Film Difficulty 3

To help you ease your way into our world, we have devised a the film difficulty ranking system to rate the difficulty of each film reviewed on our site. The easiest to watch films (the Rom-Coms and Superhero flicks that you watch anyway) will have a rating of 1. Foreign language films automatically add one point, as do black and white films, and films with strange and hard to follow plots. Welcome to Film Difficulty 3.

Film Difficulty Ranking 3: More of a challenge for those familiar with foreign films. Level 3 is like a mix between an intriguing European mime artist and your most interesting and demanding school teacher.

If you’ve mastered these films, move onto Film Difficulty Ranking 4.

Fragment 53 (Liberia)

Fragment 53 Film Difficulty Ranking: 3

War. What is it good for? Absolutely nothing.

However, you can learn a lot from this documentary about the Liberian Civil War. It features interviews with the people responsible for killing hundreds if not thousands of people. You’ll also get to hear from all sides in the conflict and what they did in the role and what they think of the murders they committed now that the conflict is over. If you can’t imagine a time in which eating a heart is normal, I recommend you check out this film to find out.

Why Watch Fragment 53?

You don’t know anything about the Liberian Civil War, or anything about Liberia for that matter
Learn about the nature of war from the warlords, generals, and soldiers that fought in the Liberian conflict
Hear from General “Butt naked”
It’s a perfect compliment to Indonesia’s The Look of Silence and The Act of Killing

The Breakdown

Fragment 53 starts with the sound of a trumpet, a sound connected to war memorial services. The sound of the trumpet sets the tone of this war documentary, a tone that both recognises those lost, but also questions the nature of war. Alongside the trumpet we are shown a montage of statues and statuettes. Each one of them is a deity of war from various human cultures. War has been around for millennia. Is it a part of humanity or something we can stop?

Before, and also between the interviews of the war generals, the film hints at the surreal. We are shown shots of people working at roadside stalls, a cloud of fruit bats stripping the leaves off of a tree, and hills covered in rain forest and mist. Why are these images included? They are included as they show time passing. These mundane images are just as natural as war is to mankind. Bats will always strip the leaves off of trees, mist will always collect in the hills, and people will always be making a living. These things, just like war, will also continue into the foreseeable future.

The director’s also manipulate the interviews with the warlords and generals. Each interviewee is given the same introduction text and are all shot in close-up. But look out for how the director leaves them after the interview is complete. The first interviewee is rather vague about his opinion of war so his interview finishes with a blurred and dark image of him getting up to leave. The second interviewee is consistent in his views of war and his role and therefore the director ends his interview with a clear head shot. This is just one of the ways a director can influence our perception of interviewees in documentaries!

Conclusion

Fragment 53 is an intriguing look into the nature of war. Is it something that is a part of humanity or can it be eliminated? Hear from seven warlords/generals from Liberia. Their answers offer an insight into both the Liberian war and humanity as a whole.

For more documentaries on the nature of war, check out The Look of Silence and also Little Dieter Needs to Fly.

The Exterminating Angel (Spain) – Bunuel At The Top of His Game

The Exterminating Angel Film Difficulty Ranking: 3

Ever had a party where the friends you invited just don’t go home? They’ve stayed for dinner, stayed the night, and even though you’ve fed them breakfast in the morning, they’re still here! Well that’s what happens in Bunuel’s Exterminating Angel. It’s intriguing, entertaining, and Bunuel-level absurd. You’ve got to love it!

Why Watch the Exterminating Angel?

See more of Bunuel’s dark view of human nature (watch Viridiana for more)
To laugh at the aristocracy just like Monty Python’s Twit of the Year
For surrealism at it’s finest – there are bears and sheep wandering through the house, floating hands, and chicken legs in purses!
To learn how to small talk and ditch someone you don’t want to speak to anymore onto someone else

The Breakdown

The film starts with guests arriving in their fancy cars at the gates of a mansion in Spain. As the guests are entering the house, the servants are trying to leave like rats from a drowning ship. But what is the problem with this house?

Well it’s full of the aristocracy that’s why. The guests have their fancy dinner, and continue to have drinks, and then coffee, then go to sleep. At this party, the guests just don’t leave.

In the morning, the host tries to get them to leave after breakfast, but his plan fails. None of the guests leave. In fact, in a surrealist twist, none of them can leave. They are somehow all confined to fight for survival in the morning room of this giant mansion.

