The Merchant of Four Seasons (Germany)

The Merchant of Four Seasons Film Difficulty Ranking: 4

For ‘real’ German cinema, look no further than here. For this is the New German Cinema of the 1960s-1980s, a cinema where commercial interests were kicked out of the window. In The Merchant of Four Seasons, you will see the real Germany of the 1950s in it’s grim glory. You’ll see everything commercial films won’t show you: class prejudices, domestic violence, and depression. Watch this film if you’re intrigued!

Why Watch The Merchant of Four Seasons?
  • You want to see the bleakness of humanity
  • To see something from the New Wave of German cinema (1970s) by one of it’s leaders: Fassbinder
  • Was life good in Germany in the 1950s?
  • For some 70s film cinematography: quick zooms and close ups
The Breakdown

The film starts with Hans (our protagonist) arriving home in the middle of the night. He has just come back from Africa where he spent 7 years with the French Foreign Legion. Instead of being pleased to see him, his mother tells him off for turning up in the middle of the night. She tells him “the good die young, and the bad always come back.” What a lovely mother! What has he done to deserve this?

We learn that Hans is a fruit salesman and doesn’t earn much money. However, before you start feeling sorry for him, he is an alcoholic and a wife beater as well. So much so, that his wife nearly leaves him after he comes back from the pub drunk and beats her. Is Hans a really bad guy or someone who has been forced down a bad path? The film argues both. West Germany in the 1950s looks bleak and without much opportunity, but Hans’ alcoholism and violent nature does not help him.

More important than Hans is the story of Irmgard, Hans’ wife. She is threatened and beaten by her husband, looks after the kid by herself, and is asked how much she costs when walking along the street. She is treated as a maid and a sexual object. Irmgard’s position as the ‘German woman’ of the 1950s shows the absence of equality and respect for women at the time.

Conclusion

Fassbinder’s portrait of post-war Germany is very negative. He doesn’t seem to think much of human nature and portrays life in West Germany as pretty grim. Both the protagonists are in positions they didn’t want to be in. For a gritty look at life in post-war Germany watch this. However, if you do not want to see class prejudices, domestic violence, infidelity, family discord, depression and self-destructive behaviour, watch something else.

','

' ); } ?>

Leave a Reply