From Alfred Hitchcock to Federico Fellini and Ingmar Bergman to Jean-Luc Godard, Europe has birthed many of film’s greatest innovators. And that’s just to name a few. The more you dig into the world of European film, the more and more gems you find. Scroll down to find the best European films currently reviewed on FilmRoot, or pick a country if you know what you’re after:
Imagine a German nightclub blasting techno music. Imagine a German nightclub blasting techno music whilst drinking Red Bull. Imagine a German nightclub blasting techno music whilst drinking Red Bull and dancing the running man. You’re now getting close to the adrenaline rush of Run Lola Run.
Imagine a German nightclub blasting techno music. Imagine a German nightclub blasting techno music whilst drinking Red Bull. Imagine a German nightclub blasting techno music whilst drinking Red Bull and dancing the running man. You’re now getting close to the adrenaline rush of Run Lola Run.
Ever had a party where the friends you invited just don’t go home? They’ve stayed for dinner, stayed the night, and even though you’ve fed them breakfast in the morning, they’re still here! Well that’s what happens in Bunuel’s Exterminating Angel. It’s intriguing, entertaining, and Bunuel-level absurd. You’ve got to love it!
Why Watch the Exterminating Angel?
See more of Bunuel’s dark view of human nature (watch Viridiana for more)
To laugh at the aristocracy just like Monty Python’s Twit of the Year
For surrealism at it’s finest – there are bears and sheep wandering through the house, floating hands, and chicken legs in purses!
To learn how to small talk and ditch someone you don’t want to speak to anymore onto someone else
The Breakdown
The film starts with guests arriving in their fancy cars at the gates of a mansion in Spain. As the guests are entering the house, the servants are trying to leave like rats from a drowning ship. But what is the problem with this house?
Well it’s full of the aristocracy that’s why. The guests have their fancy dinner, and continue to have drinks, and then coffee, then go to sleep. At this party, the guests just don’t leave.
In the morning, the host tries to get them to leave after breakfast, but his plan fails. None of the guests leave. In fact, in a surrealist twist, none of them can leave. They are somehow all confined to fight for survival in the morning room of this giant mansion.
Yes, this film is absurd. But it’s also intriguing and entertaining enough to keep on watching. As for the political allegories, Roger Ebert puts it best:
“The dinner guests represent the ruling class in Franco’s Spain. Having set a banquet table for themselves by defeating the workers in the Spanish Civil War, they sit down for a feast, only to find it never ends. They’re trapped in their own bourgeois cul-de-sac. Increasingly resentful at being shut off from the world outside, they grow mean and restless; their worst tendencies are revealed.”
Conclusion
This is vintage Bunuel. Just like in Viridianahe subtly makes fun of Franco’s Spain. In this case he makes fun of the aristocracy who are trapped in their upper class bubble (their own oversized mansion).
If you’re a fan of Studio Ghibli or struggling to answer some of life’s big questions, you should check out this film. It is a beautiful animation that explores some of the biggest philosophical debates. Who are we? What is the meaning of life and death? And what is beauty? Go ahead and watch Michael Dudok de Wit’s animation, birthed when Studio Ghibli sent him a letter out of the blue asking if he wanted to make a film!
Why Watch the Red Turtle?
You want to see a European Studio Ghibli film from Michael Dudok de Wit, complete with magical realism and beautiful animation
To hear an excellent soundtrack composed by a former doctor (it’s never too late to do what you love)
If you love the idea of being stuck on a desert island (Robinson Crusoe was the inspiration for this film)
Watch and question who you are really are if you were to be stuck on a desert island
The Breakdown
The film starts with a night time storm in the ocean. A man struggles to stay afloat as huge waves swirl and crash around him. He spots his dinghy but as he swims towards it, a wave crashes on top of it, breaking it into driftwood.
There are no colours in this opening scene. All of the night time scenes are shot in black and white. Later, on the island, the night sky shines with a beautiful mat of stars. The monochrome nights appear more real than the heavily lighted night scenes we are used to. They contain what the director calls ‘beauty in subtlety.’ There are no bright colours or heavy lighting similar to the Hollywood films we are used to. In fact the first appearance of the red turtle is the first moment in which red appears on screen. The director’s subtle palette is reminiscent of Studio Ghibli (see Tale of Princess Kaguya) and Japanese art in general. It is from these influences that the director found beauty in subtlety, used in this film.
The film is also a tale of life and death, similar to the circle of life in Lion King. You see animals on the island full of life in one scene and then dead and being fed on in the next. The film’s cyclical view of time and narrative (another Eastern inspiration) contrasts with the traditional Western linear narrative. It gives the story a certain timelessness (are the characters dead or in a dream?). It also questions the meaning of life – why do we so desperately strive for goals when nature and time are cyclical? (see more on linear vs. cyclical time here).
Conclusion
The Red Turtle is a beautiful animation that on the surface is a story about a man stranded on a desert island. However, on further analysis, it’s subtle techniques and cyclical narrative reveal questions about the meaning of life and time. With only nature to keep you company, you find out who you really are.
Whilst in Kosovo, I asked a Kosovan what Kosovan film I should watch. He told me to watch Shok. If you don’t know much about the Kosovan War, or anything at all, go spend 21 minutes watching this film. You’ll learn a lot.
Why Watch Shok?
To learn about the war crimes committed in the Kosovo War (contentiously not termed a genocide because the aim was forced migration rather than destruction of ethnic Albanians).
It’s a film from Kosovo – so you’ll be able to tick off Kosovo from your film checklist
Shok is only 21 minutes long – shorter than your favorite TV shows
If you love all coming-of-age films
The Breakdown
Shok starts with a shot of the Kosovan hills in autumn. A Mercedes drives towards the camera and stops in front of a bike lying on the ground. Two guys hop out the vehicle. The driver tells the other to move the bike and get back in the car, however the passenger tells him to drive on without him.
As the passenger picks up the bike and cycles down the road, the film flashes back to the 1990s during the Kosovo War. You see the war through two boy’s friendship. Firstly, they are told off for being out after curfew. Secondly, when Oki stays over you can see images of Serbian tanks on the TV – the news reader tells us that many have been massacred. These are the signs that life is not normal for these two boys despite their joyous friendship.
However, the filmmaker leaves plenty of clues that things are not going to end well. Firstly there’s the first scene – why does this man get out of the car to ride a bike along an empty road? Secondly the director sews together a few scenes with apocalyptic images in monochrome. One of them is of a bike laying on the road, wheels spinning. The other shows a swing swinging on it’s own. Both are ominous signs that signify the ultimate forced migration of Albanians out of their land.
Conclusion
Shok is a powerful short film that will show you the war crimes that took place in the Kosovo War. It packs as much into 21 minutes as a feature film would in 100, without feeling rushed. Shok was the first Oscar nomination from Kosovo and is well worth 21 minutes of your time. Go find it on iTunes or online now!
As for more films which explore life living in a conflict and under occupation, I’d check out Omarand Ajamiwhich both explore the Israel-Palestine conflict.
Dawn is timeless. What it lacks in depth and clarity it makes up for in style. You’ll probably lose track of what’s happening more than once because of the snappy cuts and quick camera movements. However, you won’t care because it’s mesmerising. The beautiful black and white cinematography and the epic myth of Pavlik Morozov will immerse you in the chaos of Soviet Latvia.
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