European Film

Best European Films

From Alfred Hitchcock to Federico Fellini and Ingmar Bergman to Jean-Luc Godard, Europe has birthed many of film’s greatest innovators. And that’s just to name a few. The more you dig into the world of European film, the more and more gems you find. Scroll down to find the best European films currently reviewed on FilmRoot, or pick a country if you know what you’re after:

Albania, Andorra, Austria, Belarus, Belgium, Bosnia and Herzegovina, Bulgaria, Croatia, Cyprus, Czech Republic, Denmark, Estonia, Finland, France, Germany, Greece, Greenland, Hungary, Iceland, Ireland, Italy, Kosovo, Latvia, Liechtenstein, Lithuania, Luxembourg, North Macedonia, Malta, Moldova, Monaco, Montenegro, Netherlands, Norway, Poland, Portugal, Romania, Russia, San Marino, Serbia, Slovakia, Slovenia, Spain, Sweden, Switzerland, Turkey, Ukraine, United Kingdom

1

Call Me by Your Name (Italy) – Romance from the Master of Sensuality

Call Me by Your Name Film Difficulty Ranking: 3

If you’ve ever dreamed of falling in love under the Italian sun, this film may just take you to dreamland. Call Me by Your Name has all the ingredients for a perfect romantic film. It’s got sun, fresh food, beautiful people, lakes and rivers, and freedom. All you’ll need is a glass of wine.

Why Watch Call Me by Your Name?
  • If you like sensual romance (also see Guadagnino’s I Am Love)
  • To escape to the beautiful Italian summer
  • It’s been nominated for Best Picture at the Oscars
  • If you like coming-of-age stories
The Breakdown

Call Me by Your Name starts with 17 year old Elio. He’s chilling in his parents house in Northern Italy with his girlfriend Marzia for his summer holidays. A few seconds later, Oliver arrives, a grad student from Elio’s dad’s university class in America. He’s come to Europe for the summer to help Elio’s dad with his research and lap up the Italian sun.

The Italy we see in Call Me by Your Name is the Italy we dream of. The sun is forever shining and the warm colours almost give off the heat. As this is set in the 1980s, before Internet, there are no phones or computers as we know today, and these guys don’t watch TV. Instead, they swim, play volleyball, lounge in the sun, eat Al-fresco, and read. It’s pretty much the ideal summer holiday – everyone is happy and relaxed. Plus, the beautiful environment heightens the beauty of everyone within it.

It’s also no surprise that Elio and Oliver are attracted to each other. Everything you see in their environment symbolizes the ripeness of their relationship. There are trees laden with ripe fruit, flies buzzing on and off the screen (you can always hear them), and fresh water. In addition, there’s the constant sun. The environment is a metaphor for their growing love for each other, identifying it before they do.

Whilst the sensual environment reveals their growing love to the audience, Elio and Oliver are still unaware of each other’s feelings. Instead, they performing an intellectual mating ritual in which they both try to show-off their proficiency in high art to the other. Firstly, Oliver manages to prove his intelligence by correcting Elio’s dad on the origins of the word ‘apricot.’ Secondly Elio gets his chance to show-off when he plays the guitar and piano. The ‘mating ritual’ finally ends when Oliver admits defeat and asks Elio if there is anything he doesn’t know which gives Elio the confidence to subtly declare his love.

Image result for call me by your name

Conclusion

If you’ve seen any of Guadagnino’s other films, you’ll know that he’s a master of sensuality. In Call Me by Your Name he doesn’t disappoint. It’s the perfect coming-of-age story of Elio’s first love. You’ll almost forget it’s a gay romance (if Oliver doesn’t keep repeating ‘let’s be good’) as this film is first and foremost a beautiful romance.

