South American Film

South America holds a wealth of artistic innovation. To me, I feel that the Latin-American literature boom of the 20th Century is carrying over into the best South American films.

First up is the fantastic ‘drug-crime’ pairing of City of God and Elite Squad which put Brazil on the 21st century film map.

Argentina won Academy Award acclaim with The Secret in Their Eyes featuring Ricardo Darin, the star of Argentinian film. I’d also recommend the brilliantly hilarious Wild Tales (also starring Darin) to add to your Argentine collection.

With films like Embrace of the Serpent, Colombia is also making headlines. And don’t forget Chile, a country bolstered by Pablo Larrain, one of South America’s most promising directors (see Neruda for evidence).

With a world of film at your fingertips, South America is a fantastic place to start your film quest! Find the best South American films below, or click on a country below to go somewhere particular:

Argentina, Bolivia, Brazil, Chile, Colombia, Ecuador, Guyana, Paraguay, Peru, Suriname, Uruguay, Venezuela

21

Wan Pipel (Suriname) – Pride and Love in Post-Colonial Suriname

Wan Pipel Film Difficulty Ranking: 3

If you don’t know anything about Suriname, you should watch Wan Pipel! First and foremost it’s an ode to the beauty of Suriname, from the diversity of Paramaribo to the Amazon rain forest. Secondly, it’s also a commentary on prejudice, marriage rites, and post-colonialism. Check out the full film below (via YouTube)!

Why Watch Wan Pipel?
  • To see Suriname! You’ll visit the capital, Paramaribo, the Amazon jungle, and get a glimpse of Suriname’s diversity
  • It’s got a love triangle! But luckily this one is not clichéd
  • Witness some of the effects of Colonialism
  • To learn that you often need to leave home in order to appreciate it
The Breakdown

It’s the late 1970s. Suriname is now an independent republic after 300 years of Dutch colonialism. In Paramaribo (Suriname’s capital) a dying mother sends her eldest son Roy a telegram to come home from Amsterdam (where he is studying) to see her before she passes away.

Her son comes home to find his home country completely different to how he remembered it. In contrast to the stuffy Dutch society he is surrounded with in Amsterdam, returning to a vibrant Paramaribo reveals just how much he has missed his home country.

This is obvious in the tone of the film. In Amsterdam, he mingles with his white girlfriend’s family who crack bad jokes about Surinamese people as if he wasn’t Surinamese. However, in contrast, the mood changes right after his mother’s funeral when he is at home in Suriname. At this point, upbeat music starts playing and Roy gorges on all the street food Paramaribo has to offer. He even changes his shirt in the street, donning a  top with the Surinamese flag branded on the front. It’s obvious he is loving being back in his home country.

So there’s a love triangle that isn’t clichéd?

Yup. You’ve probably seen many cheesy love triangles in films such as Twilight, The Notebook, and Pearl Harbour, but luckily for you, Wan Pipel is different. The love triangle actually adds to the film.

  1. Firstly, on a superficial level, Roy’s relationship with Rubia, a Hindu Surinamese nurse, represents the diversity of the people of Suriname.
  2. Secondly, Roy’s relationship with Rubia highlights the prejudice in Suriname. Roy’s dad is incensed that Roy comes home and goes off every night with an Indian girl instead of staying true to his white Dutch girlfriend at home in Amsterdam. Roy’s dads loyalty to his son’s Dutch girlfriend is a sign that the colonial mentality has not disappeared with Surinamese independence.
  3. Thirdly, and perhaps most interestingly, the love triangle is an allegory for the unshackling of Suriname from Dutch colonialism. Roy’s relationship with the Dutch Karina represents Suriname’s attachment to it’s colonisers. It’s a relationship which he is forced to use to sponsor his ticket back to Suriname to see his dying mother. In contrast, his relationship with Rubia represents pride in Suriname’s diversity and it’s independence from Colonialism. She is Hindu, he is Black, and their success vs. Karina represents a triumph for Surinamese independence.
Conclusion and What to Watch Next

Wan Pipel is definitely worth a watch. You’ll feel Surinamese pride flowing in this film and all the effects of the country’s troubled history. Plus, it’s all available to watch for free right here.

