From Alfred Hitchcock to Federico Fellini and Ingmar Bergman to Jean-Luc Godard, Europe has birthed many of film’s greatest innovators. And that’s just to name a few. The more you dig into the world of European film, the more and more gems you find. Scroll down to find the best European films currently reviewed on FilmRoot, or pick a country if you know what you’re after:
You might have a vision about a particular place you’ve never visited, but you have to go there to really see what it is like. In Djon Africa, Miguel dreams of meeting his father from Cape Verde, so he decides to seek him out by going there. His fantasies of a place covered with beautiful women and parties are tested by reality.
Maybe you’re put off from watching foreign films because they are generally too pretentious. A lot of them have long scenes where nothing much happens. Well this is why I’m recommending you watch Life is Beautiful. It’s got all the makings of a great and familiar Hollywood movie; great story, a lot of emotion, and simple film-making, but you’ll earn kudos for watching a foreign film. So gather your family round the TV and watch this one tonight!
Why Watch Life is Beautiful?
For an alternative take on the Holocaust
Because this film won the Best Foreign Language Oscar and Best Actor Oscar in 1999
To learn how to talk your way into trouble and then your way out of it
Stay positive!
The Breakdown
It is obvious from the very first shot, of a misty, poorly lit street that the film is going to go through bad times. (The scene is later matched with the misty, poorly lit concentration camps). However, the immediate switch to a car whizzing through sunny Italy makes us forget the bleary omen.
The omens are hard to come by for the first half an hour or so. If you look closely, you might notice a line of Mussolini posters on a wall in the background. You may also notice that Guido does not repeat asking one man what his political views are when he finds out his kids are called Benito and Adolf. Otherwise, the signs of fascist Italy are hidden until Guido assumes the role of a school inspector, required to school the children about the superior race. As the film progresses, the signs of fascism become more and more apparent, bringing us closer to the prophecy of the opening shot.
What does Guido do to survive within this ever more obvious fascist state? He just talks and talks. He talks to a German doctor, his friend, and of course Dora. Guido even talks himself into trouble and then out of it again. His speech is almost magical, and I believe it creates a world in which the reality of growing fascism does not exist. He talks so much to avoid hearing about the growing anti-Semitism and to shut himself off from his increasingly fascist country. Just like a politician’s speech may hide the truth from people, Guido’s speech allows him to hide the truth from himself.
Conclusion
Life is Beautiful is one of those classic films that everyone should watch. It reminds me of a great Hollywood movie. It is easy to follow and that the shot structure follows pretty intuitively. On top of that it is very emotional, it will have you crying with laughter and sadness (a feature of many Oscar winning films). So go watch this one now!
Ever seen Fawlty Towers or Arrested Development? This Czechoslovakian comedy set in the Nazi occupation has a similar tone to these two classic comedies. Instead of a Hotel or a Banana Stand (see above) this film has a rural train station. It’s run by a chubby conductor who keeps a pigeon coop, an very old man, a horny guy who has sex on shift, and our man Milos. This oddball combination make this film one to watch!
Why Watch Closely Watched Trains?
This is a great place to start if you haven’t seen a Czech film before
You like the style of Wes Anderson or the humour of Arrested Development
If you are a history fan – this film is set during the Nazi occupation of Czechoslovakia in WW2
It won the best Foreign Film Academy Award back in 1968
The Breakdown
This film starts with a shot of adolescent Milos standing in a shirt and boxer shorts in a plain bedroom. A narrator starts telling us about Milos’ family. The camera cuts to a picture of Milos’ uncle, a hypnotist whom the whole village was a con artist. He became famous for trying to hypnotise the Nazis into turning their tanks around. He obviously failed.
After we hear about Milos’ uncle, the camera turns to another family picture hanging on the wall to tell us another family story. We hear the stories of three of Milos’ family members through a montage of old photos. The camera ends on Milos’ shoes and tracks up his body as his mum says “what a looker”. A hat floats onto Milos’ head as magical music plays.
The style of the opening reminded me of the slow pans and fixed image montages used by Wes Anderson. Even the voice over narrations, quirky comedic tone, and close ups of props must have influenced Wes Anderson.
The story follows young Milos as he starts work at a quiet railway station in rural Czechoslovakia. At first the signs of the Nazi occupation are limited to the speeches of the regional councillor who stops by the station every other day. Otherwise life at the station is pretty normal. Milos spends a lot of time fawning over a local girl while his colleague womanises whilst on duty.
However, as the narrative progresses, the signs of the Nazi occupation gradually become more prominent. Milos’ political awareness grows alongside his sexual progression, both symbols of becoming a man.
