If you’re looking for the best Asian films, there’s plenty to choose from. Asia holds approximately 60% of the world’s population, so it’s no surprise the continent has a wealth of great films. The continent hosts one of the world’s largest (if not the largest) film industries in India’s Bollywood, the most famous animation studio outside the U.S. in Japan’s Studio Ghibli, as well as the second largest film market in the world by box office receipts in China (second only to the U.S.).
But that’s not all. The Iranian art-house cinema scene is still booming despite government bans. Southeast Asia holds two of the most famous torch-bearers of the transcendental film movement in Apichatpong Weerasethakul and Lav Diaz. Plus, there’s South Korean, Bong Joon-ho, whose Parasite became the first foreign language film to win the Best Picture. And we haven’t even mentioned the growing film presence of the countries in Central Asia, the Arabian Peninsula, the Levant, and the Caucasus.
So scroll down to see some of the best Asian films. Or, if you know where you want to go, pick a country from the links below.
On Mubi, Ajami is compared to Brazil’s City of God for it’s use of non-actors and gritty look at life in a city. But I think it compares better with Amores Perros because of it’s narrative structure. Produced by both a Palestinian and an Israeli, this film sheds light on what seems to be an unbiased look at Israel. Building until the last puzzle piece is added, the Academy Award nominee Ajami is one to watch!
Why Watch Ajami?
Get a feel for race relations in Israel – the role of borders and race relations makes Ajami a lot more relevant than some might think.
What drives someone to do something out of character?
Looking for a cleverly layered multiple narrative like Amores Perros, Traffic, or Magnolia? Look no further.
Be amazed at the auction-style way that family disputes are solved.
Breakdown
Nasri, Omar’s younger brother, narrates the opening as he draws a comic book. He introduces us to his neighbour who is fixing Omar’s car and then to his grandpa who he takes care of and washes due to his paralysis. It all seems pretty normal, pretty pleasant. Then two men riding on a motorbike pass by and shoot Nasri’s neighbour fixing their car.
From this point the film takes on a City of God feel as Nasri takes us back in time to explain what events led his neighbour to be shot. After this introduction, the film switches stylistically to a more natural, documentary like style. The colours become washed out, the dialogue takes centre stage, and the music is noticeably absent.
In addition, things happen really quickly. The dialogue is very punchy and snappy, not because of what the characters are saying, but how quickly people respond to each other. The narrative matches the fast pace of the dialogue. A birthday surprise happens so quickly that I felt almost suspicious of it’s authenticity. This made me start to question the authenticity of every character in the film. A lot of them are forced to act outside of their normal character.
Ajami’s genius lies in it’s narratives which are linked in non-chronological order. They come together to create a fatalistic quilt made of interlinking religions, races, and emotions.
Ajami is “a sustained gaze into a widening, all-encompassing trap” – Eric Hynes at Indiewire
You may have seen a lot of films without really paying attention to how they’re put together. But to get the most out of The Assassin you’ll need to become aware of the subtleties on camera. Everything is set up to celebrate the art of the assassin and it’s just beautiful!
Why Watch The Assassin?
It’s one of the most beautiful films of the 2010s!
To immerse yourself in 8th Century China
If you’re a fan of martial arts and want to see the art of an assassin
Because it Hou Hsiao-hsien won Best Director for this film at Cannes
The Breakdown
The Assassin is set in 8th century China when the Tang dynasty is in decline. It’s based on the story of Nie Yinniang written by Pei Xing, a writer from Tang dynasty era China. Sometimes knowing the origin material of the film isn’t that important, but knowing the story of Nie Yinniang will help you get the most out of watching The Assassin. Check out a short summary below!
Summary of Nie Yinniang
(Mostly based on info from the internet – for more in depth summary and background to The Assassin check out this article on Taipei Notes)
The Tang crown prince sends his tenth daughter Princess Jiacheng and her twin sister to a nunnery for safety (from the Anlushan rebellion). Princess Jiacheng returns home when it’s safe, but her sister stays on and leads an order of assassins.
Later on, Princess Jiacheng marries Tian Xu (who holds power in the Weibo district of China) to secure peace in the region. The Princess adopts Tian Ji-an and gives birth to Yinniang, who both grow up as childhood friends. When they’re both older, the Princess gives two jade disks to Tian Ji-an and Yinniang to symbolize their future marriage. However, their relationship is broken off when Tian Xu marries his son to the daughter of one of his strongest allies. Yinniang is then sent to the Taoist nunnery to live with Princess Jiacheng’s assassin twin sister. She later returns when her old childhood friend has taken over from his father on orders to assassinate him.
