hopelessness

1

The Magic Gloves – A Deadpan Look at Everyday Lives

The Magic Gloves

The Magic Gloves Film Difficulty Ranking: 3

If you’re a fan of deadpan humor, look no further. In The Magic Gloves, Martin Rejtman takes the mundane, everyday meetings and conversations that plague our lives and turns them into something to laugh at. There’s nothing special about any of the characters, they’re all regular people like us passing through life without much happening. They also don’t seem to be in control of what’s going on. Life just happens to them and they’re happy to follow where it leads them. When things do happen and their lives look like their going to turn into a success, their luck is quickly balanced out to humble them. But the film never feels heavy or depressing to watch as it makes fun of the trivialities and coincidences we give importance to in our lives. After all nothing really matters.

From: Argentina, South America
Watch: Trailer, JustWatch
Next: Whisky, Rapado, Barking Dogs Never Bite
2

Nevia – International Competition – SBIFF

With her mother dead and her father in prison, Nevia and her little sister live with her grandmother in a container park on the outskirts of Naples. It’s not the best place for her to grow up. Her grandmother rents out her rooms to prostitutes and runs odd chores for the local crime boss to try and repay the debts Nevia’s father owes. Nevia despises her grandmother for bringing men into their home.

Nevia’s other problem is that Salvatore, the 30 year old son of the crime boss, is infatuated with her. Even though she’s only 17 (and looks younger), he’s already asking her grandmother for her hand in marriage. The prostitution to many men or prostitution to Salvatore is what Nevia fears is her fate.

To escape, she finds work with the local circus. They provide her independence and a more complete family then the one she has at home. It allows her to wean herself away from her grandmother and Salvatore. But when she finds the circus leader has his own problems, she’s redirected to the fate she tried to escape.

Nevia looks a lot like the recent Neapolitan films of Matteo Garrone (Gomorrah, Dogman). It contains the same grimy urban landscape of rubbish strewn across roads, battered apartment blocks, and lots of concrete and tarmac. It’s a hopeless forgotten Italy in which opportunity doesn’t exist. The only people who succeed are involved in crime, and those that don’t are inevitably linked to them whether they want to or not.

Like Dogman’s main character, Nevia is linked to the criminal underworld by means outside her control. She comes into contact with the criminal bosses because of her father and grandmother. She’s doomed to Salvatore just for living where she grew up. It’s not a problem with her but a condition of the hopeless environment she grows up in.

The welcome difference of Nevia is that it’s led by Nevia, a young female protagonist growing up with her female relatives. It therefore provides a female perspective of life in the hopeless outskirts of urban Italy. The environment for them is much more restrictive than the criminal freedom it afford the men.