Australasia

If you’re a Hollywood film fan, you’d probably recognize a few of Australasia’s most famous talent. They’ve produced well known Hollywood directors like George Miller and Taika Waititi and plenty of big name actors like Nicole Kidman, Hugh Jackman, and Chris Hemsworth. However, there’s much more to Australasian films than Hollywood talent. Whilst they’re sometimes hard to find, there’s a lot of great indigenous films such as Vai, The Orator, and the popular Hunt for the Wilderpeople.

Find the best Australasian films below, or click on a country below to go somewhere particular. If you have any recommendations, please get in touch!

Australia, Bougainville, Cook Islands, Fiji, Kiribati, Marshall Islands, Micronesia, Nauru, New Zealand, Niue, Palau, Papua New Guinea, Samoa, Solomon Islands, Tonga, Tuvalu, Vanuatu

6

Vai – A Tribute to the Indigenous Women of the Pacific Islands

Vai

Vai Film Difficulty Ranking: 2

Why Watch Vai?

  • For a collection of 8 short films set across the Pacific Islands
  • See a shared indigenous Pacific Islander experience
  • It’s a powerful feminist tribute, featuring 8 women, and directed by 9
From: Cook Islands, Fiji, New Zealand, Niue, Samoa, Solomon Islands, Tonga, Australasia
Watch: Trailer, Amazon Prime, Tubi, JustWatch
Next: Whale Rider, Boyhood, The Orator

a collection of short films

Vai is a collection of eight short films made by 9 women which takes place across seven different countries (Fiji, Tonga, Solomon Islands, New Zealand, Kuki Airani, Samoa, and Niue). The titular character, Vai, is played by eight different indigenous women aging from 6 to 80.

Another interesting thing to note before watching is that ‘Vai’ translates as ‘water’ in each of the countries named above. Water is an integral part of the story. It surrounds each of the islands, which isolates each community, making traveling between islands harder. It’s ability to provide food is threatened as companies infringe on and overfish in traditional fishing waters. Drinking water is also rare and hoarded by the privileged. Most importantly, it gives life, both spiritually (as in the final short) and physically.

“We sweat and cry salt water, so we know that the ocean is really in our blood”

Teresia Teaiwa

A Common Indigenous Experience

Vai’s journey is played by 8 different indigenous actresses across 7 different countries and 8 different ages. In the first short, Vai is a 6 year old girl in Fiji, and the film progresses until the final short shows her as an 80 year old woman in Aeotara (New Zealand). By shooting Vai’s journey with different actresses across different countries, Vai creates a common indigenous Pacific Islander experience.

One common theme is the cycle of leaving and returning. In the first three shorts, Vai lives without her mother or father, as they’ve been forced to travel to New Zealand to try and provide for their family. In the fourth, Vai has already left Samoa and is studying in New Zealand. The final four films feature an older Vai that has returned to home. She returns and has to relearn the traditional ways she has forgotten. Whilst she regains her community, her younger relatives leave their homes just as she did, repeating the cycle of coming and going.

(Insert analogy comparing the coming and going of the people and tradition to the coming and going of the sea tides).

A Life Well Lived

The Pacific Islander experience may be new to some viewers, however, the experience of life is much more universal. It’s scope reminded me a little bit of Linklater’s Boyhood, except here the scope is much larger. Instead of focusing on a child from 8 years old to 18, Vai follows a woman across a whole lifetime. In doing so it encapsulates the entire experience of life in 90 minutes. When you’re watching Vai as an 80 year old, the memories of the shorts of Vai as a 6 and 13 year old are still clear in your head which allows us to enter Vai’s old age with a greater understanding of where she came from. These are memories that we often lose touch of once we hit adulthood in our own lives. Showing it all in one film lets us see life repeating itself and allows us to better empathize with Vai as an older woman.

What to Watch Next

If you’re after more indigenous stories from the Pacific Islands, check out Whale Rider, The Orator, Waru, or even Tanna. For too crossover films you could also check out Hunt for the Wilderpeople and Rabbit Proof Fence.

Or, if you’re looking for more films which follow a single character across different ages, I’d strongly recommend checking out Boyhood and Moonlight. They’re two great U.S. films about growing up.

