North America Best Films- Page 8 of 15

Battle In Heaven

Battle in Heaven Film Difficulty Ranking: 3

This film is provocatively shocking! Even more so than the most shocking scenes of Heli or Y Tu Mama Tambien. If you’re not a fan of provocative images then this might not be for you. But if you can handle it, watch on, and see Mexico City. Witness the power structures, class divides, religion, and football.

Why Watch Battle in Heaven?

For something very provocative, like a lot of Mexican films!
To see Mexico City: the streets, the people, the shops, the rich neighbourhoods, and more
Big juxtapositions: Ugliness vs. Beauty, Rich vs. Poor, Powerful vs. Weak
For a pretty cool soundtrack (which often ends up distracting Carlos)

The Breakdown

In one of the most controversial openings of a film ever, the film opens with a close up of Carlos’ chubby face. He is middle aged, bearded, has dishevelled hair, and wears big glasses. He is not attractive. The camera then slowly pans down his naked body, showing us his man boobs and huge belly. However instead of showing us his penis, we see the back of a female head with matted hair. Just in case it is not obvious what she is doing, the camera cuts to the side, showing her young face sucking the penis of this fat, middle aged man.

It is not the oral sex that is that is the most shocking part of the introduction but the pairing of the old man with the young woman. These two people should not be together. However, Reygadas later challenges our prejudices when he shows the naked bodies of Carlos and his even more chubby wife. Their paired naked bodies are even more repulsive than the opening scene, even though their pairing is way more normal. Provocation is a theme of Battle in Heaven, and Reygadas shows us shocking images of things that are wrong, and things that are not wrong, but equally shocking.

Outside of the provocation, Battle in Heaven portrays Mexico City well. Reygadas shows us the streets, the stall run by Carlos’ wife, and the rich neighbourhoods and the city centre. He also depicts two of the biggest things that constitute Mexico: Religion and Football. Firstly, there are a lot of football fanatics. The chief police inspector is wearing a football shirt, there’s an entire scene at a football game, and the Pumas win the Championship. Secondly, religion dominants the mise-en-scene (the setting) throughout. There are plenty of religious icons and pictures in all the houses (although not Ana’s house), there is a religious march of pilgrims, and we are shown the real image of La Virgen in the most visited Catholic pilgrimage site in the world.

Conclusion

Battle in Heaven is dominated by some controversial film that, on one hand, challenge us, but on the other, might put you of from watching on. If you can look past the provocation, and the relatively bare plot, Reygadas’ film is a well thought out portrait of Mexico City. It is an opportunity to see what drives the city (football and religion), the rich/poor divide, the power structures (military and police), whilst watching city life.

The Battle of the Volcano – Experience the Chaos of Urban Warfare

The Battle of the Volcano Film Difficulty Ranking: 2

If you want to experience the chaos of urban warfare, you’ve come to the right place. The Battle of the Volcano relives the chaos of the Salvadorean Civil War through a mixture of live footage and re-enactments from the survivors. Parts of it are surreal and parts are shocking, as kids with guns take on the Capital City and the El Salvadorean government.

From: El Salvador, North America
Watch: Trailer, IMDB
Next: The Look of Silence, Winter on Fire, Monos

Read The Full Review

The Project of the Century – The Death of Cuba’s Bright Future

The Project of the Century Film Difficulty Ranking: 4

Why Watch The Project of the Century?

For an inter-generational family rivalry
Witness the effects of a country falling from the world’s attention
To visit a living failed nuclear project

From: Cuba, North America
Watch: Trailer, Vimeo, Tubi
Next: The Clash, Kings of Nowhere, I Am Cuba

The Breakdown

The Project of the Century opens like an old science fiction movie with green font on a black screen. Obviously this looks dated to modern eyes, and that is exactly the directors intention. For in this film, Carlos Machado Quintela conveys the failed hope of a nation. A Cuba that had so much hope for a prosperous future but was doomed to failure. It’s presented in the incomplete Cuban Nuclear plant where a father and son have come together with their macho grandfather for a strange time of bonding and reminiscing.

