North America

Antigua and Barbuda, The Bahamas, Barbados, Belize, Canada, Costa Rica, Cuba, Dominica, Dominican Republic, El Salvador, Greenland, Grenada, Guatemala, Haiti, Honduras, Jamaica, Mexico, Nicaragua, Panama, Puerto Rico, Saint Kitts and Nevis, Saint Lucia, Saint Vincent and the Grenadines, Trinidad and Tobago, United States of America

71

Pornomelancholia – Outfest Los Angeles 2023

Pornomelancholia

Pornomelancholia is a slow paced character study of a up-and-coming porn star navigating the Mexican porn industry. It has plenty of dry humor and an underlying commentary on social media culture.

The film starts with a mid-range shot of Lalo standing alone by a busy street in the city. People walk past him and cars pass behind him as we watch him peer around. It seems like he’s waiting for someone or taking a breather in a chaotic day. However, before the shot lingers further, Lalo breaks down into a soft sob as the title credits pop up: Pornomelancholia. It’s a prelude for the critique of superficial influencer-culture that Lalo uses to make his way into the porn industry.

Lalo is portrayed as a lonely man parading as a popular sex icon. His Instagram videos hide the fact that he works in a small factory with two other people that he hardly talks to. His confidence in his sexuality online contradicts his inability to come out to his family – shown in the rehearsed voice messages he can’t bring himself to send to his mother. It follows films such as Sweat in showing that the digital lives promoted by influencers don’t always reflect reality.

Despite the underlying commentary, there is dry humor in Pornomelancholia. This is probably the only film that you can watch that is built around a Zapata led Mexican revolution porn film. It also probably runs on for too much of the film, but the pornographic shots, which linger for more than expected are designed to make you awkwardly uncomfortable (like Lalo himself). The sex scenes are provocative, but not as outrightly as another Mexican festival film – Battle in Heaven.

Overall, if you’re looking for a slow-paced festival film that follows a gay man working his way into the porn industry, Pornomelancholia is worth a watch. Whilst the culture fostered by the industry and Lalo is portrayed as fake, his journey feels unique, real and believable.

72

Clara Sola (Costa Rica) – An Awakening from Conservative Christianity

Clara Sola

Clara Sola Film Difficulty Ranking: 3

Clara Sola is one of two Latin American films from 2022 that had a memorably anti-colonialist ending. The other, Bantu Mama, features a French-African tourist turned fugitive in the Dominican Republic that escapes to sanctuary in Africa after feeling a connection to her African roots. Clara Sola follows Clara’s awakening as she frees herself from conservative Christianity to embrace the indigenous roots of her powers.

From: Costa Rica, North America
Watch: IMDb, JustWatch
Next: Alba, Thelma, Ixcanul

Clara Sola – The Breakdown

Clara is imprisoned by a purple flag marked boundary around the small house she lives in with her mother and niece in the remote Costa Rican countryside. She’s closely protected by her mother for her miraculous god-given powers, that were apparently bestowed to her by an apparition of the Virgin Mary. Her fame for healing routinely brings people from across the country to her house for her blessings, as well as much needed donations that seem to be the main source of income for the three of them. At the beginning, Clara is content to follow her mother’s lead, staying within the purple flagged boundary marked for her and taking part in the religious ceremonies she’s the main attraction of. However, the arrival of Santiago prompts a sexual awakening that reconnects her to the true nature of her powers.

Colors are present from the start in the purple flags flying on the poles marking Clara’s boundary. In the opening scene, she’s beckoning her white horse named Yuca, to come to her from the other side of the boundary line. The natural white color of Yuca signify freedom, whereas purple signifies Clara’s confinement. It’s notable that the only other time purple appears in the film is after Clara tries to dye her pink dress blue, to match the blue quincenera dress of her niece. She’s trying to break free from the conservative baby pink (and her babying mother) to experience the freedom of the attractive blue dress of her niece, but ends up stuck with the same purple that marks her restricted world. It’s a moment in which she realizes that no matter how much she tries to be like her niece, she’ll never be her. It sets in motion her wish to escape.

Colors also confuse Clara. She’s drawn to both artificial and natural colors, even though both aren’t leading her in the right direction. The artificial colors of her niece’s blue dress draw her to Santiago and a ‘normal life.’ She’s pictured in the dress in her happiest moments with Santiago. However, like the artificial lights illuminating her smile as she’s driven home by Santiago one night, the blue dress symbolizes an unsustainable happiness. She’s only truly free in the moments she’s with nature – with natural colors – whether that be the lights of the fire-flies, the white coat of Yuca, or the greens and blues of the trees and river. The nature accepts her and understands her. They allow her to be free unlike the family and community that imprison her physically and spiritually.

In breaking free from her family and community, Clara breaks free from the conservative Christianity that imprisoned her, the descendant of Spanish Colonialism. In returning to the forest, she’s returning to her indigenous roots.

What to Watch Next

For more Latin American coming of age films, try Alba and Aurora. The former follow a daughter living with her single dad trying to navigate the awkwardness of puberty and school. The latter follows a pregnant teenager that finds support in a teacher. You can also try Ixcanul, which follow an indigenous woman in Guatemala.

