North America

Antigua and Barbuda, The Bahamas, Barbados, Belize, Canada, Costa Rica, Cuba, Dominica, Dominican Republic, El Salvador, Greenland, Grenada, Guatemala, Haiti, Honduras, Jamaica, Mexico, Nicaragua, Panama, Puerto Rico, Saint Kitts and Nevis, Saint Lucia, Saint Vincent and the Grenadines, Trinidad and Tobago, United States of America

21

Kings of Nowhere – Visit a Sinking Town the Residents Refuse to Leave

Kings of Nowhere Film Difficulty Ranking: 3

Kings of Nowhere feels like it could be a sequel to Once Upon a Time in Venezuela. Instead of showing a small town on the lake that is being destroyed by sediment like in Once Upon a Time in Venezuela, the town in Kings of Nowhere has already been consumed by water. The handful of people that have refused to move live on limited resources at threat from local bandits. It doesn’t look like a town that will last much longer as it tries to survive without the support of the government and other communities.

From: Mexico, North America
Watch: Trailer, Rent on Vimeo, JustWatch
Next: Once Upon a Time in Venezuela, Fausto, Peace

The Breakdown

Kings of Nowhere starts with a man navigating a motor boat through a forest of dead tree trunks sticking out of the lake. A layer of mist sits on the lake, blocking our view of the shores or town. From the dead branches and mist, it feels like we’re being taken through a mythical underworld. Added to the clusters of half sunken buildings we see in the next scene and it’s apparent that this town isn’t one that should still be supporting human life. It has been almost completely consumed by the lake.

The director never reveals what happened to the town. Instead of hearing why it is the way it is and how people struggle to live in the town, the director allows the subjects to tell their own stories. Early on, a ferryman starts laughing as he recounts old happy memories of the town. Later, a middle aged couple talk about a sign from God which led them to start renovating the town church that had been forgotten when the people left the town. Both feel like they’re clinging onto a past that has disappeared instead of trying to start a new life elsewhere.

You also feel this in the tone of the documentary. The slow pace and lack of movement of the sequences embodies the desire of the characters to stay where they are. The languid shots of the town’s inhabitants also reveals their acceptance of the futility of life. The remaining residents lounge around, renovate churches without congregations, and boat across the lake to visit lost cows. All their actions seem pointless. Nothing they can do will bring back the town or attract new residents, which they seem to be aware of. Occupying the time they have left is all they can do to postpone the inevitable decay of the town.

Kings of Nowhere is a story of people refusing to die. Their town is the place where they’ve forged their lives and connection to their happy memories and past. Moving on would sever roots that have grown too strong and stiff. They show the stubbornness of people not willing to change at all costs – after all, home is home.

What to Watch Next

First of all you, should watch Once Upon a Time in Venezuela before or after watching Kings of Nowhere. Set in a town that is being slowly consumed by sediment from the lake, Once Upon a Time in Venezuela feels like it could be a prequel to Kings of Nowhere.

Or if you enjoy Mexican documentaries that drift through places listening to the inhabitants and their stories, check out Andrea Bussmann’s Fausto.

For more languid observational documentaries you should also check out Kazuhiro Soda’s Inland Sea and Peace.

22

Fatal Assistance (Haiti) – The Disaster after the 2010 Earthquake

Fatal Assistance Film Difficulty Ranking: 3

You’ve probably heard about the 2010 Haiti Earthquake and you may have even donated some money via one of the many fundraising initiatives, but have you got any idea about how all the funds raised were put to use? Fatal Assistance investigates the recovery attempts after the earthquake and will get you questioning whether we need to reform how we donate and how charities work.

Why Watch Fatal Assistance?
  • Learn about the devastation caused by the 2010 earthquake in Haiti
  • Analyse the effectiveness of disaster relief charities
  • Watch a film from Haiti from Haiti’s minister for culture, Raoul Peck (who you may know from his other great documentary: I Am Not Your Negro)
  • Find out if there are any solutions for the future
The Breakdown

Fatal Assistance starts with a first hand account of the 2010 Haitian Earthquake. You’ll see footage of people falling to the ground under the tremors and buildings shaking and crumbling. However, unlike the big disaster fiction films, this film is a documentary and focuses on the earthquake’s aftermath.

The destruction of the earthquake was massive. It made 1.5 million people homeless and caused 24 times as much debris as 9/11. Loads of celebrities and people around the world raised millions to help Haiti’s recovery. As a result, the country was full of hope despite being ravaged by disaster. There was enough money to change the country, for it it recover from the earthquake and lift it out of poverty.

However, you can tell that the hope is not going to be fulfilled. The letters that are narrated throughout the film seem to come from the future and feel full of regret.

The lack of hope is personified in the zombie-esque appearance of former U.S. President Bill Clinton who is in charge of the Interim Haiti Reconstruction Commission. The IHRC was part of a ‘dictatorship of aid’ which consumed all of the money without actually solving anything. All the charities involved in the relief effort only offered temporary solutions, arguably to ensure they continued to exist and receive funding instead of actually solving the problem they were created for.

Image result for fatal assistance

Conclusion

The result is a pretty negative view of the IHRC and Haitian recovery effort. Whilst the documentary doesn’t outwardly point fingers, it’s quite clear who Peck thinks is to blame. It’s worth watching to debate the effectiveness of relief charities (see GiveWell for a one solution) and for a quick lowdown on Haiti in the 2000s.

 

23

Verde – Pan African Film Festival (PAFF) 2020

If you’re looking for transcendental film from Dominican Republic, the ritualized pacing of Verde carries the fire lit by Nelson Carlo De Los Santos Arias’ Cocote.