After a few stock images of nuclear power plants and white women on beaches signifying the promise of the science Cuban was invested in, the colors switch to a black and white present day (2012) to signify the dead hope. Instead of the vivid colors and vibrant life portrayed in the old tourist agency style videos, the actual location now looks more like a dystopia you might recognize from High Rise or Ion de Sosa’s off-season Benindorm based sci-fi Androids Dream. There’s just a cluster of high rise flats without any signs of life besides the three men, surrounded by abandoned construction sites. It’s meant to be a place meant to be brimming with people, but instead of rockets being launched, there’s just the smoke of fumigators patrolling the block.

The three generations of the film (grandfather, father, son) represent the dying hope across the three generations of Cuba. The grandfather, having grown up during the revolution, still dreams of the brilliant promise of Cuba’s early days under Castro. He’s boisterous and stubborn, and refuses to listen to the despair of the younger generations. His son, now in his middle age, studied abroad in the USSR and Germany with some of the world’s top scientists. He was assigned with working on the ‘Project of the Century’ – the building of Cuba’s nuclear power plants, supposed to provide power to the country. However, after investing years of his life in the country and project, the USSR collapsed, leaving Cuba without allies and the resources needed to finish the great project. As a result, his life’s work was for nothing, and the excitement for a prosperous Cuban future was vanquished. His son, a man in his mid-20s is a symbol of the lack of hope and pride in present day Cuba. He’s jobless, has no direction, and disappoints his older relatives.

Having grown up in different eras, having been apart for some time, and being men, they argue and fight. Without jobs, hope for the future, and direction, fighting is just something to pass the time until the eldest dies and they can finally move on from Cuba’s brilliant history and pride.

What to Watch Next

Firstly, it’s worth watching I Am Cuba to feel the optimism that filled Cuba following the revolution that has died in The Project of the Century. It’s vibrant and full of energy to contrast with the darkness of this film.

You could also watch Kings of Nowhere or Once Upon a Time in Venezuela – two documentaries featuring towns that have seen better days. The former features a town consumed by a dammed lake, whilst the latter features a town being polluted by sediment.

Or if you’re looking for more macho family antics, check out The Clash. It features a Peruvian teenager going to live with his macho Peruvian dad in Canada.

Lupe Under the Sun (Lupe Bajo El Sol) – London Film Festival 2016

Film Difficulty Ranking: 4

Lupe Under the Sun features an ageing migrant worker from Michoacan working in California’s Central Valley. It deals with the vagueness of migrant identity – is Lupe Mexican or American? Or both and neither at the same time? The director, Rodrigo Reyes, shows migration to be both an inspired act of hope and a frightening leap into the unknown.

Why Watch Lupe Under the Sun?

For a timely look at the life of a lonely migrant worker in the U.S. a group verbally assaulted by Trump
To see an old man riding a tricycle
Step in somebody else’s shoes – take a walk through the eyes of an immigrant worker in an unfamiliar environment which you call home
What does it mean to not belong?

The Breakdown

The film starts with a narration by Lupe’s grandson as Lupe walks through arid landscape and orchards.

He says that his grandfather told him a secret; that he was going to America to paint a really big house that will take him a long time. He won’t be back for some time, because he has to keep painting.

Does Lupe really belong here? He doesn’t talk to anyone, except one scene where he is gambling around a small table with two other guys. He doesn’t answer his girlfriend, he mumbles back to the doctor, and doesn’t make any effort to start any conversation. His lack of dialogue emphasises his lack of belonging and identity. He has no friends and no one he cares about in the Central Valley. He has no reason to stay where he is or go home.

Furthermore, his days are occupied by ritual. He wakes up at 4am each morning, cooks his eggs, showers, and shaves his moustache before he gets picked up to go pick fruit. Each day we are shown this same ritual emphasised by fixed shots of the alarm clock, the cooking hob, and the kitchen sink. The repeated shots emphasise the mundaneness of Lupe’s life – is he brave for sticking out this monotone life? His only joy seems to come from riding his tricycle around town.

