European Film

Best European Films

From Alfred Hitchcock to Federico Fellini and Ingmar Bergman to Jean-Luc Godard, Europe has birthed many of film’s greatest innovators. And that’s just to name a few. The more you dig into the world of European film, the more and more gems you find. Scroll down to find the best European films currently reviewed on FilmRoot, or pick a country if you know what you’re after:

Albania, Andorra, Austria, Belarus, Belgium, Bosnia and Herzegovina, Bulgaria, Croatia, Cyprus, Czech Republic, Denmark, Estonia, Finland, France, Germany, Greece, Greenland, Hungary, Iceland, Ireland, Italy, Kosovo, Latvia, Liechtenstein, Lithuania, Luxembourg, North Macedonia, Malta, Moldova, Monaco, Montenegro, Netherlands, Norway, Poland, Portugal, Romania, Russia, San Marino, Serbia, Slovakia, Slovenia, Spain, Sweden, Switzerland, Turkey, Ukraine, United Kingdom

The Trader (Georgia) – Get a Glimpse of Life in Rural Georgia

The Trader Film Difficulty Ranking: 3

Ever thought about going to Georgia? If you haven’t, you probably should (especially if you like hiking). In the meantime check out The Trader on Netflix. It will give you a 25 minute glimpse of life in a rural Georgian town connected to modernity by a ‘back of the van’ trader from the city.

Image result for the trader netflix

Why Watch The Trader?

Everyone has time to watch it AND it’s available to watch on Netflix
To get a glimpse of rural Georgia
It won the top short-documentary prize at the Sundance Film Festival
To witness the power of potatoes – they’re food and currency!

The Breakdown

First we’re introduced to Gela as he browses the stocks of various shops in the city he’s from. He’s looking for items to fill his van (his moving shop) before he drives into the country to sell them. As a trader, his aim is to pick any items his customers are likely to need or want, which he can then trade for a portion of the year’s latest potato crop.

It might sound simple, but it’s not. The village he drives to appears half deserted. The grey corrugated iron roofs match the grey skies and compliments the brown dirt ground. It doesn’t look like a place where you’d expect to make any sales. However, sure enough, a few residents and their kids gather round Gela and his shop (the back of his van) and start haggling with him for a few of his wares. After 2 days at the village, he ends up with a few kilos of potatoes to take home. Not a great crop.

But it could be worse, he could be one of the residents living in the remote village. He could be like the old man who regrets never getting an education. Or he could be like the young boy who has absolutely no idea of what he wants to be when he grows up, even after his mum prompts him to say ‘a journalist’. The place is completely devoid of dreams and full of regret.

Is the Trader to Blame?

Hard to say. Gela, the trader, is the only connection for this community to modernity. He is the only one who appears to make the trip to this remote village and give the population a market to sell their excess potatoes.

However, the market is tilted in his favour. The village community have to accept all the goods he brings to sell even if it is a load of useless rubbish. If they keep their excess potatoes they’ll only go rotten as it doesn’t look like they’ll have another opportunity to sell. Therefore they have to accept whatever Gela offers. So they’ll continue to buy second rate goods and as a result, their village never progresses as far as the contents of Gela’s van.

Conclusion and What to Watch Next

If a picture tells a thousand words, The Trader packs enough into it’s 25 minutes to constitute a few essays. Not because it’s complex, but because the dialogue and images so concisely document life in rural Georgia and the importance of one man, the trader.

If the rural town in this film struck you, I recommend checking out Kazakhstan’s The Wounded Angel, also set in a remote, hopeless town. If you’re into more arty film, there’s also Lav Diaz’s From What is Before which charts the effects of a dictatorship on a remote rural town in the Philippines.

Or, if you’re after more great documentaries, I strongly recommend you check out Makala. It follows the complete process of a charcoal maker from cutting down a tree 3 days walk from the nearest city to selling the final product (after walking for 3 days) in said city. It won Cannes Critic Week because it’s one of the most beautifully captured films you’ll ever see.

Winter on Fire: Ukraine’s Fight For Freedom

Winter on Fire from Netflix is a perfect example about how technology is helping to catch some incredible footage of popular protests that might not have been captured before. I recommend this film to anyone with or without a Netflix account!

