If you’re looking for the best Asian films, there’s plenty to choose from. Asia holds approximately 60% of the world’s population, so it’s no surprise the continent has a wealth of great films. The continent hosts one of the world’s largest (if not the largest) film industries in India’s Bollywood, the most famous animation studio outside the U.S. in Japan’s Studio Ghibli, as well as the second largest film market in the world by box office receipts in China (second only to the U.S.).
But that’s not all. The Iranian art-house cinema scene is still booming despite government bans. Southeast Asia holds two of the most famous torch-bearers of the transcendental film movement in Apichatpong Weerasethakul and Lav Diaz. Plus, there’s South Korean, Bong Joon-ho, whose Parasite became the first foreign language film to win the Best Picture. And we haven’t even mentioned the growing film presence of the countries in Central Asia, the Arabian Peninsula, the Levant, and the Caucasus.
So scroll down to see some of the best Asian films. Or, if you know where you want to go, pick a country from the links below.
As mentioned in the opening scenes of Beatriz’s War, East Timor was a Portuguese colony until 1975 when the Revolutionary Front for an Independent East Timor (Fretilin) declared independence. However, their independence was short lived, as Indonesian forces invaded 9 days later to take control of the entire island. Indonesia then occupied East Timor for 24 years until East Timor finally regained its independence in 1999.
Beatriz’s War takes place over the 24 years of the Indonesian occupation. It depicts the violence of the Indonesian occupation as well as the fragmented East Timorese resistance happening around Beatriz.
Strong (or Stubborn) Independent Women
Beatriz is both strong and independent. She’s married off in the opening scenes as a young girl but due to the gentle nature of her young husband, she’s always in control. Like her father, the leader of the community, we’re always led to believe that she’s more likely to take a stand and join the fight against the Indonesians than her husband.
However, her strength seems to turn to stubbornness in the second half of the film when her gentle husband disappears in a massacre. Her community mourns the losses of the men and children killed by Indonesian forces, but she stubbornly refuses to believe that her husband is truly dead. She also never accepts her new reality, trying to maintain her old way of life by abiding by traditions. Her stubborn denial is a sign of the trauma caused by the violent occupation.
Fitting a French Legal Case into The History of East Timor
Martin Guerre was a French peasant from the 16th century who was at the center of a famous case of imposture. Several years after he left his wife and child, a man claiming to be him appeared and tricked his wife and son for three years before he was eventually found out. His story has been dramatized many times for film and TV over the years and is also inserted into the second half of Beatriz’s War after the departure of the Indonesian occupiers to emphasize the length of the occupation.
Primarily, the adaptation gives Beatriz’s War a lot of melodrama. It sets of a battle of emotions between Beatriz and her community as to the origin of a man who arrives in their community 20 years later claiming to be Beatriz’s husband. If you can get past the melodrama, the inclusion of the Martin Guerre story also highlights the impact of the long Indonesian occupation. Whilst the occupation physically destroyed a generation, the length of the occupation also helped to mentally blur a generation. With no photos, Beatriz’s image of her husband has faded over 20 years to a point where she can no longer recognize him. The long, traumatic occupation enabled the Martin Guerre story to happen.
What to Watch Next
First They Killed My Father feels like the closest film to Beatriz’s War. Both films follow a girl who sees their country occupied by an opposing force. Both films show the occupation and the genocides that go with it. However, whilst First they Killed My Father focuses on a girl’s perspective, Beatriz’s War takes place over 25 years.
For more films about the atrocities committed by Indonesians, check out Joshua Oppenheimer’s documentaries: The Look of Silence and The Act of Killing. Both documentaries look at the free-living leaders of Indonesian death squad that were responsible for killing hundreds of thousands of innocent Indonesians. The Look of Silence even gets the perpetrators to act out how they did it, with the killers slowly coming to realize the grotesque crimes they’ve committed.
Or if you’re looking for more stories from South East Asia featuring kids in coming-of-age stories, check out The Rocket from Laos and Golden Kingdomfrom Myanmar.
How much do you know about the Arab Spring in Yemen? If you followed the news, chances are you probably know more as the residents of Socotra. That’s because this alien looking island is approx. 380km from the Yemeni mainland and therefore untouched by the mainland’s politics. Unknown Land is a portrait of life on the island and the wandering thoughts of a half dead sailor, marooned on the island following a shipwreck.
