Daughter in Law

Daughter in Law Film Difficulty Ranking: 3

Why Watch Daughter in Law?

  • Feel the isolation of living alone in the Turkmen desert with your father in law.
  • Grasp onto the last threads of hope with a young woman dreaming of her husband returning from war.
  • For a ritualistic transcendental film from Soviet Turkmenistan.
From: Turkmenistan, Asia
Watch: YouTube, IMDb
Next: When the Tenth Month Comes, Uski Roti, Beatriz's War
Continue reading “Daughter in Law – Alone in the Desert Waiting for A Soldier to Return”
Unknown Land Film Difficulty Ranking: 4

How much do you know about the Arab Spring in Yemen? If you followed the news, chances are you probably know more as the residents of Socotra. That’s because this alien looking island is approx. 380km from the Yemeni mainland and therefore untouched by the mainland’s politics. Unknown Land is a portrait of life on the island and the wandering thoughts of a half dead sailor, marooned on the island following a shipwreck.

Why Watch Unknown Land?
  • To see the uniquely beautiful landscape of the island of Socotra
  • If you like listening to dreamy narratives
  • For it’s musical interludes
  • To feel truly isolated from the rest of the world
The Breakdown

At the start of Unknown Land a man is washed onto one of the pristine beaches of island of Socotra. It appears that all of his energy was sucked out of him as he struggled to stay afloat after his shipwreck. All he can do is reflect on his past life and make peace with his past choices as he approaches death.

Meanwhile in one of the town’s of Socotra, a old man listens to an old radio as he smokes from a pipe fashioned from a goat horn. The radio gives us our only connection to the outside world. We hear that a sailing boat has sunk off of the shores of Socotra and all of the crew have gone missing. We also hear about the Yemeni protests on the mainland, but the old man’s indifference shows that these are insignificant to the inhabitants of Socotra. The island is too far away to be affected by what happens on the mainland.

The island’s isolation is reflected in the serene footage of Socotra. Firstly, the alien plants and landscape are unlike anything you’ve seen before. There are trees which look like spindly umbrellas, and mountains that disappear into pristine white beaches and emerald coloured sea. Secondly, the islands inhabitants rarely get any dialogue on screen, so you never get to connect with them. This is particularly noticeable with the old man who reappears throughout the film smoking from the same goat horn with a blank stare. The director deliberately emphasises the alien setting and distant people to make the island appear even more remote and dreamy.

Conclusion and What to Watch Next

If you’re into dreamy narratives and alien landscapes, then check out Unknown Land. However, if you’re more of an action thriller fan, it’s best you check out some film difficulty level 2 or 3 films before you watch this.

For another dreamy film from the Middle East, check out Ahlaam (literally translated as dream) from Iraq. It follows a few Iraqis before and after the Iraq War. Otherwise, if you’re looking for something surreal from the Middle East, check out The Challenge. It’s your chance to live the life of the richest Sheikhs in Qatar.

Or if you’re simply looking for easy to watch films from the Middle East, check out some of the following (they’re all great):

  • Wadjda: A Saudi Arabian coming of age tale featuring an awesome little girl
  • About Elly: A slow-burning thriller from Iran (although not the film to watch before you go on a big family holiday)
  • Silvered Water: A portrait of war-time Syria, a great documentary constructed from first-hand footage to experience the horrors of the Syrian conflict.

 

Tragic Jungle

Full disclosure: I’m a sucker for jungle movies like this. Films where the jungle slowly ebbs away at the ego of each character until it merges with the forest and they disappear. Embrace of the Serpent, Apocalypse Now, and The Mercy of the Jungle are three great examples of this. In each of these films, the jungle is expansive and labyrinthine. As every part of it looks the same, it’s easy to see how you can begin to lose track of place and time – did I pass this tree 15 minutes ago, this rock looks familiar, etc. And once you’ve lost your place in time, the jungle starts to consume you, slowly dissolving your ego away.

Tragic Jungle stands out from the bunch in bringing the jungle to life. It uses the sounds of the Howler Monkey and Jaguar to turn it into a threatening physical entity. Their constant roars and grumbles occupying the sonic space are unnerving. The unease is further emphasized by the videos of the two animals mixed in with the main narrative. It makes it feel like the animals are just around the corner, waiting for the inevitable demise of the human protagonists. This is their home, and the Director, Yulene Olaizola, makes that clear.

The only character that seems comfortable in the jungle is the anonymous runaway, a young black Belizean woman chased across the River Hondo into Mexico by her hunters. It’s not clear if she’s escaped the gun of her hunter or not. But once she appears to a group of Mexican rubber harvesters out of the forest, she assumes her role as the Ixtabay woman, a legendary Mayan demon that appears from the forest to lure men to their deaths with her beauty. From this point, she’s completely silent among her new captors. However, her stoical face and slight smile to all the men that approach her, make it appear that she’s always in control.

Her character is exoticized by the Mexican rubber harvesters because of her race. Unlike them, who are a mix of Mexican mestizo and Mexican indigenous heritages, she is a black creole Belizean woman. She’s as unfamiliar to them as the jungle they’re working in, so it’s not surprising that they link her appearance to the supernatural.

Her exoticization also reflects the erasure of Afro-Mexicans from contemporary and historical Mexico. In using a Black creole woman from Belize as the Ixtabay woman, Tragic Jungle further ‘others’ the Black creole women of Mexico. It portrays Blackness as something exotic and unfamiliar to the Mexican characters of both indigenous and mixed Spanish and indigenous backgrounds, which enforces the foreignness of Blackness in Mexico despite it’s own Afro-Mexican community and links to African slavery. Because the Black characters are not Mexican, because they are exoticized and made to feel foreign, and because of the context of historical and present erasure of Afro-Mexicans in Mexico that is slowly gaining recognition, Tragic Jungle contributes to the systematic erasure of Blackness in Mexico.


Head to our AFI Fest Hub for more reviews and short films from AFI Fest 2020.