Conclusion
As you will see, Closely Watched Trains, has a lot more substance than the comedic combination that carries the opening 30 minutes. It portrays the life of thousands of young kids that grew up during the war time period across Europe. This film is entertaining, stylish, and deep, which make it a must see film from the Czech New Wave.
Here’s your chance to introduce yourself to Italian neorealist film. Umberto D. is one of the standout films of the neorealist genre. You’ll meet the elderly Umberto, a man who has been forced into poverty by his government and landlady. It’s a must watch for all film fans.
You can watch the film here on YouTube if your Italian is up to scratch. Otherwise you can rent it here for the price of a coffee.
Why Watch Umberto D?
For the perfect introduction to Italian Neorealism
To see how bad poverty was in post-war Italy
It’s emotional – it’ll get you angry, sentimental, hopeless, and hopeful
It’s actually De Sica’s favourite film (above Bicycle Thieves)
The Breakdown
Umberto D starts with a protest in one of Rome’s city squares. An organized group of elderly men are all demanding a raise in their pensions. One of these men is Umberto D. Ferrari, a retired government worker.
Unfortunately for Umberto, life isn’t going too well. Even though he worked all of his life for the government, he can’t afford to live on the pension they’ve given him. As a result, his unsympathetic landlady is kicking him out.
Despite this, Umberto is always well-dressed in a suit, tie, and hat. He manages to keep his smart dress throughout the film. It’s almost a symbol of his dignity. The only time he thinks about begging is when he removes his hat and gives it to his pet dog Flike to beg on behalf of him. It’s the only short moment in which he relinquishes his dignity and asks for help.
Umberto is not the only one that needs help. You’ll notice some beggars asking for money. But there’s also the landlady’s maid, one of the only friends of Umberto. There’s one iconic scene which focuses on her, pretty much the only scene that isn’t focused on Umberto. In the scene she walks from one end of the landlady’s kitchen to the window to watch a cat wandering over the neighbours roofs. Whilst it may not sound that significant, the scene emphasises the maid’s lack of freedom. Whilst the cat can freely roam the roofs of Rome, she is confined to the landlady’s kitchen. She cannot afford to live by herself or go to school and ultimately she will share the same fate as Umberto later in life. It shows that, unless there’s change, poverty will continue to exist.
Conclusion
De Sica claimed that Umberto D. was his favourite film that he made. In addition, it’s probably one of the best examples of Italian Neo-realism. It’s full of emotion, and quickly gets you to sympathise with Umberto. It’s a must watch if you’re into foreign film.
If you want to get to know more classic Italian films, I’d recommend checking out Divorce: Italian Style for a comedy that inspired Martin Scorsese, and La Dolce Vita from maestro Federico Fellini. For more Neorealist film check out the following:
Do you want to get lost in reality? Try watching Three Lives and Only One Death. It follows Marcello Mastroianni as a character that spans a few storylines in and around Paris. At times the story lines seem normal, but before long you’ll realise that they are just illusions. See if you can find your way around Raul Ruiz’s world – free to watch here on YouTube.
Why Watch Three Lives and Only One Death?
If you like your films mysterious (think David Lynch or Ingmar Bergman)
For Marcello Mastroianni in one of his last roles (the great actor from La Dolce Vita, Divorce: Italian Style, and many more)
A narrator that looks like a late night news anchor starts the film. As he starts narrating about a man who wakes up because of a baby crying, we see the man he is talking about. The narrator tells us that the man has a headache and goes to the pharmacy, and then, as if controlled by the narrator, the man on screen does the same.
In the pharmacy queue, another man starts talking to our protagonist. It starts off like the normal expected small talk before becoming much more unnerving for our protagonist. This stranger reveals that he knows exactly where this man lives, who he is, and who his wife is. Our protagonist wants to get away from him but the man offers him a lot of money just to sit down and chat with him.
From then on, it gets even weirder. The man reveals that he was the previous husband of our protagonists wife. He tells him he didn’t disappear for 20 years but rather lost 20 years of his time watching these little fairies (yes that wasn’t a typo). He even takes our protagonist into another room to show him these fairies. At this point the camera goes completely red and zooms in and out to disorientate us. Where are we? And what is real? Only the director Raul Ruiz knows!
Conclusion
You’ll experience a lot more of the unnerving world that Raul Ruiz has created if you watch the full film. There’s plenty of things to throw you off. Just like in the great David Lynch and Ingmar Bergman films you’ll be questioning a lot by the end of this film, but it is a great ride!
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