Why is Lupe living here? Why doesn’t he go back to Mexico where he might feel a little more belonging? Lupe is symbolic of the ‘no-man’s land’ of migrant identity – he is both the man of his past life in Mexico and the man of his present in the U.S. Pick this one for a quiet night in to watch with someone else – watching it alone might make you question your loneliness.

Short Films from the 2020 Pan African Film Festival

Here’s some quick fire reviews from the short films featured in the Pan African Shorts Program of the 2020 Pan African Film Festival.

My Father Belize (Belize)

It’s great to see films being made in Belize, and My Father Belize definitely does the Belizean tourist board proud with shots of idyllic peninsulas where the jungle meets pristine beaches. The film focuses on Sean, a born and bred in Belizean that left the country in his teens for a life in the United States. He’s back in town for the first time in three years to scatter his fathers ashes; a father that was never there for him growing up. Sean has moved on from the death of his estranged father and is now engaged to someone from the U.S. However, during his visit he discovers he conceived a son last time he was in the country and must face his own future as a father and husband.

My Father Belize works because the gossipy reveals are backed up by just enough well timed humor to keep it tongue in cheek. Every time the film introduces a cheesy twist, Sean’s cousin is on hand to say exactly what is on the audience’s mind, thereby acknowledging the exaggerated turns of the script. This balancing act cleverly draws the audience into the script, opening up a space for My Father Belize to talk to us about the ordinary topic it really wants to: fatherhood.

A Handful of dates (Sudan)

It’s also great to see more films coming out of Sudan. A Handful of Dates is shot from the perspective of a young boy that is ashamed to learn the truth behind his grandfather’s date palm fortune. He has grown up idolizing his grandfather, but when he sees the poverty his grandfather has nonchalantly plunged his neighbor into to achieve his wealth, he’s repulsed.

A Handful of Dates is a risk-free adaptation of a short story by Tayeb Saleh that fits perfectly into 15 minutes. It efficiently builds the arcs of the two characters the young boy interacts with (his grandfather and the neighbor) with just enough visual cues to support the limited dialogue. No second is wasted in depicting the grandfather’s transformation from idol to demon and the neighbors transformation from social pariah into a humble exploited man we can sympathize with.

Dolly (U.K.)

In Dolly, a white babysitter works on her laptop whilst the young black girl in her care asks for help with her maths homework. The babysitter ignores her until she finds out she’s got the job she wanted. To celebrate, she lets the young black girl put make up on her face, not knowing that the young girl is going to paint her face black.

There are a lot of issues that Dolly touches on but doesn’t explore, such as white privilege, racial privilege, black girls in STEM, discrimination in education, blackness, lack of black representation, being black in a white world and more. However, instead of exploring any of these issues that the film half references, it chooses to ultimately go for a punch-line ending of a white girl being found with blackface on. As a result, Dolly is left without much substance to add to a pretty bland performance from the white babysitter.

Songs for my right side (U.S.A.)

Rodger Smith is in pain. Every night he writhes alone in his bed because of a searing pain that has taken over the right side of his body. It might be the after effects of a bad break up, or the fate of two young black people recently murdered in cold blood. The only thing that soothes the pain is music.

Songs For My Right Side deserves a lot of credit for trying to do something different. Whilst the three short films above stick to familiar storytelling styles, Songs for My Right Side blends music, mystery, and Rodger’s thoughts together to create an almost psychedelic viewing experience. It’s as if you’ve been plunged into another person’s mind and forced to follow their roving stream-of-consciousness. There’s no room to step away from it and get a complete picture of what is happening, but that is kind of the point. You’re stuck with an untrustworthy, apparently crazy narrator, and you have to try and decipher what is true or not. Whilst the film does meander a lot, rendering it pretty confusing to follow, the experience is worth the ride.

Head to our Pan African Film Festival Hub for more reviews from PAFF 2020.