Wild Tales (Relatos Salvajes)

Wild Tales Film Difficulty Ranking: 2

I was sitting near an Argentinian when I first saw this film in the cinema. He was completely wrapped up in this brilliant set of sketches from Damian Szifron. He was laughing throughout, as well as cursing and cheering on the characters on screen. However, he wasn’t alone. I was also laughing, cursing, and cheering with the rest of the audience. You don’t have to be Argentinian to enjoy this one, you just have to have a little bit of a sense of humour (the darker your humour the better).

Why Watch Wild Tales?

• To see Argentina through a series of short stories
• You will be laughing, surprised, shocked, feeling guilty, and more.
• To see some great camera angles (think of the car trunk shot in Pulp Fiction)
• Produced by the Almodovar, highly rated on iMDB, and nominated for an Oscar, this film has some cred (if you don’t trust me).

The Breakdown

The first short film starts with a waist-down shot of a woman rolling a wheeled suitcase to an airport desk. To her surprise, the airline staff offer her a free flight for no extra miles. She boards the plane and starts chatting to a music critic next to her. After a while they realise that they have a mutual connection, Pasternak, the woman’s ex-boyfriend who was heavily critiqued for his music by the music critic. To which more and more people chime in saying they know him. Why are they all on the same flight? Coincidence?

One thing you can’t miss in this film is the camera framing. The film is shot from a bunch of different angles and positions that are both cool and a good fit. For example, the story set in the restaurant when the chef and waitress are arguing about the customer in the kitchen. The lighting is low and moody, the colours are strong but not warm, and there are two heavily lit pass through windows to the kitchen. As the waitress runs back to the kitchen to argue with the chef, we see a shot of them from the restaurant, one framed within each of the two pass through windows as if they are portraits. It sort of shows that they are both individuals and not in agreement, and that the chef is going to do what she wants regardless of what the waitress says.

Also, look out for other cool camera positions. One of my favourites was in the last sketch ‘Until Death Do Us Part.’ The director attaches a camera to the outside of kitchen door with the camera pointing back into the kitchen through a glass window. As a result, we can see the characters running to the door, pushing it open, and then see which direction they choose to go in the hall. The camera position allows us to see all the above without a single cut, making the shot feel more natural.

Conclusion

The sketches in Wild Tales look great, are acted well, are gripping, and are hilarious. What more could you want from a movie? Well, actually, in addition to the above, the film is a surprisingly good portrait of Argentine society. It depicts corruption, classism, and injustice in addition to all the vengeance and violence. This film is a winner!

 

 

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