In The Flying Circus, four lads from Kosovo receive an invitation from the Albanian National Theatre to put on their latest play for their festival. Problem is, to get there, they need to cross two borders illegally. They have to escape Serbian occupied Kosovo, sneak through Monetenegro, before crossing illegally into Albania.
It’s a funny ‘based on a true story’ escape/road trip film set in a divided Balkans. It manages to convey the seriousness of their journey, but lightened with humour. The only unnecessary addition to the film is the cliched holiday relationship between one of the actors and a woman from Tirana. It just feels too quick, underdeveloped, and unnecessary.
The humour comes from the strange situations and people the four actors stumble into and how they deal with them. For example, there’s the threatening episode when the Kosovars traveling from Kosovo are all threatened by a trio of skinheads in a restaurant. One of the skinheads brings out a gun to which one of the four actors smashes his hands on two glasses (as he saw in a movie earlier). It turns a threatening situation into something absurd to laugh at. In these comedic moments you almost forget that they’re on the run and their lives are under threat.
The Flying Circus also offers a glimpse of life as a Kosovar in the Balkans. At home there are routine ID checks of ethnic Albanians and officials speaking Serbian instead of the local Albanian. This sets up what they’re due to face later on. On the road, they face further checks – made by grumpy officials speaking Serbian, and they’re threatened by a local in Montenegro. All the signs show that the Kosovars are looked down upon both at home and abroad. This doesn’t change when they make it to Albania either, where the officials are corrupt and inept.
Overall, The Flying Journey is a fun journey, on a similar level to Taika Waititi’s Hunt for the Wilderpeople. It’s got funny characters, humor in unlikely situations, and a happy-ish ending.
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