Or for a dark, magical coming of age story in the vein of Black Swan, try Joachim Trier’s Thelma.

73

OSCAR Predictions 2018 – Who Will Win & Who Should Win

Image result for academy awards

Oscar Predictions 2018

With the Academy Awards only 2 days away, I thought I’d throw my hat into the prediction ring. So here are my predictions for who will win, as well as my thoughts on who should win.

We’ve also made a 2018 Oscars Nominee Viewing Guide which shows you where to watch each of the Oscar nominees (on Amazon, at the Cinema, and even Netflix). And scroll to the bottom to fill out your predictions for a chance to win a surprise Blu-Ray DVD from 2018.

So here we go, here are the predictions. Feel free to tear into them on Sunday night/Monday morning!

Best Actor

Is this one really as ‘easy’ as everyone thinks? Gary Oldman has already scooped up the SAG and BAFTA top prizes and his role fits exactly what the Academy Award loves: historical figures, transformations, and of course, good acting. But the Academy also loves Daniel Day Lewis (3 career wins already), and Timothee Chalamet has what is probably the best performance of the category, maybe even the whole acting category. Which is why I’m going for the upset. Although Gary Oldman deserves a career Oscar and his performance in Darkest Hour is good, Timothee Chalamet’s performance was excellent. Therefore I’m predicting he will be the deserving winner of the Best Actor award.

Should Win: Timothee Chalamet, Call Me By Your Name

Will Win: Timothee Chalamet, Call Me By Your Name

Best Actress

After the upset call in the Best Actor category, I’m playing it safe in The Best Actress category. Frances MacDormand has already won the top awards at the SAG and BAFTA ceremonies and is brilliant in her role. I can only see another candidate winning if critics are pan Three Billboards Outside Ebbing, Missouri  and all their actors are damaged as a result. Only then could the equally deserving, Saoirse Ronan sneak in for the win.

Should Win: Saoirse Ronan, Lady Bird

Will Win: Frances MacDormand, Three Billboards Outside Ebbing, Missouri

Best Supporting Actor

There’s only one former winner in the Best Supporting Actor category and that’s latecomer Christopher Plummer. But if things go as expected, this will be another win for Three Billboards Outside Ebbing, Missouri. Not for Woody Harrelson, who was also nominated, but for Sam Rockwell. His biggest challenger is Willem Dafoe in The Florida Project (which you should go watch). We marginally prefer Willem Dafoe’s role, but we’re not going to complain if Sam Rockwell wins as both acted their roles perfectly.

Should Win: Willem Dafoe, The Florida Project

Will Win: Sam Rockwell, Three Billboards Outside Ebbing, Missouri

Best Supporting Actress

Another acting category and another ‘upset’. Whilst the talk has mostly focused on Allison Janney’s mean mum, I think Laurie Metcalf’s mean mum will win this one. Allison Janney has the more memorable role, and acts well, but I think Laurie Metcalf’s performance was better. Just think of that scene in the car. And if you don’t know what scene I’m talking about you haven’t watched the film… so go watch it!

Should Win: Laurie Metcalf, Lady Bird

Will Win: Laurie Metcalf, Lady Bird

Best Director

This one is up for grabs. Whilst Guillermo Del Toro has won at the Director’s Guild, Christopher Nolan and Paul Thomas Anderson are both admired in the industry. I wouldn’t even rule out first-timers Jordan Peele and Greta Gertwig. That being said, I’m backing Guillermo Del Toro to make it 4 out of 5 for Mexico in the Best Director category after Alfonso Cuaron for Gravity in 2014 and Alejandro Gonzalez Inarritu for Birdman 2015 and The Revenant 2016).

Should Win: Guillermo Del Toro

Will Win: Guillermo Del Toro

Best Picture

Moonlight surprised La La Land last year, and Spotlight surprised The Revenant two years ago. That makes 2 surprises in the last 2 years. Which is why I’m not going for Shape of Water. It’s a great film, but it’s a too recognisable. For me it had the feel of a R-rated Disney film (if ever there was one).  Which leaves three options for me: 1. Call Me By Your Name, 2. Lady Bird, and 3. Get Out.

Whilst I would love to see Call Me By Your Name win, I think the Academy ruled it out when it didn’t nominate Luca Guadagnino for Best Director. That leaves Lady Bird and Get Out. Both have run good campaigns, generating a lot of word of mouth. However, whilst Lady Bird might be the slightly better made film, Get Out is the more unique and memorable. Therefore I’m going for Get Out to surprise everyone and become the first pseudo horror film to win since The Silence of the Lambs in 1991.

Should Win: Call Me By Your Name

Will Win: Get Out

Best of the Rest

Here’s the rest of my predictions – definitely don’t trust me on the short films!