7

Another Country (Australia) – Meet the Other Side of Australia

Another Country Film Difficulty Ranking: 3

Most people forget that Australia, like the United States, was already inhabited when Europeans arrived. Just like in the U.S. the natives were almost wiped out by disease, politics, and genocide. Today, Indigenous Australians make up just 3% of the Australian population and Australian politics have pushed them to the side onto pseudo-reservations. Get to know some of them in Another Country – watch it here (Amazon).

Image result for another country molly reynolds

Why Watch Another Country?
  • Get to know the indigenous Australians of Ramininging, Northern Territory
  • Learn how politics have disrupted the old way of life
  • Witness the lack of opportunity and isolation of the community
  • See a strange reenactment of the crucifixion
The Breakdown

Firstly, we’re introduced to our narrator, the ‘living legend’ that is David Gulpilil. You may know him from films like Crocodile Dundee, Rabbit Proof Fence, and Charlie’s Country. He’s even met with the queen and relaxed with Jimi Hendrix and Bob Marley. But, he assures us, “this film is as much about you than it is about me and my people”.  Another Country is about what happened to aboriginal culture when it was interrupted by western culture.

The film is set in Ramininging, 400km away from the nearest town (if the dirt tracks haven’t been washed away). No one wanted to live here, but the Australian government set up a town here anyway to host the indigenous people it didn’t know what to do with. It’s as if they picked a completely isolated spot to keep them hidden.

Why would the Australian government want to keep the indigenous population hidden? Because they don’t know anything about the indigenous population. The politicians never learned any indigenous languages and rarely interact with any of the indigenous people out of their own initiative, so keeping them out of sight is a way of hiding their ignorance. All the government does is provide them with just enough to keep them living and reliant on government support.

Why is Another Country narrated?

Yes, Another Country is a documentary, and documentaries are often narrated without the narrator appearing in the film. But Another Country is different. This is David Gulpilil’s home town, and he introduces us to his childhood friends through his narration, so it would only be natural for him to appear and initiate dialogue with his friends and family. But, instead, he is kept separate from what we are seeing on film.

This creates a distance between what we are being told and what we are seeing. As a result, his narration feels similar to the news reporters we see on TV, that narrate over news footage to create a story.

Australians, and the world, are probably used to hearing news reporters and politicians create the story of indigenous Australians without having any understanding of them. And, most of us probably blindly accept what they say as the truth as they are figures of authority.

Therefore, having David Gulpilil as the narrator, and keeping him as just a narrator, keeps him in a position of narrative authority that news reporters and politicians often inhabit. He gets to create the story as he sees it, and we, the audience, get to finally listen to an indigenous voice narrating the indigenous people in Australia.

Conclusion and What to Watch Next

Another Country is the documentary to watch if you want to get to know some of the marginalised Indigenous Australians. You get a first hand introduction to the isolated community of Ramininging through it’s most famous former resident, David Gulpilil.

If you’re interested in learning a bit more about the history of the indigenous Australians, check out Rabbit Proof Fence. It’s a story about a couple of girls from the Stolen Generations who were removed from their families by the Australian government in the 19th and 20th centuries.

Or if you want to see more films exploring the damage done by generations of European colonists around the world, check out:

 

8

Rabbit Proof Fence – Institutionalized Racism in Australia

Two Kids Trying to Escape

Rabbit Proof Fence Film Difficulty Ranking: 1

One of my favorite films as a kid, this one follows the journey of three aboriginal kids escaping the internment camp they were placed in to try and return home. 

From: Australia, Australasia
Watch: Trailer, Rent on Amazon, Buy on Amazon
Next: Whale Rider, Another Country, Tanna
Continue reading “Rabbit Proof Fence – Institutionalized Racism in Australia”
9

The Coconut Revolution – Earth’s Real Life Avatar Eco-Revolution

The Coconut Revolution

The Coconut Revolution Film Difficulty Ranking: 2

This hour long documentary takes you through the naval blockade on Bougainville Island to meet the revolutionaries fighting for Bougainville independence. They’ve survived against all odds. First, their water supplies and land was destroyed by the world’s largest open copper mine built by a subsidiary of Rio Tinto. They were forced onto reservations. But they chose to rise up and forced the huge mining conglomerate to abandon the region. In response they earned the wrath of Papua New Guinea who depended on the mine for a large percentage of their GDP. After being attacked by the PNG army, the eco revolutionaries were starved from contact with the rest of the world for 7 years thanks to a naval siege operated by Papua New Guinea and Australia. When that didn’t kill off the revolution, PNG sent in international mercenaries to finish them off. But they were forced to retreat and the Bougainville Revolutionary Army survived and the island is now well on it’s way to independence after winning a referendum for independence at the end of 2019. It’s an incredible story.