If you are looking for more films featuring a rediscovery of how much someone loves their roots, check out Wallay. It features a mischievous boy who is taken and left in Burkina Faso with his Burkinabe family to work back the money he stole from his dad.

If you are looking for another post-colonial film, check out Cuba’s Lucia, which follows three characters called Lucia across different eras of Cuba’s history.

Or, if you’re looking for another good love film, here are a few great options we recommend:

 

 

 

22

Violence (Colombia)

Violence Film Difficulty Ranking: 3

Image result for violencia foreroYou may have seen the great Netflix show Narcos and believe that you know everything about violence in Colombia. However, to truly experience violence in Colombia, you should watch the aptly named Violence. The film will take you to three parts of Colombia where violence exists. It will introduce you to it’s perpetrators and victims without revealing who they are or to which armed group they belong. Ultimately everyone is part of the violence in Colombia.

Why Watch Violence?
  • Experience some of the violent conflicts carried out in Colombia.
  • See the diversity of the Colombian landscape: the jungle, the city, and a small town in the country.
  • Recognise that all the characters are other beings of flesh and blood – perhaps the key to stop violence.
  • Learn how to make a violent movie without showing any violence!
The Breakdown

Violence starts in darkness. The only thing you can perceive is the sound of the jungle: the insects, birds, and cracking twigs. Slowly the outlines of plants and trees emerge from the darkness before the camera moves along the ground. The camera moves to the left and reveals a chain tied to a tree. The other end is tied around the neck of a man asleep on the jungle floor. He has blemishes and bug bite marks all over his body.

As daylight emerges, the camera stays in a close-up of the prisoner. All we can see is the prisoner, and some figures dressed in camo walking behind him, out of focus. The camera is restricted to where the prisoner can go, and it never ventures further than the limits of the prisoner’s chain. This shows us the lack of freedom that the prisoner has. We do not venture outside of where he is allowed to go, and everything outside that range is out-of-focus. We experience his captivity.

Whilst part one happens in the jungle, part two occurs in a Colombian city, and part three in the country. Firstly, the three locations showcase the diversity of the Colombian landscape. Secondly, the diversity of the locations show that violence is present everywhere (and not just Colombia). Even though we don’t directly see violence, we can tell it has occurred or will occur. Violence is evident in the character’s uniforms, the character’s actions, the words spoken, and the character’s faces.

Conclusion

Jorge Forero’s film shows the existence of violence of Colombia without showing the causes of it or offering a solution. Instead Ferero’s goal, as explained here (where you can also watch the film for a fee) is to make us recognise every character as human beings of flesh and blood. In doing this, we might just make it harder for another to commit violence against us.

 

23

The Clash – Spain/Latin American Competition – SBIFF

Roberto, an 18 year old boy, joins his father in Montreal to escape the violence in Peru. His father, now Bob Montoya, fled Peru a few years earlier and now lives with his Canadian wife and daughter. The Clash shows both the culture clash for Roberto and the macho clash with his now Canadian father. It plays out a bit like a Martin Rejtman film in which the oddball humour has been switched out for a tense underlying machismo.

The arrival of Roberto is a challenge to Bob’s male pride. We don’t know how much of a success Bob was in Peru, but he’s desperate to present himself as a success story in Canada. Roberto obviously knows where he came from in Peru so Bob wants to show him how far he’s come. Roberto is the medium for Bob to prove himself to people back in Peru.

In order to maintain his image, he tries to sell how great Canada is to his son. He keeps telling him it’s a place where you can be anything, a place where you can make lots of money. He portrays himself as a businessman that is one step away from the next big deal with a nice house and a nice car. However, the house, the car, and his suit are all for show. The nice house and car that he ‘owns’ are really his wife’s and his suit is just a image that covers up the debts he’s incurring.

Like Uncle Rico in Napoleon Dynamite, Bob Montoya resorts to machismo to present himself as a big man. Whilst he’s grateful to have his son with him – as it’s a chance to prove to someone he’s achieved the American dream – he also sees him as a challenge to his masculinity. He’s a new male figure in the house that takes some of his wife’s and mistress’ attention away from him.