Verde is the first feature film set in Dajabon, a small region in the Northwest of Dominican Republic that borders Haiti. Like Cocote, the setting contains the streams, forests, and grassland that color the interior of the country instead of the pristine beaches and resorts you’d find in tourist brochures. It’s an open environment, a long way from sweltering urban Santo Domingo situated on the opposite side of the country. Here, the outside blends with the inside as the heat and sounds permeate through the walls and open doors of everyone’s houses. Because of Dajabon’s distance from the cities, there aren’t any signs of government of authority. Spiritual leaders and gangsters have taken their place as indigenous customs hold a similar power to the church and the gangs’ tit-for-tat retribution rules.

This has consequences for the three protagonists who’s attempted heist of a gold mine goes wrong. They don’t go to the police to hand themselves in, as there are no signs of the police here. Instead, they have to answer for their actions with the locals. They also don’t go to the church to ask for forgiveness, instead choosing to visit a shaman for a ritual to cleanse their sins. However, as their silence reveals, they already know the fate waiting for them.

Their march towards their inevitable deaths, payment for the man they killed during their attempted robbery, is reflected in the slow tempo of the film and their silence. Every shot, as common in transcendental cinema, lingers for longer than it needs to, forcing you to observe the characters for longer. With more time, Carmelo’s silence becomes more obvious and his actions appear more deliberate. He has the most screen time but does the least with it. His silence appears to honor the dead and repent for the crime he committed. His actions also appear willed by a feeling of guilt. However, he doesn’t appear to be in control, as if he has already given up his body to someone else. It gives the sense that he has already embraced his ultimate fate and is mourning for himself as well as the others.

In this way, Verde fits closest to Schrader’s meditative segment of transcendental film. It’s not simply observing the characters like a surveillance camera, and it’s not focusing solely on the look of the film. Instead Verde employs its slow tempo to hold viewers in a trance like state through the chapters of the film. We follow Carmelo’s repentant march through Dajabon and in it we are given time to reflect on our own lives as we move with him closer to our fate.

Verde is an impressive debut feature that you should look out for at a festival near you.

Head to our Pan African Film Festival Hub for more reviews from PAFF 2020.

24

A Girl Walks Home Alone at Night – The Vampire Western

A Girl Walks Home Alone at Night Film Difficulty Ranking: 3

This film is like nothing I have ever seen. Who thought you could mix the Western genre with Vampires and end up with a decent film about Female empowerment. Add in the fact that it is shot in black and white film and in Farsi and you’ve found the most unique film out there to brag to your friends about. In case you’re still doubtful, I suggest you check out this film as soon as you can and make up your own mind.

Why Watch A Girl Walks Home Alone at Night?
  • Whilst there are a load of Farsi Vampire Western films, this one really stands out!
  • To see an old woman in a cowboy shirt dancing with a balloon.
  • For some bad-ass female empowerment!
  • For an example of a great foreign language film from the U.S.
  • Black & White films can still look cool (see Polish Academy-Award winner Ida and Embrace of the Serpent for more evidence)
The Breakdown

A man is smoking a cigarette by a fence. He leans towards a gap in the fence, looking to see if anyone is around. He finishes his cigarette, squashes it under his foot and disappears through the gap in the fence. A few seconds later he reappears carrying a cat and walks off. (And that is how you get yourself a pet cat).

Whilst the cat-stealing man takes the opening scene, the real star of the show is the main girl (she never reveals her name). She could well be a feminist icon. In contrast to the macho man (described in the next paragraph) she is a quiet girl who does what she wants. No one can control her, even though our macho man thinks he can. She’s a Vampire/Western superhero sticking up for prostitutes and deconstructing male power.

Our macho man, on the other hand, is an iconic idiot. He has a broken heart tattooed on the back of his neck, a goatee and a Fu-Manchu esque motorbike moustache. Don’t worry, you don’t even have to feel bad at judging his appearance as he is a moron. After his tells his prostitute to get lost without paying her, he encounters our heroine and takes her to his apartment. Here, he does the most obnoxious mating ritual you will see on film. First he snorts a few lines of cocaine. Then he opens a silver briefcase and counts out his stacks of cash. Next, he closes the case and picks up two dumbbells to do a few biceps curls. Finally, he does a few semi-erotic dance moves in front of our motionless (presumably shocked) heroine.

Conclusion

A Girl Walks Home Alone at Night is one of the most unique foreign films you will see. I haven’t seen anyone mix genres like Ana Lily Amirpour does in this film (Vampire and Western). However, if you liked this film, I’d suggest you check out the Iranian horror film Under the Shadow. Or if you’re looking for great Vampire films, check out What we do in the Shadows.

 

 

25

Jose – An Understated Look At Marginalized Youth in Guatemala

Jose Film Difficulty Ranking: 3

Jose flew under the radar when it was released in a select few cinemas in the U.S. in early 2020. Perhaps not surprising given that this is a humble independent film about marginalized youth in Guatemala. It’s also characteristically understated. Close up shots and dialogue are equally rare as Li Cheng shoots the film more like an observational documentary than romantic drama, watching Jose move around Guatemala City from a distance.

Jose’s life is similarly humble; he lives with his doting mother in a dingy room and scraps together a meager living directing cars towards a fast food restaurant. Jose’s relationships with mother and lover provide the main drama in the film. His brief flings offer him brief moments of freedom to be himself, in a society where his sexuality isn’t welcome. 

From: Guatemala, North America
Watch: Trailer, IMDb
Next: Dakan, Tremores, Call Me By Your Name