Yes, this film is absurd. But it’s also intriguing and entertaining enough to keep on watching. As for the political allegories, Roger Ebert puts it best:

“The dinner guests represent the ruling class in Franco’s Spain. Having set a banquet table for themselves by defeating the workers in the Spanish Civil War, they sit down for a feast, only to find it never ends. They’re trapped in their own bourgeois cul-de-sac. Increasingly resentful at being shut off from the world outside, they grow mean and restless; their worst tendencies are revealed.”

Conclusion

This is vintage Bunuel. Just like in Viridiana he subtly makes fun of Franco’s Spain. In this case he makes fun of the aristocracy who are trapped in their upper class bubble (their own oversized mansion).

The Magic Gloves – A Deadpan Look at Everyday Lives

The Magic Gloves Film Difficulty Ranking: 3

If you’re a fan of deadpan humor, look no further. In The Magic Gloves, Martin Rejtman takes the mundane, everyday meetings and conversations that plague our lives and turns them into something to laugh at. There’s nothing special about any of the characters, they’re all regular people like us passing through life without much happening. They also don’t seem to be in control of what’s going on. Life just happens to them and they’re happy to follow where it leads them. When things do happen and their lives look like their going to turn into a success, their luck is quickly balanced out to humble them. But the film never feels heavy or depressing to watch as it makes fun of the trivialities and coincidences we give importance to in our lives. After all nothing really matters.

From: Argentina, South America
Watch: Trailer, JustWatch
Next: Whisky, Rapado, Barking Dogs Never Bite

The Colours of the Mountain (Colombia)

The Colors of the Mountain Film Difficulty Ranking: 3

Buy by clicking on the poster or find it elsewhere!

Watch The Colors of the Mountain to see the beauty and ugliness of Colombia side by side. See beauty in the lush vegetation, innocent school children, and peaceful life in the countryside. And see ugliness in the spreading war between the local guerillas and paramilitaries. Luckily for tourists, the ugliness of the war has subsided. And luckily for film viewers, Colombia is still producing great films, just go and watch Embrace of the Serpent after this one.

Why Watch The Colors of the Mountain?

For a great coming-of-age film (for more coming-of-age films check out Kids Return, The Wounded Angel)
See the beautiful Colombian countryside and the people that live in it
Witness how the war between the guerillas and the paramilitary groups affected life in Colombia (for something similar, see Silvered Water which follows a young kid living in the Syrian war zone)
See how arepas are made!

The Breakdown

The Colors of the Mountain starts with a shot of a small house in the lush Colombian countryside. A boy with a football in his arms runs down the drive and into the rolling fields across from his house. The countryside is full of sounds of insects, birds, and frogs, and you can almost feel the heat. The boy runs to his friend’s house and persuades him to come and play football.

This is their simple, peaceful life. They wake up, eat, and either go to school or play football. 9-year old Manuel’s parents are always around the house, tending to their two cows, fixing the house, or cooking. Life is good.

However, the signs of trouble become more and more obvious. The first sign of danger is the graffitti written across the wall of the school in red: ‘el pueblo con las armas, vencer o morir’. This roughly translates to ‘the town with weapons, conquer or die’. Secondly, the potential danger is confirmed in Manuel’s Dad. When Manuel and his Dad are milking their cow, his Dad spots four men in ponchos walking up to their house. You can just make out the butt of a machine gun on one of them, protruding from their clothes. Manuel’s Dad urgently grabs Manuel and runs him into their house to hide. His reaction confirms the threat of the men in ponchos, and the danger they live with which is largely unnoticed by Manuel and his friends.

Conclusion

The Colors of the Mountain shows us the danger posed by both the Guerillas and the Paramilitaries in rural Colombia. It also shows us how normal life can temporarily appear in a war zone. For those that want to see Colombia in all it’s beauty and ugliness, this one is for you.

Lamb – See a Patriarchy Struggling to Get By

Lamb Film Difficulty Ranking: 3

Beautiful scenery, beautifully shot, Lamb could be a travel commercial for the Ethiopian tourist board. But the beautiful landscape can’t be fully enjoyed by Ephraim and his family as they’ve run out of food. The worst of each of them shows itself on film as they struggle to get by – will Ephraim’s beloved lamb survive?

From: Ethiopia, Africa
Watch: Trailer, Amazon Prime, Kanopy, Rent on Amazon, Buy on Amazon
Next: Pather Panchali, Rams, Abouna