Why Watch Unknown Land?
To see the uniquely beautiful landscape of the island of Socotra
If you like listening to dreamy narratives
For it’s musical interludes
To feel truly isolated from the rest of the world
The Breakdown
At the start of Unknown Land a man is washed onto one of the pristine beaches of island of Socotra. It appears that all of his energy was sucked out of him as he struggled to stay afloat after his shipwreck. All he can do is reflect on his past life and make peace with his past choices as he approaches death.
Meanwhile in one of the town’s of Socotra, a old man listens to an old radio as he smokes from a pipe fashioned from a goat horn. The radio gives us our only connection to the outside world. We hear that a sailing boat has sunk off of the shores of Socotra and all of the crew have gone missing. We also hear about the Yemeni protests on the mainland, but the old man’s indifference shows that these are insignificant to the inhabitants of Socotra. The island is too far away to be affected by what happens on the mainland.
The island’s isolation is reflected in the serene footage of Socotra. Firstly, the alien plants and landscape are unlike anything you’ve seen before. There are trees which look like spindly umbrellas, and mountains that disappear into pristine white beaches and emerald coloured sea. Secondly, the islands inhabitants rarely get any dialogue on screen, so you never get to connect with them. This is particularly noticeable with the old man who reappears throughout the film smoking from the same goat horn with a blank stare. The director deliberately emphasises the alien setting and distant people to make the island appear even more remote and dreamy.
Conclusion and What to Watch Next
If you’re into dreamy narratives and alien landscapes, then check out Unknown Land. However, if you’re more of an action thriller fan, it’s best you check out some film difficulty level 2 or 3 films before you watch this.
For another dreamy film from the Middle East, check out Ahlaam (literally translated as dream) from Iraq. It follows a few Iraqis before and after the Iraq War. Otherwise, if you’re looking for something surreal from the Middle East, check out The Challenge. It’s your chance to live the life of the richest Sheikhs in Qatar.
Or if you’re simply looking for easy to watch films from the Middle East, check out some of the following (they’re all great):
Wadjda: A Saudi Arabian coming of age tale featuring an awesome little girl
About Elly: A slow-burning thriller from Iran (although not the film to watch before you go on a big family holiday)
Silvered Water: A portrait of war-time Syria, a great documentary constructed from first-hand footage to experience the horrors of the Syrian conflict.
If you love melodramatic action movies with loads of clichéd characters, you’ve got to watch Waar. It’s the Pakistani answer to the narco-peliculas (genre drug war films) of Mexico. Instead of drug cartels and undercover cops trying to assassinate the head capos you’ll see special forces trying to stop terrorists. Check it out here on Netflix if cheesy one liners are your thing!
For the melodrama – it’s on a par with the home-made drug cartel film you’ll find all across Mexico
The Breakdown
The good thing about Waar is that you know exactly what kind of film it is going to be from the opening minutes.
The film starts in a dimly lit interrogation room. One man smoking a cigarette sits opposite two men handcuffed to their chairs – it’s obvious who’s interrogating who. Then one of the prisoners says “we are not afraid of dying”. The interrogator responds by grabbing the speakers hand and firing a bullet into the back of it.
The interrogator is not there to mess around, and with this opening Waar:
Grabs our attention
Sets the scene for an action driven genre film
What else makes this film cheesy? Other than the one-liners, one-dimensional antagonist, and clichéd characters? Answer: the music. You’ll notice it when we are introduced to this ex-special forces agent who is accompanied by wailing singing as he arrives at the graves of his dead wife and son. You’ll also notice it when heavy metal music starts playing in the action films. Is the music necessary? No. But it does add to it’s cheesy action film credentials, a lot like the narco corridos (drug songs) that randomly interrupt the Mexican drug-genre films.
Conclusion and What to Watch Next
Unless you’re a big cult/genre action film fan or you love watching serious action movies for laughs, you might find Waar a bit too melodramatic.
If you’re looking for an action film with a better narrative and a bit less cheese I’d recommend checking out Drug War from China and Elite Squad from Brazil. Both are action films like Waar, but they both exclude the irrationally evil villain and melodrama.
Or if you love cheesy action films, go check out Rambo: First Blood, Predator, Die Hard, or most things with Sylvester Stallone, JCVD, Arnold Schwarzenegger, or Jason Statham.
Please also send all you’re Pakistani film recommendations to rowan@filmroot.com
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