2

Loveless (Russia) – An Epic Drama for the Digital Age

Loveless Film Difficulty Ranking: 3

If you’ve seen Zvyagintsev’s Leviathan you need to see Loveless. If you haven’t seen Leviathan, what are you waiting for? Loveless is another dark drama from Zvyagintsev of epic proportions. It’s comparable to one of Shakespeare’s dark plays updated for the digital age. Plus, it’s not just a reflection of Russian society, but a reflection of all our lives.

Why Watch Loveless?
  • You can’t find better drama than this
  • It’s a story you usually don’t see on screen – what happens after the happy marriage – and yes, it’s dark
  • It’s the follow up to Zvyagintsev’s award winning Leviathan and it’s already won the Cannes Jury prize, you don’t have to rely on our opinion!
  • The setting! The snow and empty spaces make it even more chilling!
The Breakdown

Loveless starts with snow. It makes the town it falls on seem more serene; the calm before the storm. It’s the end of school for the day and the camera follows 12 year old Alexey as he walks home on his own. He finds a strip of police ‘do not cross’ tape and waves drags it along with him through the snow before throwing it into a leafless tree. Unlike his parents, he’s just a regular kid.

The opening 5 minutes of the film are focused on Alexey, but then the film is hi-jacked by his parents. When Alexey returns home, we find his parents arguing (they’re getting divorced). From their argument, we follow them through a day of each of their lives at work and their affairs for the next 30 minutes of the film. Alexey’s parents are doubly selfish. They steal the film’s narrative from him and also indulge in their own self-interests whilst they have the limelight. They force Alexey out of the film.

You may also notice the abundance of empty spaces and silence in the movie. The director may linger on a shot after the character has left or remain fixed on a character for slightly longer than normal. Zvyagintsev left these visual and audible pauses for us to give us time to think. This allows us to become ‘co-authors’ as we have time to add in our own interpretations. You’ll see that whilst Loveless is a Russian film, the message is relevant to all of us – making it possible to interpret.

Image result for loveless film

Conclusion

Loveless was one of the stand out films for me at the London Film Festival 2017. Just like Leviathan (which you should watch if you haven’t already) it’s storytelling is at the top level. On top of that, the visuals are a perfect compliment – they make the dark bits of the story darker, and offer us breaks to become co-authors.

Watch it when you can!

 

3

La Haine (Hate)

La Haine Film Difficulty Ranking: 3

This film was so provocative and great that the French Prime Minister at the time commissioned a mandatory screening for all entire French cabinet. The film brings social unrest to the big screen, showing us that Paris is not the romantic and happy city that Hollywood and beyond have portrayed it as. Here are the people we have forgotten. Like Taxi Driver and Do the Right Thing, La Haine gives a voice to the marginalised.

Why Watch La Haine?
  • You have been to Paris and seen the Eiffel Tower
  • If you love a good cinema verite film (other cinema verite favourites include Che, and Battle of Algiers)
  • For a male equivalent to Girlhood
  • Because just like Spike Lee’s Do the Right Thing, this film is a timeless representation of social unrest
The Breakdown

I’m not even going to narrate the opening scene. Instead here’s the opening quote, read over the top of ‘documentary’ film of rioting in Paris.

Heard about the guy that fell off the skyscraper? As he falls, he tries to reassures himself by repeating:

“So far, so good. So far, so good.

It’s not the fall that matters. It’s the landing.

But it’s not just the powerful narrative that makes La Haine a great movie, the film is also full of incredible camera work. Pay attention to the introduction of Said. He is introduced, facing forward, in the middle of the frame with the housing projects behind him. His eyes are shut, but as the camera zooms into his face, they open. The director cuts to a POV shot with only the back of Said’s head in focus. As the camera moves towards Said, it focuses on what he is looking at, a bunch of policeman who are as static as the birds in Hitchcock’s Birds. They are not here to serve and protect. This sets up the rising tensions between Said and his crew and the police.