  • Best Animated Feature: Coco
  • Beat Documentary: Faces Places
  • Best Foreign Language Film: The Insult
  • Best Cinematography: Bladerunner 2049
  • Best Adapted Screenplay: Call Me By Your Name
  • Best Original Screenplay: Lady Bird
  • Best Costume Design: Phantom Thread
  • Best Film Editing: Dunkirk
  • Best Makeup and Hairstyling: Darkest Hour
  • Best Original Score: The Shape of Water
  • Best Original Song: “Remember Me” from Coco
  • Best Production Design: The Shape of Water
  • Best Short Film: DeKalb Elementary
  • Best Short Animation: Dear Basketball
  • Best Documentary Short: Heroin(e)
  • Best Sound Editing: Dunkirk
  • Best Sound Mixing: Dunkirk
  • Best Visual Effects: War for the Planet of the Apes

What Next?

Also while you’re here:

 

 

 

74

Stateless (Dominican Republic) – Pan African Film Festival 2021

Stateless

In 2013, the Dominican Republic’s Supreme Court stripped the citizenship of anyone with Haitian parents, retroactive to 1929. The ruling rendered more than 200,000 people stateless, without nationality, identity or a homeland. Stateless follows Rosa Iris, an attorney with family who have been exiled by the country’s recent laws, as she mounts a grassroots electoral campaign to advocate for social justice. But it also follows her antithesis, Gladys Felix, an outspoken supporter of the nationalist movement, fighting for for stricter immigration control.

Like Softie, Stateless is an observational documentary that captures an activist from outside of the system fighting against corruption. Through Rosa’s story we’re exposed to the emotional trauma of the country’s recent anti-immigration policies. Simply put, they’re racist, and this is obvious right from the opening scene in which Rosa is representing a client in a government office. Her client is applying for an updated citizenship card but is being denied by the officer because “he doesn’t speak clear Spanish”. This is not an isolated incident. Rosa’s activism is also justified by her personal stakes. She has the same Haitian lineage as the people she’s representing that the country is persecuting. So she runs for government to represent people like her exiled because of their race.

However, unlike Softie, which focuses solely on Boniface’s family life and his campaign for government, Stateless also documents the other side of the fight against racism by following Gladys Felix, a member of the country’s anti-immigrant nationalist movement. We follow her as she spews racist rhetoric about the nature of Haitian immigrants and gaslights the experiences of Haitians she meets at a government built camp for sugar cane workers near the border. Whilst it feels odd to have their stories running alongside each other, it makes Stateless stand out. It allows us to see how present the threat is – not just to Rosa and her cousin Teofilo, but to all Haitian immigrants and Black Dominicans. Gladys adds a face (and very present reality) to the sometimes invisible state sanctioned racism of the Dominican Republic. She gives the audience something visual to root against.

If you’re looking for a documentary that examines racism in the Dominican Republic’s past and present through two women campaigning at either end of the political spectrum, this is the film you’re looking for.

Check our Pan African Film Festival 2021 page for more reviews coming out of the 29th edition of the festival.

75

Tears of Joy (Saint Kitts & Nevis) – Bullying Isn’t a Game

Tears of Joy

Tears of Joy Film Difficulty Ranking: 1

Tears of Joy is a 15 minute reminder that bullying isn’t a game. It is designed to trigger those who have experienced being bullied and to scare anyone related to the victims. However, its scare tactic methods prioritize melodrama over a real exploration of the subtleties of bullying.

From: Saint Kitts & Nevis, North America
Watch: YouTube, Mubi
Next: Where I Come From, Shaina, Hulhudhaan

Tears of Joy – The Breakdown

Similar to Where I Come From and Shaina, Tears of Joy feels like a throw-back public service announcement. Its message is very clear (bullying is bad) and it uses intense examples to convey it. These examples take up the entire short film and are designed to evoke anger/horror in those who view the bullying, and sympathy and sadness for the victim. However, the intensity of the examples, and obviousness of the bullying, out-shouts what is often subtle and concealed. The bullying is so clear to us that it’s hard to believe that the adults choose to overlook it, especially as it appears to be every student against Joy. There’s no attempts on the school kids to hide it, so it feels unrealistic that they’re not caught and reprimanded. Meanwhile, Tears of Joy also infers that bullying is brutal and obvious, ignoring its more subtle guises.

Joy and the lead bully do get brief scenes with their parents for brief moments of character development, but this isn’t enough to justify the direction each character takes. Almost every scene of this short film is taken up by footage of school kids bullying Joy, or Joy crying alone (which she does very well, kudos to the young actor). This makes the film appear more exploitative – focused on shocking the viewers rather than building on the dialogue around bullying. Less focus on showing traumatic bullying and more focus on the characters and their motivations and feelings would have been helpful to justify the conclusion of the film. Spending more time building the characters would have also helped convey the complexities of bullying and its many forms.

Ultimately, if you’re a sucker for traumatic films designed to trigger emotions with a low budget, here’s Tears of Joy. It manipulates emotion by focusing on shocks and some intense crying scenes, carried out well by Neila Jones.

What to Watch Next

Whilst these exploitative, PSA style ‘message films’ aren’t my cup of tea, there are plenty of them from around the world. For more check out any of the following: