In-your-face, up-front and arresting: films that take you out of your comfort zone
Soviet-made Cuban films don’t do half measures, they go all in. I am Cuba is no exception. The cinematography is more stylish than most films you’ll ever see and some of the shots are truly unforgettable. Add in Cuban history from the 1920s to the 1950s and you’ve got one truly epic film.
From: Cuba, North AmericaContinue reading “I am Cuba – A Soviet Made Masterpiece”
Watch: Trailer, Watch on Amazon
Next: Lucia, Battle of Algiers, Battleship Potemkin
If you want to get an idea of how life was in Germany after the Second World War, Europa is your film. It recreates the inevitably nightmarish environment in a country shrouded by the horrors it has committed. It’s inventive, creative, and amazingly dark.
From: Germany, EuropeContinue reading “Europa – Darkness in Post-War Germany”
Watch: Trailer, Buy on Amazon
Next: Wings of Desire, Children of Men, Persona
As the World Cup continues in Russia, the Tennis stars of the world play at Wimbledon, and the world’s premiere cycling tour kicks off in France, there’s no better time to watch Icarus. You’ll learn about the effects of doping, start doubting the even playing ground of all sports, before asking yourself: “what if they’re all doping?” To find out more about doping in sport and the political stakes of doping, watch Icarus on Netflix.
Meet Bryan Fogel. He’s an amateur cyclist who was on the brink of turning professional when he was hit with an injury. Whilst he didn’t get to cycle alongside Lance Armstrong like some of his friends, he still idolized the best cyclist from his country and generation for his 7 Tour de France wins. But, his view of professional cycling and Lance Armstrong came crashing down when Armstrong finally admitted to doping in 2013.
How did Fogel react? By choosing the toughest 7-day amateur cycling race available and riding it twice. Firstly, he rode it clean, and secondly on performance enhancing drugs to analyse their effect.
Long story short, he finished in the top 20 clean, but couldn’t improve his positioning whilst doping. But, what might have been a movie about how doping won’t immediately make you the best in any sport luckily doesn’t end there.
That’s because the guy helping Fogel to dope was the director of the Russian anti-doping laboratory, Grigory Rodchenkov. They both become friends as Rodchenkov helped him through his doping process. Rodchenkov gives him plenty of advice and laughs, and even hosts him at his home in Russia.
However, Rodchenkov later drops a bombshell: he oversaw the state-sponsored doping programme for the 2012 Olympics in London and the 2014 Winter Olympics in Sochi. This confession turns Icarus into an investigation into the worldwide doping scandal that banned all Russian athletes from competing in the 2016 Olympics and rocked the sporting world.
Icarus is one of the most gripping documentaries out there, especially if you’re a sports fan. It’s got an interesting premise (how much does doping help) which sets up the story, but the twist lands in Fogel’s lap because of Rodchenckov’s confession. From there it’s the two of them versus the Russian State and the U.S. court system.
If you’re looking for more great documentaries, check out the equally thrilling Citizenfour about Edward Snowden. Like Icarus it contains a whistleblower vs. the state, but instead of sport’s doping, it’s a worldwide spy network.
Or, if you’re looking for a sport documentary which focuses more on the sport, check out the brilliant basketball documentary, Hoop Dreams. It’s like Boyhood meets Basketball.
In the late 2000s a group of black boys aged 12-14 robbed other children’s phones on around 70 occasions in Gothenberg. This film tracks one of their robbery scams to see how they did it whilst cleverly making the victims (and the audience) look (and feel) helpless. Watch it here (Amazon).
Play starts with a still shot of the centre of a shopping mall. Two 10 year old white boys enter the middle of the frame talking about what they need to buy next. Then, the camera slowly pans to the left, settling on a group of 5 black kids. They’ve spotted the two white kids and play rock, paper, scissors to decide who is going to go rob them.
Turns out, their trick is a lot longer than you might expect. One of the black boys asks one of the white boys for the time. Then when the white kid pulls out his phone, the black kid tells him that his phone looks just like the one that was robbed from his little brother. Cue a tour around town to find his ‘little brother’ to verify if the phone is the one that was robbed from him.
The race and class separation between the two groups is obvious. One group, with two white kids and one Asian kid, is obviously more well off than the group of black kids that rob them. They are in the mall shopping for new clothes and video games. In contrast, the black kids are just messing around. They’re not there to spend money, they’re there because they have nothing else to do. Robbing the richer kids is their entertainment. It gives them something to do and gets them enough funds to afford dinner.
For more on the identity dynamics, I recommend reading IndieWire’s review of Play here.
First of all, the bystanders in this film are pretty useless. Every time they see the group of kids in trouble, they refuse to help and just carry on with their own lives instead. The static frames make the bystanders look even more useless. Instead of cutting between close-up shots of the victims and antagonists, the static frame shows us their surroundings. You can see bystanders sitting or standing at the edge of the screen, pretending to be oblivious to the action. Their cowardice makes us question ourselves: would we be like them and just ignore kids being bullied near us?
The static frames also convey the victims helplessness. Once the victims enter the frame they’re stuck. They can leave the screen, but they will always return to it. Similarly, the audience is forced to watch the victims being bullied and robbed. There are short breaks from the main narrative, such as a group of Native Americans singing in the street, but our focus will always be diverted back to the kids being bullied. It’s as if the director wants us to feel helpless whilst trying to show us enough bullying to encourage us to help the helpless.
Play is brilliantly daring. It’s controversial and clever – it highlights cowardice and staunch social boundaries (class and race) and provokes debate. However, one word of advice, just like a lot of other controversial art (gangsta rap) you’ve got to look deeper than the surface.
For a funnier but even more awkward film from Ruben Ostlund, I strongly recommend Academy Award Nominee, Force Majeure (Amazon).
I’d also strongly recommend watching both Girlhood and La Haine. They’re two more films that focus on underprivileged kids looking for their way in life in societies where they’re marginalised.
Or, if you’re looking for more Swedish film, you must check out anything by Ingmar Bergman. Start with Wild Stawberries or The Seventh Seal (Amazon).
The Insult demonstrates just how powerful words can be. The trials between the Tony the Lebanese Christian and Yasser the Palestinian refugee are like the OJ Simpson trials on steroids.
From: Lebanon, AsiaContinue reading “The Insult (Lebanon) – Words Can Start Wars”
Watch: Trailer, Amazon Prime, Rent on Amazon, Buy on Amazon
Next: OJ Simpson: Made in America, Silvered Water, Ajami
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