Why watch Winter on Fire?

For an insight into the current situation in Ukraine – do you want to know why Ukraine descended into chaos in late 2013?
To understand what it means to be European and part of the EU (pretty relevant today with the Brexit vote looming).
Peaceful protests – what can they achieve?
To see how film-makers can influence you!

In the opening minutes we are introduced to a 16 year old standing amidst dead bodies and gunfire who says that he belongs on the front lines. This is our baptism of fire – we can immediately see that the country has descended into chaos. Cut to a very brief introduction to Ukraine and President Yanukovych pictured alongside the word ‘criminal.’ From there we are taken to the first gatherings of the crowd at Maidan after the President declared he would not enter the EU.

First off, the footage of the whole protest from late 2013 to early 2014 is incredible. Afineevsky had a team of 28 cameramen and camerawomen shoot clips throughout the protests and of many people involved. We are introduced to kids, religious figures, and men and women from an array of backgrounds. The scope of the protests are matched by the scope of the footage.

Even the action captured is incredible and extremely hard to watch at times due to the violence. Nothing from the protests seems to escape the camera.

On the other hand, Afineevsky masterfully influences the viewer. After the film I felt compelled to do something to support Ukraine and the people’s fight for freedom. The footage of large groups of people singing and working together to build a make-shift community successfully gets viewers on the side of the protestors. Even the music rouses us to support the protestors – it builds when crowds gather and start working together, and turns more dramatic when the people are met by the police.

The whole film becomes a battle of ‘the people’ vs. violence and corruption. Obviously we are going to choose the people! The people interviewed and the narrators all support the protestors. In this respect, it would have been nice to have another point of view. Evidently there were people against the protestors goals, but there is no attempt to give them any voice.

This is the second powerful documentary that Netflix has produced showing big city protests, the first being The Square (2013) showing the Egyptian Revolution at Tahir Square. Both Winter on Fire and The Square were nominated for Academy Awards. Both show protests against the government and how they progress. Both are recommended viewing!

A Man Escaped

A Man Escaped Film Difficulty Ranking: 2

Yes, this is an old black and white film and it is subtitled. But do you really think that these two things are only equal slow moving romances? If you do, you’re mistaken because A Man Apart will hold your attention until the very end. With no boring or unnecessary scenes, A Man Apart is everything an escape film should be about: the escape! Escape or die!

Why Watch A Man Escaped?

You liked The Great Escape or Escape from Alcatraz and want to see the original escape film!
Learn what it is like to be trapped in a prison cell
Learn how to escape from a prison cell
If you don’t believe me, check Rotten Tomatoes, Imdb, or wherever you get your film reviews!

The Breakdown

The Montluc Nazi prison camp in France is where 7,000 out of 10,000 prisoners died during the last few years of the Second World War. We are introduced to Fontaine’s hands and knees stuffed into the back of a small car. His hand reaches for the door handle, then quickly retracts his hand to the side of his body. He is calculating an escape from the Nazi car. His hand reaches out, and returns to his side as a car passes in the opposite direction. Does he make a break for it or die at the hands of the Nazis?

Usually there’s a lot to write about each of the foreign films I watch. However, the beauty of this film is it’s simplicity. Bresson (the director) only includes that which is necessary to the film. There are no special effects, there is no fancy camera shots, the editing is simple, and dialogue is kept to short bursts. Nothing else needs to be there. I’d recommend aspiring directors to watch A Man Escaped to understand the importance of every scene.

The decisive film-making matches the character of Fontaine. He always figuring a way to escape in a escape or die scenario. We never see him sitting on his bed getting over emotional or hopeless. Unlike other films, this one is all about the action, and Bresson doesn’t allow any emotions to disrupt the flow of the film or the moments of tension. It is for this reason that Bresson made a point of hiring non-actors. He did not want any ‘acting’ or style, just someone playing his part.

Conclusion

A Man Escaped is both a thrilling escape film as well as a lesson in film-making. Every scene is vital to the film, therefore there are no irrelevant scenes that distract or bore the viewer. You will be glued to the screen until the very end. Also, because of the detail Bresson pays to the prison cell and daily routine, it will feel like you’ve been imprisoned with Fontaine the whole time.