Their relationship fits Freud’s Oedipus complex theory. Bob is the father figure that dominates the household. Roberto is the son that reluctantly lives within the rules his father sets. They rarely talk beyond a few awkward words as Roberto lives in silence. Bob asserts his male dominance over Roberto by kissing his wife and his mistress in front of his son. In contrast, Roberto has fantasies of hooking up with his father’s mistress. In a final awkward party, Roberto battles his father for a dance with his mistress. It’s only in the club when he’s drunk that he can overcome his ‘castration anxiety‘. However, his father never allows her to dance with him in order to preserve his position as the alpha male.

The Clash is a brilliantly awkward film about a father and his son battling to prove their masculinity in a place foreign to the both of them.

24

Cuestion de Fe (Bolivia) – A Saintly Road Trip Around Bolivia

Cuestion de Fe Film Difficulty Ranking: 3
  • Dodgy drug boss: check
  • Drunken protagonist: check
  • High stakes gambling: check

If you’re thinking Cuestion de Fe is a B-movie action flick, you’d be wrong. Whilst it does contain all the elements above, Cuestion de Fe is more of a fun, easy going road trip film. If you’re up for joining a drunk artist, a hanger-on, and a hustler in their bright pink truck to travel across Bolivia, this film is for you. You can watch the film here on Vimeo (Spanish only).

Image result for cuestion de fe bolivia

Why Watch Cuestion de Fe?
The Breakdown

Meet Domingo. He’s a craftsman who’s an expert at making statues of Catholic saints. But, he’s also a drunkard who uses his statues to barter for bottles of spirits at the bar next door.

One evening, a big drug boss from the Yungas (a region in the shadow of the Andes perfect from coca growing) pays Domingo’s local bar a visit. He wants Domingo to make him an exact replica of the Virgin featured in a local church. What’s more, he wants Domingo to deliver the statue to his town deep in the Yungas (a few days drive from them) within 12 days! Of course, it sounds impossible. But Domingo is the only person who could do it, and this drug boss is offering 80 million Bolivianos.

80 million Bolivianos is a very big sum of money, so of course Domingo says yes. He immediately gets to work with his friend and recruit a local hustler who offers to drive them to the Yungas. With the logistics sorted, can they make the statue and transport it in time?

Is it better to be a Statue or a Woman?

Like a lot of movies, Cuestion de Fe doesn’t pass the Bechdel test (that a film has to 1. have at least two women, 2. that talk to each other 3. about something other than a man). But, whilst you may not notice it, the subjugation of women in Cuestion de Fe isn’t great. There are only around 5 women in the film, all with minute roles. Here are the most memorable women in this film:

  1. A young woman sitting with 2 guys in the bar who returns Domingo’s stare and gets slapped by one of the guys, who is presumably her boyfriend, as a result.
  2. A prostitute who Domingo pays to keep him company at a pit stop
  3. The woman who Domingo’s hanger on instantly falls in love with and marries

In short, Cuestion de Fe does not show any independent women, they all rely on the male characters. In addition, the men don’t respect them or show them love.

When you contrast how the women are portrayed to the statue of the virgin that Domingo lovingly creates and looks after, I’d say that statues are treated better than the women in this film.

Conclusion and What to Watch Next

Cuestion de Fe truly is a fun movie to watch if you can either find a subtitled version or are quite good at Spanish. You’ll get to travel across Bolivia with a hilarious trio of oddballs, what more can you want!?

For more great road trip films you should check out:

  • Motorcycle Diaries: charting the famous road trip Che Guevara took with his buddy across South America.
  • Into the Wild: follow a recent graduate burn his money before roaming across the United States
  • Y Tu Mama Tambien: a raunchy coming-of-age road trip across Mexico
  • Thelma & Louise: one of Ridley Scott’s greatest films, a road race thriller which passes the Bechdel Test
25

Gloria (Chile) – There’s Plenty of Fun to Be Had in Your 50s

Gloria Film Difficulty Ranking: 3

If you think life is all downhill as you get older, think again, and watch Gloria. The magic of Paulina Garcia’s Gloria shows that middle aged life is whatever you make of it – it can be awesome as any other part of your life. She dances, goes bungee jumping, does yoga, and goes out with whoever she wants – she’s truly an independent woman.

From: Chile, South America
Watch: Trailer, Amazon Rent, Amazon Buy
Next: A Fantastic Woman, Tony Manero, Alice Doesn't Live Here Anymore
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