The Eagle Huntress Film Difficulty Ranking: 2

For beautiful scenery, eagles, and sexism check out The Eagle Huntress. It’s the closest you’ll get to a real life version of How to Train Your Dragon. Plus you can watch it here on Amazon (free with Prime).

Image result for eagle huntress

Why Watch The Eagle Huntress?
  • If you love good documentaries
  • Experience nomadic life in Mongolia – complete with freezing winters
  • Learn how to catch, train, and hunt with an Eagle
  • To see a 13 year old girl beat a bunch of old men
The Breakdown

The Eagle Huntress starts with a montage of epic scenery shots. There’s the stunning snow capped mountains, the endless salt flats, and beautiful valleys. It’s a perfect opening for Mongolian tourism. However, one thing you might notice from the opening is the lack of humans and wildlife. Whilst it’s beautiful, this area isn’t made for human life. Winter temperatures often drop to -40 degrees Fahrenheit. The brutal landscape provides the perfect setting to demonstrate the strength of Aisholpan and her father.

Anyone that lives as a nomad in Mongolia has got to be pretty hardy. Therefore if any girl can train an eagle to compete against the men in the local tournament, it has got to be this girl who grew up in the bitter cold countryside watching her father train them.

You’ll be with her every step of the way to the eagle festival. First, you’ll see her father rebelliously train her up with his own eagle. Secondly, you’ll see him take her into the mountains to catch an eaglet of her own (not the best advertisement of animal rights). Then she manages to get her grandfather’s blessing to train her own eagle before she eventually enters the eagle competition. If you ever wanted to own your own bird of prey, here’s your chance to experience it.

Documentary or Drama?

Whilst this film looks like a documentary, it definitely plays up the gender narrative. Every time Aisholpan takes a new step with training the eagle the film cuts to a montage of old Mongolian/Kazakh men saying that a women’s place is in the kitchen.

The grumpy old men are edited into the film to highlight how Aisholpan is not welcome in this male-only tradition. However, none of the people she comes into contact with on camera with her eagle seem offended that she’s training an eagle (the judges of the festival, her grandfather, the other competitors). Instead, all of the controversy comes from shots edited into the documentary narrative. The director uses these shots to dramatise her ‘against-all-odds’ story.

In addition, the pop-idol style music that plays whenever Aisholpan overcomes an obstacle in her training and the English narration from Daisy Ridley take you out of the documentary intimacy and add to the drama. Whilst this is a documentary, it’s editing, music, and narration add unnecessary dramatic tension to the film which ultimately holds you back from fully immersing yourself in the film, whilst also making it feel more manufactured.

Conclusion and What to Watch Next

Don’t be put off from watching this documentary based on the documentary or drama debate above as the narrative is still great (I just thought it was dramatised unnecessarily). Plus, The Eagle Huntress is worth watching for the incredible footage alone – some parts feel like another episode of Planet Earth.

If you love the girl-power vibe then I strongly recommend you check out both The Little Girl who Sold the Sun and Wadjda. The Little Girl who Sold the Sun features a young Senegalese girl who tries selling a local newspaper to support her blind mother. Wadjda features a young Saudi Arabian girl who fights for her right to ride a bicycle in a patriarchal society.

Or if you want to see another film where someone struggles to become something they want against all odds, check out The Orator. It features a little person from Samoa who is bullied by all the regular sized locals.

Angel on the Right

Angel on the Right Film Difficulty Ranking: 3

Why Watch Angel on the Right?

  • To visit a rural Tajik town far away from centralized control
  • If you like films that star hot headed men
  • For a surprise appearance of magical realism
From: Tajikistan, Asia
Watch: Trailer, Amazon Prime, JustWatch
Next: Redemption, White Sun, Witnesses
Continue reading “Angel on the Right – A Hot Head Returns Home”
Daughter in Law

Daughter in Law Film Difficulty Ranking: 3

Why Watch Daughter in Law?

  • Feel the isolation of living alone in the Turkmen desert with your father in law.
  • Grasp onto the last threads of hope with a young woman dreaming of her husband returning from war.
  • For a ritualistic transcendental film from Soviet Turkmenistan.
From: Turkmenistan, Asia
Watch: YouTube, IMDb
Next: When the Tenth Month Comes, Uski Roti, Beatriz's War
Continue reading “Daughter in Law – Alone in the Desert Waiting for A Soldier to Return”

Film Difficulty Ranking: 3

Image from The Bait

Another great film from the London Film Festival, The Bait explores the lives of a mix of people from Bengal. The Bait features an eclectic mix of characters: a young circus tightrope walker who tours the land with her parents, a postman who renounces his life to live up a tree with some monkeys, and a Rajah trying to capture his past glory by killing a tiger. There is magical realism, strong political undercurrents, and plenty of beautiful scenery.

Why Watch this Film?
  • For eccentric characters! One middle-aged man that dances in his palace, and another that lives up a tree with monkeys
  • See beautiful scenery – you’ll feel as if you’ve travelled to Bengal
  • It’s by an award winning Indian film maker – Buddhadeb Dasgupta
  • See the magic of anime brought to live action
The Breakdown

The film starts with old music playing from an old gramophone. An middle-aged man (the old Rajah) dances round and round a door frame in the middle of grassy hills. Is this a dream? Probably not. This is the eccentric Rajah, a man whose family has always held power in these lands until recently. His power is questioned by some documentary makers who do not believe he can catch a tiger.

The Rajah always plays old music, and always plays it on his old gramophone which he takes wherever he goes. The old music reminds him of the past glory of his family, something that is fading rapidly. He can’t even entertain his wife, a woman trapped in his palace. Instead of adapting to modernity, he tries to recapture his former glory by going on a quest to kill a tiger.

Outside of the three main characters, the film is dominated by the beautiful Bengali landscape. The rolling green hills, the dry lands, and the marshy swampland captures the diversity of Bengal (which is also captured in the characters). Instead of city noise, we hear birds, monkeys, water – everything that is lost in the city. The country is always full of life. The only evidence of built up civilisation were a few electricity pylons in the far background of one shot and the grand palace of the Rajah slowly being covered with moss.

The Bait is like a collection of fables. Each storyline portrays a different part of society, from the rich Rajah to the wandering street performers. Their social statuses are clear throughout and their identification creates the strong political undercurrent. Is there still a semi-caste system in India? Under the magical realism and humour, it seems that Dasgupta believes there still is.

Uski Roti

Uski Roti Film Difficulty Ranking: 4

Uski Roti is the antithesis of your typical Bollywood film. Instead of bombastic musical numbers and extravagant costumes and decor, Uski Roti‘s rural setting is banal and empty. There’s minimal action as the characters are plagued by having too much time; the wife occupies herself with domestic work and waiting, whilst the husband kills time busing around the country spending time with different lovers to keep from boredom. Both characters seem compelled to live out of a duty rather than because of their own happiness which is reflected in the slow pace of the film. For those with patience, Uski Roti is a portrait of the downtrodden of the world – those condemned by poverty and the patriarchy to a life of nothingness.

From: India, Asia
Watch: Trailer, JustWatch, IMDb
Next: When the Tenth Month Comes, Daughter in Law, The Cow