The revolution becomes even more amazing when you see the resourcefulness of the indigenous people of Bougainville. Cut off from PNG power, they created their own hydro electric generators from scraps from the mine. And without fuel for the vehicles left on the island, they created fuel from coconut oil. On top of this, they use the land to feed the community and treat them for illnesses and diseases. This is a true Eco-revolution.

From: Bougainville, Papua New Guinea, Australasia
Watch: Trailer, JustWatch, Amazon Prime
Next: Avatar, System K, Princess Mononoke
10

Tinpis Run – A Road Trip Across PNG with One Man and His Father-in-law

Tinpis Run

Tinpis Run Film Difficulty Ranking: 3

Why Watch Tinpis Run?

  • If you’re looking for a light-hearted road-trip comedy
  • If you’re a fan of Don Quixote and Sancho Panza and want to see PNG’s equivalent
  • To see cycles of exploitation stemming from colonialism
From: Papua New Guinea, Australasia
Watch: Watch on YouTube, IMDb
Next: Cuestion de Fe, Akasha, Tanna

One Crazy Road Trip

In the opening of Tinpis Run, Papa meets Naaki. Papa is driving one of his regular taxi routes across the highlands when he almost falls asleep at the wheel and crashes his car. Naaki pulls him out of the car and rushes him to hospital, saving him from certain death. In thanks, Papa promises Naaki his daughter’s hand in marriage (she refuses). However, despite his daughter’s refusal, Naaki convinces Papa to buy a new vehicle and get back in the taxi business to cement their new bond of friendship. Together, they drive around the country going along with whatever life throws at them, whether that’s gambling losses that force them to bond with local politician/criminals, highway robberies, and tribal warfare. Whatever misfortunes hit them, they’re treated with deadpan comedy instead of concern, much like the slapstick adventures of Don Quixote and Sancho Panza.

PNG’s Don Quixote and Sancho Panza

Papa and Naaki’s unlikely friendship was the first thing that reminded me of Don Quixote and Sancho Panza. Papa is an old highland chief making a living through his taxi business whilst Naaki is a regular guy from the city. Whilst Papa still identifies with traditional PNG life, such as tribal rivalries and giving away his daughter’s hand in marriage, Naaki rejects them. He prefers the simple manly pleasures of life such as womanizing and life by the beach. Papa’s fervor for traditionalism matches Don Quixote’s dreams of being a chivalrous knight. Naaki, like Sancho Panza, is happy to go along with Papa just to get closer to his daughter and to make a living.

Colonialism’s lasting cycles of exploitation

Under the comedy, there’s a critique of the lasting effects of colonialism. In the early scenes of the movie, when Papa is looking for a new truck to restart his taxi business with Naaki, he finds a beat-up truck being sold by a white man. Papa, old enough to remember the neocolonialist rule of the country under Australia, calls the white man ‘master’ and doesn’t question his extortionate price. His unquestioned trust of the white man shows the lasting effect of colonialism’s promotion of white superiority.

But it’s not just the white man that tries to exploit the indigenous PNG citizens. We see a PNG citizen from the mainland trying to exploit PNG citizens on the islands (as well as Papa and Naaki). He tricks Papa and Naaki into taking their car on one of his boats to a nearby island to promote his campaign in the local elections. He uses their car as a symbol of the ‘civilization’ and technology he will bring to the island if the islanders vote for him. Just as the white man used his white status to rip off Papa, this PNG citizen uses his status as a city dweller to trick the islanders. It marks that the cycles of exploitation founded in colonialism didn’t end with independence.

What to Watch Next

If you’d like to watch another light road trip adventure, head to Bolivia to watch Cuestion de Fe. There’s also Ghana’s Bigman Wahala if you want a big more laugh out loud humor.

Or if you’re looking for another film featuring characters letting life lead them where it wills, check out Sudanese film aKasha or Portugal/Cape Verde’s Djon Africa.

Lastly, for more films featuring tropical island life, go watch Jamaica’s Outdeh, and Hawaii’s August at Akiko’s. Whilst it’s not an island, Suriname’s Wan Pipel also has that same laid back tropical island feel too, and is a great film from a country without much of a film industry.