Africa is the heart of the world. Heaped with incredible cultural diversity the continent is a force in the film world that is destined to breach across to cinemas worldwide in the future. You may already have seen some of the best African films featured below already. For example, 2009’s District 9 – an ingenious documentary style science fiction set in South Africa made it big overseas. Africa also has it’s own Hollywood in Nigeria’s Nollywood, which churns out almost as many films as Bollywood every year.
Find the best African films below. My advice would be to start with Black Girl and work your way up to Timbuktu.
Or if you’re looking for the best films from a particular country, head straight to their country pages using the links below:
In Djibril Diop Mambety’s Hyenas, a former outcast returns to her African village a rich woman after being kicked out three decades earlier for getting pregnant out of wedlock. The town fawns over her wealth and rolls out the complete ceremony to welcome her home. However, she has other plans. She promises infinite wealth to the impoverished town and it’s residents in exchange for the execution of Dramaan, a local shopkeeper and the man who fathered her child without owning up. Will the community betray their beloved shopkeeper for wealth?
For more analysis check out Layla Gaye’s review of the film and it’s satirical criticism of neocolonialism and the corrupting power of wealth on a society’s morality.
If you’re looking for an African film which avoids the stereotypes of focusing on war, poverty, or aids, this film is for you. Akasha is one of the fresh new African films leading the Afro-Bubblegum style; films which portray a fun, frivolous, and fierce Africa. It’s not the Africa portrayed in the media.
Mimosas is a film of epic journeys. There’s Ahmed and Said who are attempting to guide a Sheikh and his caravan across the Moroccan mountains. Secondly there’s the magical journey of Shakib who travels time to guide Ahmed to a more honourable life. Check out a spoiler free trailer below (I’ve deliberately cut the length).
Why Watch Mimosas?
If you’re thinking of going to Morocco but aren’t sure if the scenery is beautiful enough (you’re wrong)
To go on an epic journey through the mountains reminiscent of Lawrence of Arabia or Lord of the Rings and an awesome scene with taxis riding across a desert like Mad Max
It won Critic’s Week at Cannes in 2016
Get lost in time as the past and present meet
The Breakdown
Mimosas starts with a few shots of graffiti on a wall of a castle and garden before switching to a few shots of the mountains. As you’ll see later in the film, the graffiti alludes to the modern world (the present) whilst the mountains provides the setting for the past.
After a screen wipe (a blank shot) we are introduced to Ahmed and Said, two guides helping a dying Sheikh to cross the mountains. They are all wearing traditional clothes and half of them are on horseback. These scenes of Ahmed and Said seem to be from at least hundred years ago, probably more.
In contrast, we enter another world in a Moroccan town bordering the mountains (probably the place where the graffiti from the opening scene was shot). It’s here we meet Shakib, preaching about creation fervently to a group of men. It’s present day, evident from the cars and clothing. He’s picked out by one of the head workmen to go with him for an important job: to go into the mountains, find Ahmed and keep him safe.
It’s in his journey into the mountains and meet up with Ahmed that he magically crosses from the present into the past.
Conclusion
Who is Shakib? And how did he seem to travel time? Is he a prophet? Mimosas depicts the epic journey of Said and Ahmed which is suddenly surpassed by the epic journey of Shakib. You’ll be actively involved in this film as you try to piece together the gaps.
Verida is getting married, and in Mauritania, that means she has to fatten up before the wedding to make sure she’s as beautiful as possible. You’ll get eat all the bowls of cous cous and meat with her on her journey to becoming a big beautiful woman. Flesh Out is a well made portrait of a woman caught in a culture that clashes with modernisation.
Only The Animals features a bunch of interconnecting narratives spanning across France and Cameroon. Each narrative is connected to the murder of a French woman during a snow storm in rural France. It’s weird, entertaining, and satisfying as every piece of the puzzle falls into place. Even the initially out of place opening of a man riding his bike through Abidjan with a goat on his back is eventually linked in and understood.
It’s a fun ride but I haven’t figured out what’s the point or message beyond ‘things happen by chance’. Not saying that it has to have a message – this film was enjoyable to watch – but it would turn a showy multiple narrative film into something better. Maybe I’m asking for too much after seeing the Trump era unravelling of a white upper class family in 2019s stand out murder mystery, Knives Out.
If anything it could be that everything the people aren’t grateful for gets reversed on them. E.g. Joseph is an inanimate loner who can’t love that ends up loving an inanimate loner who can’t love.
Only The Animals covers a lot but doesn’t feel slumped. While every character could have been given more of a backstory, it does fit the movie to not dwell so much. The fun is in watching the transcontinental story slowly unravel as each characters viewpoint layers onto the next.
Side note: slightly stereotypical story of witch doctors and scammers in Africa, even if it is hilarious watching them do their work to a horny middle aged white guy.
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