The Condor's Daughter

The Condor Daughter Film Difficulty Ranking: 2

The Condor Daughter is a beautifully shot tale of tradition standing against the threat of expanding globalization. You’ll be transported to the awesomely scenic mountains of the Bolivian Andes and thrown into the Quecha culture of the Totorani community. You’ll follow Clara, a young woman working with her adopted mother as a midwife, as she battles the allure of modernity and fame.

From: Bolivia, South America
Watch: IMDb
Next: Utama, Whale Rider, The Secret of Kells

The Condor Daughter Breakdown

It starts the same way we all enter the world; in childbirth. Clara sings tenderly as a mother pushes her child into the world. The dimly lit room they’re in contrasts with the brightly lit hospital environments endemic to modernity. But the brightness comes in the next shot. As the baby arrives, the images cut to a still shot of the mountains, showing the incredible setting and linking the birth (and the communities lives) to Pachamama – mother nature. This link is built upon throughout the film with majestic shots of the mountains at sunrise and sunset to mark each day and cement the importance of nature to the community. When their crops fail and livestock die, it’s as if this connection has been disturbed, and they look to Clara’s flirtation with modernity as the culprit.

Clara has followed her adopted mother into the midwife profession. As one of the foundations of the cycle of life, midwifery is hugely important to maintaining tradition. Losing cultural control of midwifery destroys a pillar of the Quechua culture, opening up a space for encroaching globalization to exploit. The stakes are made clear in a scene in which a patient says she’s going to deliver her child in the government clinic because of the cash bonus and child benefits this entitles her to. Clara’s mother understands the threat of modernization, but Clara does not. Clara is drawn to the allure of the city and fame. However, like other indigenous films which explore the battle between tradition and modernity, parental inflexibility pushes their kids away. Clara’s personal struggle for freedom mirrors the communities battle to retain their own culture.

The strict parent and modernity vs. tradition narrative feels overly familiar – see Utama, Whale Rider, or even The Secret of Kells – but it’s always engrossing. However, the top reason to watch The Condor Daughter is for the stunning cinematography.


Head to our LALIFF 2026 festival Hub for more reviews from LALIFF 2026.

Eva

Eva Film Difficulty Ranking: 2

Whilst the drama of Eva is kicked off by tragedy, the film never feels tragic. This is an immensely warm-hearted film which breaks traditional gender roles by casting Endry Cardeño, a trans-woman, as Eva, a grandma forced to take care of her granddaughter. As per the idiom; “it takes a village to raise a child,” we find a small tight-knit community in Tegucigalpa, the largest city in Central America, instead of one of the murder capitals of the world.

From: Honduras, North America
Watch: IMDb
Next: The Awakening of the Ants, Amor y Frijoles, La Yuma

Eva Breakdown

In Eva, a trans-woman takes care of her granddaughter after the sudden death of her daughter-in-law. While processing grief, she tries to help her son connect emotionally to his daughter. Amid tensions, reproaches, and silence, Eva and her son embark on separate paths towards the reconstruction of their family bond and place within their community.

The combination of tragedy and tight-knit family and community make Eva a heart-warming addition to the Central American ‘hood film’ genre. Like the first ‘hood films’ from Los Angeles, such as Boyz n the Hood and Menace II Society, and along the lines of Amor Y Frijoles and La Yuma, Eva centers on the experiences of characters growing up in under-served communities in urban environments. It shows that community bonds are the key to surviving through tragic realities of the city in the face of limited government support. For Eva, there’s no evidence of public support for her adoption of her daughter-in-law. Instead, she builds connections with her in-laws, family, lovers, and customers, to turn the overwhelming city into a warm, mellow community.

It’s also wonderful to see nontraditional gender roles integrated so naturally in Eva. By casting Endry Cardeño as a trans, single grandmother, director William Reyes, normalizes trans people on film, trans people in family roles, and trans people as grandparents (especially pertinent as the life expectancy of trans-women in Tegucigalpa is just 32 according to the director William Reyes).

Look out for Eva‘s release in the coming months to catch a tender, poignant film that centers on family and community navigating tragedy.


Head to our LALIFF 2026 festival Hub for more reviews from LALIFF 2026.