The Breakdown continued
The Assassin is not like your usual martial arts film. Firstly, it helps to have a bit of background (as written above) as Hsiao-hsien rarely delves into any exposition. Secondly, the whole film is a piece of subtle beauty geared to celebrate the art of the assassin. And before you stop reading because I’m sounding a bit pretentious, I’ll try and demonstrate why.
For most of the film, the only thing you’ll hear is nature, from birds singing to the wind blowing. Similarly, for the most part, the shots are mid-distance and still. Both these things create calmness as the sounds are natural and the pictures are still. Think of the ambience/tone it creates as a still lake.
The stillness creates an environment for the assassin to showcase her skills. She must do her job without disturbing the serenity of her environment, or using our analogy, without splashing into the lake. And of course, she does this well. Firstly, she sneaks around the house of Tian Ji-an without making any noise (you’ll always hear the same natural noises in the background). Secondly, the director rarely breaks from mid-distance shots. When he does for the action scenes, the assassin deals with her victims quickly to avoid creating a disturbance or ripple. She never sticks out. Yinniang and the director, showcase the art of the assassin.
Conclusion
I’m not sure how this film was overlooked by the Academy Awards after picking up the Best Director at Cannes. Perhaps, because many viewers come out a bit confused as the director chooses not to offer too much exposition.
If you take a moment to read up a bit of background before you watch this film (see above) and are up for delving deeper into a film than usual, by watching it more than once, this may well become one of your favorite films.
A Touch of Sin is great. Anyone with a remote interest in contemporary China should watch this. It’s a politically charged painting of the erosion of Chinese society. Jia Zhangke weaves together four narratives from rural townships to life in the big cities. For a critique of society in contemporary China, this one is a must watch.
Under the Shadow is a horror film with intelligence. It layers context of the Iraq-Iran war and female oppression onto a potent horror narrative. Therefore it’s perfect if you want something more from the horror genre without skimping out on the scare tactics. Ever heard of the Djinn? You will have by the end of this film and wishing you hadn’t.
Why Watch Under the Shadow?
To see how horror can be done well outside of Hollywood and Japan
Know anything about the Iraq-Iran War? Learn something about it by watching this film!
Will be available on Netflix soon!
If you’re a mother with a kid and don’t want to sleep at night!
The Breakdown
Under the Shadow starts with a montage of pixelated footage of the Iraq-Iran war. Meanwhile, in front of an office window a woman pleads a university official to let her return to her studies. Her pleas are rejected because of her former political activity (the reason she was expelled a few years earlier). As they talk a missile crashes into a building in the distance. This is a time of conflict.
Whilst Under the Shadow is a horror film, it also carries a very important message in disguise. Shideh, our female protagonist, becomes a symbol for female oppression. She is not allowed to restart her studies because of her political activity, her husband does not trust her with their child, and she ‘generously’ gets let off of some lashings after she is caught outside without a hijab. Under the layers of the horror lie a more telling critique in the items that go missing: a doll, a book on medicine, and a fitness video. These three items represent the things Shideh (a symbol of women in Iran) cannot be or do. She cannot be a kid any more, she cannot study medicine, and she cannot workout.
Elsewhere, the camera-work is particularly impressive at adding to the tension. Around the time something fishy happens the camera starts to shake and wobble, disorientating the viewer. So when things start appearing, we can’t see very clearly, leaving more up for interpretation. My favourite scene happens half way through when Shideh wakes up from her sleep. As she sits up, the camera rotates 90 degrees to match the angle of her body sitting up. The movement is unnatural and off-putting, and leads to something even more unnatural and off-putting (as you will see ;)).
After being happy with how much Blair Witch scared me a few weeks ago, I was on a horror high. Luckily, Under the Shadow matches the potency of Blair Witch (even at 11am on a Sunday morning). Even more impressive, is that the film is clever – it carries a political message (something that most horror film’s don’t even try to convey). Therefore this one comes certified. It will also be coming to Netflix soon – so no excuses for missing out!
Have you ever read a book by Haruki Murakami? If you have, and you enjoyed it – great, you’ll get to see his writing live. If you haven’t, no problem, you can start after this film. It’s the perfect mystery film.
Film Difficulty Ranking: 2
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