Agora

Film Difficulty Ranking: 1

Agora is an epic. It’s The Imitation Game meets Gladiator – there’s celebration of an unknown heroine with plenty of Roman drama to keep you stuck in your seats. There is religion, violence, and philosophy. Plus for all you subtitle haters this ones for you, it’s all in English with great performances from Rachel Weisz and Oscar Isaac (before he was famous) to go with it!

Why Watch Agora?

Do you hate slavery, sexism, racism and/or violence? Then watch this film!
Wondering where all the female leads are in Ancient epics? Well there’s one here!
To time travel back to Roman controlled Egypt!
For a romantic flute solo.

Agora opens with the Earth and the stars. From the stars, we descend to earth to enter one of Hypatia’s lectures in 4th century Egypt. She is conducting a lecture on the centre solar system. One wily student suggests that the Earth is not the centre of the universe, to which one of the Christians takes offence, for how can the Earth, the kingdom of God, not be at the centre.

Whilst you might not find this description truly gripping, I promise these opening set the scene for some BIG confrontations!!

Without spoiling too much, Director Alejandro Amenabar exploit mass movement to emphasise the battle scenes. The large casts during the battle scenes show power in ways that 20 people could not. When this massive cast starts moving, there is even more dramatic effect. Seen from above (aerial shots), we see masses of people running from one end of the screen to the other. The mass movement of these large casts emphasises the violence and mercilessness of the perpetrators in a way that a smaller cast could not replicate.

The aerial shots also play another part in the film. A few times the aerial shots of the streets in Egypt zoom out to the country, and then zoom further away showing the earth among the stars. This sequence is also shown in reverse, zooming into Egypt from the Earth and stars, before zooming in to see the streets of Alexandria. As well as being visually impressive, these sequences point out the insignificance of the battles of humanity relative to the universe. All throughout, the Earth remains unchanged as do the stars surrounding us. This supports the directors bias for our astrologer/philosopher Hypatia whose life is dedicated towards our understanding of the universe. (or maybe I’m just seeing it through my own tinted glasses).

Anyway, I strongly recommend this film for those with any interest in the rise of religion or the Roman Empire in Egypt. You should also watch this film to see a woman celebrated for her academic research. Over 1,500 years later, we still haven’t reached true equality.

“You don’t question what you believe… I must”

Nevia – International Competition – SBIFF

With her mother dead and her father in prison, Nevia and her little sister live with her grandmother in a container park on the outskirts of Naples. It’s not the best place for her to grow up. Her grandmother rents out her rooms to prostitutes and runs odd chores for the local crime boss to try and repay the debts Nevia’s father owes. Nevia despises her grandmother for bringing men into their home.

Nevia’s other problem is that Salvatore, the 30 year old son of the crime boss, is infatuated with her. Even though she’s only 17 (and looks younger), he’s already asking her grandmother for her hand in marriage. The prostitution to many men or prostitution to Salvatore is what Nevia fears is her fate.

To escape, she finds work with the local circus. They provide her independence and a more complete family then the one she has at home. It allows her to wean herself away from her grandmother and Salvatore. But when she finds the circus leader has his own problems, she’s redirected to the fate she tried to escape.

Nevia looks a lot like the recent Neapolitan films of Matteo Garrone (Gomorrah, Dogman). It contains the same grimy urban landscape of rubbish strewn across roads, battered apartment blocks, and lots of concrete and tarmac. It’s a hopeless forgotten Italy in which opportunity doesn’t exist. The only people who succeed are involved in crime, and those that don’t are inevitably linked to them whether they want to or not.

Like Dogman’s main character, Nevia is linked to the criminal underworld by means outside her control. She comes into contact with the criminal bosses because of her father and grandmother. She’s doomed to Salvatore just for living where she grew up. It’s not a problem with her but a condition of the hopeless environment she grows up in.

The welcome difference of Nevia is that it’s led by Nevia, a young female protagonist growing up with her female relatives. It therefore provides a female perspective of life in the hopeless outskirts of urban Italy. The environment for them is much more restrictive than the criminal freedom it afford the men.