Black Girl Film Difficulty Ranking: 3

Do you want to see one of Africa’s best films from the 20th Century? Set aside 55 minutes to watch Black Girl below (please comment if the video is not working). Don’t let film scholars be the only ones to have seen this incredible film as this should be seen by everyone.

Why Watch Black Girl?
  • It’s short: it will only take 55 minutes of your time!
  • It features a strong female character
  • The best pieces of art are completed quickly. Black Girl was made in 20 days
  • Examine the legacy of colonialism
The Breakdown

Ousmane Sembene’s Black Girl starts with a big passenger ship arriving at a port in France. A finely dressed black woman, Diouana, leaves the boat wondering if anyone will be there to pick her up. Sure enough a white man greets her, takes her bags, and drives her off. After a few jump cuts in the car ride (a style made famous in Breathless by Jean-Luc Godard) she arrives at a house on the French Riviera.

The opening suggests Diouana is here to meet her friends. Because of her nice dress and the white driver meeting her, it initially appears that she shares equal status with the white French people. However, as soon as she enters the apartment, it becomes clear that she does not share the same freedoms as her employers. She is kept in the apartment all day, every day to clean and cook and never ventures out because she never gets paid and is never introduced to anyone (which is always helpful when you don’t speak the language). As a result, she is almost a slave.

What’s the significance of the African mask?

To get to know the film a little better, look out for the African mask. It first appears in the film when Diouana buys it from a small boy from her neighbourhood in Senegal. She then gifts it to her employer who first question it’s authenticity (‘it looks like the real thing’) and then hang it on one of their blank white walls in their apartment in France.

Firstly, the mask initially signifies equality between Diouana and her employer. The act of gifting implies that you share an equal standing with the person you give to. Initially, because of the gifting, Diouana is equal to her employer. However, when her employers dismiss the mask as a fake, they imply that Diouana cannot afford a real mask and therefore she is not on the same level as them.

Secondly, the mask is a metaphor for Diouana’s isolation in France. Like the mask hanging in the middle of a blank wall, she is alone and out of place in French society.

Lastly, the mask is a symbol of the misappropriation of African culture. In Africa the mask is alive as the young boy is shot playing with it and wearing it. However, in France, the mask is dead. In France, the mask has been reduced to an ‘exotic’ artifact which sits on a wall as a trophy of Diouana’s employer’s exoticism. It allows her employers to temporarily ‘play’ their ‘connection’ to African ‘exoticism’ without experiencing any of the discrimination they perpetrate. Just like a fancy dress that they can take off whenever they want.

Narration as a symbol of post-colonialism

When watching Black Girl you’ll notice that whilst Diouana doesn’t speak French, all her thoughts are narrated in French. Her consciousness has been taken over by a language that isn’t her own. She can’t physically speak French and therefore become equal to the French speakers in France, but she can think in French. In fact, French is the only language she actually thinks in via the narration.

This is symbolic of the legacy of French colonialism in Africa (in this case, Senegal). Although Senegal achieved it’s independence from France a few years before this film was made, by restricting Diouana’s consciousness to French Sembene emphasises the parasitic legacy of colonialism. The colonisers colonised Senegal and replaced it’s native culture with it’s own and disrupted Senegalese consciousness in the process.

Related image

Conclusion

There’s so much more to say! Simply put, Sembene’s Black Girl packs a lot into just under an hour. If it’s not being studied at schools across the world, it should be. Everyone needs to watch this film!

If you haven’t seen it, you’re in luck. Watch it here on YouTube!

Sweet Sixteen

Sweet Sixteen Film Difficulty Ranking: 2

What were you doing on your sixteenth birthday? Hopefully something better than Liam. Sweet Sixteen came out three years before MTV’s My Super Sweet Sixteen and shows a semi-orphaned teenager waiting for his mum to get released from prison. It’s another brilliantly bleak depiction of working class youth in the U.K. from Ken Loach and a perfect reality check to the super rich spoiled kids which took over MTV screens a few years later.

From: U.K., Europe
Watch: Trailer, Tubi, Amazon Prime
Next: Trainspotting, Girlhood, This is England
Read the Full Review

Dawn Film Difficulty Ranking: 4

Dawn is timeless. What it lacks in depth and clarity it makes up for in style. You’ll probably lose track of what’s happening more than once because of the snappy cuts and quick camera movements. However, you won’t care because it’s mesmerising. The beautiful black and white cinematography and the epic myth of Pavlik Morozov will immerse you in the chaos of Soviet Latvia.

From: Latvia, Europe
Watch: Trailer, Amazon Prime, Amazon Rent
Next: Battleship Potemkin, The Exterminating Angel, Soy Cuba
Continue reading “Dawn – A Modern Soviet Epic from Latvia”
Scheherazade Tell Me A Story

Scheherazade, Tell Me A Story Film Difficulty Ranking: 2

Why Watch Scheherazade, Tell Me A Story?

  • If you like ‘real’ stories and storytelling
  • To see how entrenched the patriarchy can be (and is)
  • It’s an entertaining watch, because of it’s brilliant use of melodrama
From: Egypt, Africa
Watch: Trailer, Mubi, Prime Video, JustWatch
Next: After the Battle, The Insult, Saudi Runaway
Continue reading “Scheherazade, Tell Me A Story – Down With the Patriarchy”
Hyenas

Hyenas Film Difficulty Ranking: 4

In Djibril Diop Mambety’s Hyenas, a former outcast returns to her African village a rich woman after being kicked out three decades earlier for getting pregnant out of wedlock. The town fawns over her wealth and rolls out the complete ceremony to welcome her home. However, she has other plans. She promises infinite wealth to the impoverished town and it’s residents in exchange for the execution of Dramaan, a local shopkeeper and the man who fathered her child without owning up. Will the community betray their beloved shopkeeper for wealth?

For more analysis check out Layla Gaye’s review of the film and it’s satirical criticism of neocolonialism and the corrupting power of wealth on a society’s morality.

From: Senegal, Africa
Watch: Trailer, JustWatch, Kanopy
Next: Bamako, Black Girl, Rashomon