For all of you who are familiar with New York City hip-hop, this paragraph is for you. For all of those who aren’t familiar with New York City hip-hop, go listen to Nas’ Illmatic and tell me if it could be a soundtrack to La Haine. Here’s my reasoning:

  • Hip-hop culture is prominent throughout the film, from breakdancing to DJing, it’s all covered.
  • The words “The World is Yours” (the main track on Illmatic) feature on a billboard which Said changes to “The World is Ours” to claim the streets and city which he lives in despite their disenfranchisement.
  • Both portray teenagers trapped within urban poverty and categorised because of it – there is no way out.
Conclusion

This film garnered so much critical buzz at Cannes and beyond. It is a timeless portrayal of disenfranchised teenagers growing up in the forgotten realms of cities. In addition, the camera work is extremely innovative. This might be the earliest film you’ve seen which uses drone cameras. In fact, apart from the appearance of Francs in the film (France’s old currency), I would have believed someone if they said that this film was made in the last few years.

(For an excellent piece on this film I’d recommend reading Indiewire’s review of the film 20 years on right here, although beware of Spoilers!)

4

Persona (Sweden) – The Film World’s Mount Everest

Persona Film Difficulty Ranking: 4

Do you want to be a film connoisseur? Well you can’t be if you haven’t watched Persona. The film has been for film critics what climbing Everest is for mountaineers, it’s the peak of the film world.

Here’s a peek at the opening 5 minutes to weird you out before you read on.

Why Watch this Film?
  • If you want to see something mysterious. If Christopher Nolan’s Memento is level 1 mysterious film and David Lynch’s Mulholland Drive is level 2, Persona is level 3.
  • To move on from the early (and also brilliant) Bergman films such as Wild Strawberries – this time it’s less philosophy and more experimental
  • For some shocking and hilarious images – I’ll explain below!
  • To see the beautiful black and white cinematography – this film really stands the test of time (it could have been made yesterday)!
The Breakdown

Bergman disorientates us in the introduction to Persona. There’s a lot of noise as a small light slowly brightens. It’s a gas stove lighting in slow mo. As your concentrating on the slow-mo Bergman chucks in a still picture of a penis like a subliminal message – did you notice it in the clip above? From that point I knew this film would be unique.

I was not wrong. This film is an experience. The disorientating introduction continues with a bunch of shocking imagery such as a tarantula walking across the camera and a clip of someone hammering a nail into their hand.

Why does Bergman try and disorientate us? He disorientates us to disrupt our viewing pattern. He doesn’t want us to watch this relaxed, he wants us to be active viewers and to work hard trying to interpret the film. After the unsettling intro we are introduced to two women: a film star that doesn’t talk and a young nurse.

The nurse takes the film star to the country for treatment. Sounds normal, but it becomes quite the opposite. Alone in the countryside their characters start to merge. Are the two characters one? If so is the nurse fantasizing about being a nurse or is the film star examining her own psyche? Either way this film is a must watch!

Conclusion

What a film! If you love films that leave you dumbfounded or lost in thought Persona was made for you! It has been one of the most debated films in film history alongside Citizen Kane and has inspired the works of David Lynch among many others. If you want to consider yourself a film buff, you have to watch it!

 

 

5

Man With A Movie Camera – Cinematic Innovation from Soviet Russia

Man With A Movie Camera Film Difficulty Ranking: 3

Man With A Movie Camera is one of the most influential films from the silent era. Made in 1929 by Dziga Vertov, it uses a range of effects that have been copied throughout the existence of cinema. It was one of the first to employ rapid cutting, split screens, slow motion, and dissolves. It also threw in a load of magic through messing with perspective, using stop motion, and literally having magicians on screen. All the effects come together to create a work imbued with excitement for the potential of modernity to change Russia and the world. This film feels like a celebration of life bottled up in a time capsule from 1920’s urban Russia.

From: Russia, Europe
Watch: Kanopy, YouTube, JustWatch
Next: Battleship Potemkin, I Am Cuba, Metropolis