mother and son - FilmRoot

Suleiman Mountain – Join a Bunch of Outcasts on the Road

Suleiman Mountain Film Difficulty Ranking: 3

Ever wondered what life would be like growing up in the back of a converted East German truck with an alcoholic con man for a father, a practicing witch doctor for a mum, and your father’s second wife who’s probably young enough to be your sister. Well, here’s your chance to experience it. Join the crazy road trip in Suleiman Mountain.

From: Kyrgyzstan, Asia
Watch: Trailer, Amazon
Next: Shoplifters, Little Miss Sunshine, The Wounded Angel

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Jose – An Understated Look At Marginalized Youth in Guatemala

Jose Film Difficulty Ranking: 3

Jose flew under the radar when it was released in a select few cinemas in the U.S. in early 2020. Perhaps not surprising given that this is a humble independent film about marginalized youth in Guatemala. It’s also characteristically understated. Close up shots and dialogue are equally rare as Li Cheng shoots the film more like an observational documentary than romantic drama, watching Jose move around Guatemala City from a distance.

Jose’s life is similarly humble; he lives with his doting mother in a dingy room and scraps together a meager living directing cars towards a fast food restaurant. Jose’s relationships with mother and lover provide the main drama in the film. His brief flings offer him brief moments of freedom to be himself, in a society where his sexuality isn’t welcome.

From: Guatemala, North America
Watch: Trailer, IMDb
Next: Dakan, Tremores, Call Me By Your Name

The Restoration – Latin American Competition – SBIFF

The Restoration features Tato, a useless 50 year old cocaine addict that has moved back into his mothers home following his latest divorce. In a moment of misguided ingenuity he decides to sell his bedridden mother’s house (one of the last old houses in Lima) behind her back. To fool her, he recreates her bedroom in a shed in the desert.

In it’s best moments, The Restoration contains a tragic satire of the rapid modernisation of Lima. It’s self aware and able to play comedy off a dark(ish) subject matter with ease, much like Luis Estrada’s El Infierno (which manages to get away with poking fun at the narco-state of Mexico).

However, unfortunately this commentary becomes obscured as the movie chooses to focus on carrying out the ‘magic trick’ of switching Tato’s mum from her old bedroom into a makeshift one without her noticing. It turns the movie from a promising social satire into a relationship comedy of the dying mum and her useless cocaine-addicted son. After beginning the film with a brief commentary on the consequences of Lima’s modernization, the cheap laughs and attempted tugging on heart strings are the easy way to end the film.

Ultimately The Restoration is ends as a somewhat funny Latin film in the realm of the Eugenio Derbez film universe. There’s stereotyped characters, quick laughs, and melodramatic cheesiness. If that sounds like your thing, this film might just be for you.