over three hours, so there’s plenty of time to build each of the characters, but it also doesn’t feel too long. This might be because of the narrative that pieces together different time periods without ever leaving the present. It forces us to figure out which part of the protagonist’s lives we are at, but also slowly reveals more and more about the characters and their lives to add to our mental picture. It’s like a Memento of cross generational drama with a dramatic Chinese one child policy backdrop.

From: China, Asia
Watch: Trailer, Vimeo
Next: A Touch of Sin, Summer Palace, The Son's Room
The Insult

The Insult Film Difficulty Ranking: 2

The Insult demonstrates just how powerful words can be. The trials between the Tony the Lebanese Christian and Yasser the Palestinian refugee are like the OJ Simpson trials on steroids.

From: Lebanon, Asia
Watch: Trailer, Amazon Prime, Rent on Amazon, Buy on Amazon
Next: OJ Simpson: Made in America, Silvered Water, Ajami
Continue reading “The Insult (Lebanon) – Words Can Start Wars”

Boxing Libreville Film Difficulty Ranking: 3

If you’re a boxing fan or simply a regular gym rat, you’ll be able to sympathise with Christ in Boxing Libreville. He’s a boxer who trains all day and works all night to try to become the best boxer in Gabon as the hope of a new political future builds in the background.

From:  Gabon, Africa
Watch: Trailer
Next: Makala, The Happiest Day in the Life of Olli Maki, Fruitvale Station
Continue reading “Boxing Libreville – Boxing for Freedom in Gabon”
Another Country Film Difficulty Ranking: 3

Most people forget that Australia, like the United States, was already inhabited when Europeans arrived. Just like in the U.S. the natives were almost wiped out by disease, politics, and genocide. Today, Indigenous Australians make up just 3% of the Australian population and Australian politics have pushed them to the side onto pseudo-reservations. Get to know some of them in Another Country watch it here (Amazon).

Image result for another country molly reynolds

Why Watch Another Country?
  • Get to know the indigenous Australians of Ramininging, Northern Territory
  • Learn how politics have disrupted the old way of life
  • Witness the lack of opportunity and isolation of the community
  • See a strange reenactment of the crucifixion
The Breakdown

Firstly, we’re introduced to our narrator, the ‘living legend’ that is David Gulpilil. You may know him from films like Crocodile Dundee, Rabbit Proof Fence, and Charlie’s Country. He’s even met with the queen and relaxed with Jimi Hendrix and Bob Marley. But, he assures us, “this film is as much about you than it is about me and my people”.  Another Country is about what happened to aboriginal culture when it was interrupted by western culture.

The film is set in Ramininging, 400km away from the nearest town (if the dirt tracks haven’t been washed away). No one wanted to live here, but the Australian government set up a town here anyway to host the indigenous people it didn’t know what to do with. It’s as if they picked a completely isolated spot to keep them hidden.

Why would the Australian government want to keep the indigenous population hidden? Because they don’t know anything about the indigenous population. The politicians never learned any indigenous languages and rarely interact with any of the indigenous people out of their own initiative, so keeping them out of sight is a way of hiding their ignorance. All the government does is provide them with just enough to keep them living and reliant on government support.

Why is Another Country narrated?

Yes, Another Country is a documentary, and documentaries are often narrated without the narrator appearing in the film. But Another Country is different. This is David Gulpilil’s home town, and he introduces us to his childhood friends through his narration, so it would only be natural for him to appear and initiate dialogue with his friends and family. But, instead, he is kept separate from what we are seeing on film.

This creates a distance between what we are being told and what we are seeing. As a result, his narration feels similar to the news reporters we see on TV, that narrate over news footage to create a story.

Australians, and the world, are probably used to hearing news reporters and politicians create the story of indigenous Australians without having any understanding of them. And, most of us probably blindly accept what they say as the truth as they are figures of authority.

Therefore, having David Gulpilil as the narrator, and keeping him as just a narrator, keeps him in a position of narrative authority that news reporters and politicians often inhabit. He gets to create the story as he sees it, and we, the audience, get to finally listen to an indigenous voice narrating the indigenous people in Australia.

Conclusion and What to Watch Next

Another Country is the documentary to watch if you want to get to know some of the marginalised Indigenous Australians. You get a first hand introduction to the isolated community of Ramininging through it’s most famous former resident, David Gulpilil.

If you’re interested in learning a bit more about the history of the indigenous Australians, check out Rabbit Proof Fence. It’s a story about a couple of girls from the Stolen Generations who were removed from their families by the Australian government in the 19th and 20th centuries.

Or if you want to see more films exploring the damage done by generations of European colonists around the world, check out:

 

Once Upon a Time in Venezuela starts with images of the famous Catatumbo lightning silently flashing over Lake Maracaibo. The lightning is an atmospheric phenomenon unique to the region, occurring for 140 to 160 nights per year. It’s what drew filmmaker Anabel Rodriguez Rios to the region, but ultimately became one of the least interesting happenings in an area that serves as a microcosm for the socioeconomic and political crisis in Venezuela.

The once thriving town of Congo Mirador becomes the focus for this observational documentary. It’s a town built upon stilts above Lake Maracaibo, complete with a church, a school, and houses. Everyone gets around on boats, whether they’re commuters, cake sellers, or musicians. The water is the lifeblood of this town. It’s their road that connects everyone, their bath to wash in, and their sewage.

Therefore, it’s not a surprise that sedimentation is brought up first. It’s the most urgent problem for the community, and not the political movements happening in the big cities elsewhere in the country. Sedimentation blocks their transportation paths by making the routes too shallow for boats to move, it blocks the free flow of sewage, and pollutes the towns’ supply of fresh water. Shots of people washing juxtaposed against shots of dead fish, highlight the immediate problems that sedimentation causes. As the film progresses, the director makes sure you can see the physical change in the community. Houses are uprooted and moved on boats, and plants start to take over the once fluid waterways.

It’s not clear where the sedimentation comes from; perhaps it stems from the oil reserves that have started contaminating beaches nearby, or maybe it’s just happening naturally. However, what is clear is that if nothing is done, this town will gradually be consumed by dirt and pollution, thus becoming uninhabitable.

The town community need the help of higher powers to help. However, Once Upon a Time in Venezuela chooses two rivals to center this documentary to represent the division in the community: Mrs. Tamara, a Chavista and town representative, and Natalie, a local teacher. Their rivalry, and the progress it hinders, represent the political division in the country and the slow decline of the town, the sinking state of Venezuela.

  • Mrs. Tamara: the Hugo Chavez fan girl, with a large spacious house, Hugo Chavez dolls, and a farm along the lake. She’s shown boating around the lake to buy votes and relaxing in her hammock.
  • Natalie: a humble teacher and single mum that appears apolitical and lives in a small house. She’s shown hand washing clothes and teaching kids.

The class distinction between the two, and way they talk about each other (Natalie rarely mentions Mrs. Tamara by name) help us choose our allegiances in Congo Mirador and Venezuela. Ultimately, their rivalry distracts us from the decline of the town, just like the presidential rivalry between Maduro and Guaido has provided a distraction from resolving the political and social crises in Venezuela.


If you’re looking for more films from Venezuela like Once Upon a Time in Venezuela, check out La Soledad or It’s All Good for two more films set within the crisis You could also watch Hermano for a Venezuelan film featuring gangs and football. Or, head to our Sundance Film Festival hub, if you’re looking for more reviews from the festival.