Hana-bi Film Difficulty Ranking: 4

Ever heard of a Yakuza film? The Yakuza are the Japanese gangsters much like the Mafia in Italy or the Triads in China and Hong Kong. Intrigued? Hana-bi is a Yakuza film with more than the usual violence. You’ll meet a former cop who turns to the Yakuza for loans to help his dying wife. Watch the film to find out if he manages to pay of his debts whilst learning about his own life.

Why Watch Hana-bi?
  • It’s a sophisticated Yakuza film
  • To see one of the best gangsters on film in some kick-ass sunglasses!
  • Takeshi Kitano won the Golden Lion for this film, establishing him as one of Japan’s top film-makers
  • Kitano even painted all the paintings seen in this film!
The Breakdown

Hana-bi starts with Joe Hisaishi’s film score (he’s the guy that produced most of the sound of Studio Ghibli) playing over a few pictures of saints (which Kitano starts with in a few of his films). In the opening scene, two men in blue boiler suits are staring silently at a guy in a suit and sunglasses in a half empty parking lot. The soundtrack stops as one of the guys in blue slaps a wet cloth onto a car bonnet and starts cleaning. The guy in the suit watches him clean for a minute before kicking him off of the car.

The guy in the suit and sunglasses is Nishi, a violent former cop, and the main protagonist of this film. We learn about his past in his flashbacks. Nishi has segmented flashbacks to the same event multiple times throughout the opening 30 minutes, but the whole flash back is not shown until later in the film. Early on, it shows two people being shot multiple times on the floor. It is not clear who is shooting them or why they are being shot but it obviously pains Nishi. We learn that he was held responsible for their deaths and relieved of his job.

Without a job, Nishi spends most of his time with his wife who has been diagnosed with a terminal illness. He brings her cakes and puzzles but they never talk. He obviously cares for his wife, but his dead pan face makes it appear like he is begrudgingly keeping her company. As stated by his former colleague ‘work is all they have ever known’ so this unexpected free time to spend with their wives and their hobbies is unfamiliar. Without work they are lost.

Conclusion

Hana-bi is a stripped down Yakuza (Japanese Gangster) film. Instead of focusing on violence and gangs, Kitano chooses to focus on the impact of retirement. Nishi and his colleague are both forced out of their police jobs because of a tragic accident. Both of them cannot forget the accident and both of them do not know what to do with their free time.

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Purple Butterfly Film Difficulty Ranking: 4

You might find Purple Butterfly confusing to watch at first. It’s not clear what’s going on because of the constant cutting and lack of dialogue. However, if you watch on, you’ll be rewarded with a film that is stylistically different from many you’ve seen and uniquely beautiful.

From: China, Asia
Watch: Trailer, Buy on Amazon,
Next: The Grandmaster, Summer Palace, Burning
Continue reading “Purple Butterfly (China) – Wartime Resistance”

The Propaganda Game Film Difficulty Ranking: 2

How dangerous do you think North Korea is to the world? Secondly, do you think you are an open minded person? The Propaganda Game exposes life in Korea and the propaganda we and North Koreans see every day. Is one side right? Can we find the truth? Read on.

Image result for the propaganda game

Why Watch The Propaganda Game?
  • To learn about North Korea
  • See how powerful propaganda can be (in this case it shows the propaganda we see that shapes our view of North Korea, and also the propaganda the citizens of North Korea see)
  • It will open your mind as you think about Cultural Relativism: the theory that beliefs, customs, and morality exist in relation to the particular culture from which they originate and are not absolute
  • It’s on Netflix
The Breakdown

The Propaganda Game starts with shots of what appears to be life in a typical Asian city. There are people meditating in parks, kids roller skating over ramps, and everything looks like it comes from a tourist brochure.

The shots are of course of life in North Korea. For a nice juxtaposition, the director layers western news reporters reports of life in North Korea over the top. It is clear that something is wrong as the pictures of North Korea obviously do not match up to the propaganda pushed by western media.

This is what film maker Alvaro Longoria explores in this film: propaganda. He points out that there are two players in the propaganda game, the North Korean government, and western media. Both are perpetrating myths and both myths are pretty much opposite. I’ve set out both myths below:

  1. The western media perpetrate a myth that North Korea is a rogue state which poses a nuclear threat to the world and subjugates all of it’s citizens against their will.
  2. North Korea perpetrates a myth that the west (in particular the U.S.) are the fault of all the problems in the country and that the whole world idolises their leaders and look towards North Korea as a beacon of the revolution.

Though the amazing shots and interviews we get in North Korea we can make our own judgements.

Conclusion

The most important message of this film is that we should always keep an open mind. Blindly accepting a point of view we see in the news can hide the truth. This goes for both the people in North Korea and the anyone who follows western media. We are all subject to propaganda, so we must always remain vigilant in trying to find see all sides of the agenda. In this case, there is no truth. Check out the trailer below.

Despite reforms from MBS, the current ruler of Saudi Arabia, 1,000 women escape Saudi Arabia each year. Saudi Runaway follows Muna, a typical Saudi Arabian woman trying to make herself one of the 1,000 to escape the oppressive patriarchy. All the footage is shot on her phone camera, often in secret from under her hijab, to document a snippet of her life.

Muna gains our trust right from the start by showing us things we shouldn’t see. She takes us into the crowds of the Hajj pilgrimage circling the Kaaba by capturing the crowds from a phone camera hidden under her veil. She also documents her family secretly in prayer and the patriarchal words her family and fiance say without realizing they’re being filmed. From these secretive observational moments we can start to build a picture of the society and family she lives in and its restrictiveness. We can also feel the risk she’s taking in secretively filming her family. She obviously hasn’t told them about the film as all they’re faces are blurred. Because of the risks she takes and secretive shots she has shared with us, she immediately gains out trust and empathy.

The film strengthens our connection with Muna through a series of video diary entries in which she shares experiences from her life and plans her escape. We hear about the patriarchal oppression she faces: how her husband won’t let her drive and how she can’t go to the supermarket or leave the house without a man. We also hear about her slim chance for escape: she cannot leave the country without a man’s permission in Saudi Arabia, so she has to get married before attempting an escape in the UAE whilst she’s on her honeymoon. Amazingly, she captures all of the tension of her ordeal, even taking a minute to document her final thoughts before she attempts her escape.

The only fault I could give this exciting documentary is the touch of melodrama the European director adds to the raw footage from Muna. In some of the tense moments, the soundtrack feels like it’s emphasizing the emotions more than it needs to. It makes the film feel ‘more produced’ and therefore less intimate and trustworthy by taking away from the realness of the first hand footage shot by Muna. The ‘dear Sue’ addresses in Muna’s video diary also make the film feel more like an act, by recognizing the foreign hand in its creation.

Overall, Saudi Runaway is a documentary that any fans of escape documentaries (see Midnight Traveller) or viewers interested at an inside look of Saudi Arabia should watch.


Head to our Sundance Film Festival Hub for more reviews from the Sundance Film Festival 2020.

Eyes Wide Open Film Difficulty Ranking: 4

Do you know much about the Hassidic Jews of Israel? Do you know how restrictive religion and conservative societies can be? Watch Eyes Wide Open to learn how religion can repress your sexuality and turn you into an outcast. Check out the melodramatic and revealing trailer below if you’re not convinced.

Why Watch Eyes Wide Open?
  • To learn a bit about the Orthodox Jewish religion
  • For a great companion to the Israel-Palestine conflict shown in Omar and Ajami. In this film you will see a different side of Israel.
  • Find out how difficult it can be for religious gay people
  • For the two main actors who manage to so much with so few words
The Breakdown

A man tries to open a sliding door to a shop as the rain pours down on him. He gives up trying to unlock the padlock with his key and grabs a rock to break the lock. After a few throws, the lock falls off. He carefully peels off a poster from the door (a notice of death) and enters the shop.

A tracking shot of the floor shows an overturned chair. The man carefully folds up the poster and puts it to the side. We can deduce who has died from the clues the director leaves in the opening sequence. The way the man carefully folds the poster notice of death means that it must be someone close to the man. And the fact he has a key shows that it is probably a relative. So when the man finds a picture of a young boy and an older man sitting outside the shop he has entered we can deduce it is an old picture of him and his father.

In this film, you need to pay attention to the film’s subtleties. The two main characters do not share much dialogue. Instead they communicate in short, clear sentences. However, pay attention to the way they say things, as this reveals more than what they say. Their short and unemotional conversation reveals their repressed emotions. The strict religious society they are a part of prevents them from expressing their sexuality.

Conclusion

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Eyes Wide Open is beautifully filmed and acted. It will also open your eyes to the difficulty of living as part of a strict religious society as a gay person. You may have witnessed the difficulty of living within a strict religious society in Sand Storm or Asmaa. But unfortunately the plight of gay people in strict religious communities is rarely shown. Eyes Wide Open is one of these rare films that is also beautifully filmed.