Viridiana Film Difficulty Ranking: 4

Who said you couldn’t make fun of a dictatorship whilst living in under a dictatorship? Luis Bunuel proves us wrong by returning to Spain to deliberately make this film that satirizes Franco. Would anyone dare do this today?

Check out this sleepwalking scene for a mere taste of the controversy.

Why Watch Viridiana?
  • Get to know one of the dark side of one of the most famous directors of the 20th century: Luis Bunuel
  • To see a film that savagely pokes fun at Spain under Franco, dictator from 1939 until 1973 (the film was banned in Spain until his death in 1975)
  • For a ‘Last Supper’ scene which got it banned in the Vatican
  • If you like laughing at human nature and the absurdity of life
The Breakdown

We meet Viridiana in the courtyard of her convent talking with her mother superior. She is told to go visit her uncle before she takes her vows to become a nun. A strange request as she hardly knows him. In a Bunuel film, this can only mean trouble.

Sure enough after Viridiana arrives at her uncle’s house, she is fetishised by Bunuel (meaning she is made into the object of her uncle’s sexual fetish). Bunuel shows her taking off her stockings and nun frock in one scene and has the uncle’s maid spy on her through a key hole.

Bunuel makes it even weirder when the uncle asks Viridiana to wear his dead wife’s wedding dress (she died on her wedding night). Sure enough she looks just like her.

Bunuel’s depiction of the weird uncle is a satire of the aristocracy under Franco. He paints them as perverted and stuck in tradition (his house is full of old artifacts and looks like Mrs.Faversham’s from Dickens’ Great Expectations).

But Bunuel does not just satirize the aristocracy. Everyone is a victim in this film!

Conclusion

Bunuel has a pretty dark view of humanity. No one in this film gets away without being made fun of from the creepy old uncle to the group of beggars Viridiana takes care of. Even Viridiana is made fun of with her saintly actions.

One scene which perfectly depicts Bunuel’s world view is a scene in which Jorge (the uncle’s son) buys a dog that is being dragged along on a lead under a running horse cart. He buys the dog to free it. However, as he walks off with the dog, he does not see another cart drive past with another dog being dragged along under it.

 

Film Root’s Introduction to Slow Film

Image result for slow cinema

Watching slow cinema is a completely different experience to binge-watching your favourite TV show. When you’re binge-watching TV you can just sit in your seat and let the TV tell you a story. In contrast, when you’re watching slow film you have to do more.

Slow film is pretty much another art form within the world of film. So I’ve tried to help you understand what it is and why you should care in our first Film Root film introduction to slow film right here.

 

 

From What is Before Film Difficulty Ranking: 5

This is Lav Diaz. He’s one of torch bearers of the slow film movement having made some of the longest cinematic films. In From What is Before he documents the history of a small rural town in the Philippines during Marcos’ rule. Like Gabriel Garcia’s Macondo, this small town serves as a metaphor for the entire country. As a result, this is your chance to experience contemporary Filipino history.

Here’s a little snippet courtesy of the Toronto International Film Festival. It shows you exactly what slow cinema is like – are you patient enough to try it?

Why Watch From What is Before?
  • You want to one of the best examples of Slow Film there is!
  • To truly immerse yourself in the recent history of the Philippines
  • Witness how fear can undermine a community
  • For your chance to see the beautiful Filipino countryside in monochrome
The Breakdown

“This story is a memory of my country”

The film starts with a beautiful black and white shot of the Filipino countryside. You can see the fields of corn, tall hills in the distance, and a small shack in the foreground. This is the rural Philippines in 1970.

From the outset you can tell this is a slow film. You can tell because the camera rarely moves, each of the shots lasts for at least 2 minutes, and there is very little dialogue. Contrast this with the 5 second shot length in Hollywood films, and a load of action and dialogue, and you’ll understand why this is called slow film.

The length of From What is Before allows Lav Diaz (the director) to properly show us the gradual growth of fear in the rural town he examines. You’ll meet all the people of the town before the first signs of Marcos’ martial law start appearing around the 3 hour mark. Then you’ll see how the military rule slowly undermines the community through fear.

Conclusion

For an exploration into the power of fear in undermining unity, this film is a masterclass. Watch as Marcos’ martial law slowly envelops a small town in the Filipino country.

For more Slow film try the following:

Train to Busan Film Difficulty Ranking: 2

This is the best Zombie Train film there is. If you love zombies (think Walking Dead, 24 days later, or World War Z) you’ll love this film. If you love train films (Snowpiercer, Transsiberian) you’ll love this film. Finally, if you love a great thriller film, you’ll also love this film. Need I say more?

As usual, best to only watch 40secs of the trailer to avoid any spoilers!

Why Watch Train to Busan?
  • It’s one of the good zombie films out there
  • It’s also a great train movie (on terms with Snowpiercer, another great South Korean film)
  • There’s plenty of glorious action
  • All complemented by some great action cinematography (mostly shot within the confines of the train carriage)
The Breakdown

Train to Busan, like many great horror movies starts with a prelude of what’s to come. A farmer drives his truck through a quarantine zone. His truck is sprayed and ushered through the quarantine. On the other side, he runs over a young deer, curses his shitty day, and drives off. The camera stays fixed on the dead deer in the road, and after a few seconds, comes back to life and limps off into the bush.

Following the dramatic opening, the film introduces us to Seok-woo, a cold office boss who doesn’t really care about his little daughter. He treats his mum like a maid and messes up his kids birthday. He even stands up his daughter when she is singing a song at a concert especially for him. What a guy! Will it take a train full of zombies to make him care for his daughter?

Conclusion

This is the best zombie train movie that I have ever seen (it’s also a great thriller). It has the typical range of characters, the genre faithful story-line, and doesn’t take it self too seriously.

What caught my eye was the great camera work within the small space of the train carriage. Most of the action is shot from within the carriage with a mix of handheld shots. But the director creates space by mixing in tracking shots from outside the train carriage (where the camera moves alongside the train) and shots looking at the other carriages. Check it out for yourself!

 

Okja Film Difficulty Ranking: 1

At last, a film on Film Root that you can watch with a large popcorn and coke. It’s just like the Hollywood blockbusters you are familiar with and you can watch it on Netflix! It has a recognizable cast, action, clear demarcations between good and evil, and drama. You’ll also get Film Root points for watching this, as it is made by Korean Bong Joon-ho and features a bit of Korean! So have a day off from the art-house and slow films usually on here and enjoy!

Here’s a teaser trailer (no spoilers this time)

Why Watch Okja?
  • It’s a Hollywood film, it’s mostly in English, and it’s on Netflix! It’s an easy way for you to say you’ve watched an international film!
  • To see more from Bong Joon-ho, the great Korean director behind The Host and Snowpiercer
  • Learn about the brutal side of the food industry (to learn even more check out Food Inc)
  • If you like cute pigs!
Breakdown

You’ll see the high heeled Lucy Mirando (Tilda Swinton) open the film with a swanky presentation that is one part Steve Jobs and two parts Pop Idol. She introduces Mirando (a rip on the real life Monsanto) and their latest innovation that will solve world hunger: a Super Pig.

For the Pop Idol twist, Lucy Mirando introduces a worldwide competition. She will send a bunch of Super Pigs to the best farmers from around the world and see who can raise the best Super Pig.

Sure enough, one of these Super Pigs is sent to Korea. As next we follow Mija, the young farm girl who takes care of Okja.

From the scenes with Okja and Mija, the director makes it clear that Okja is more than just a piece of meat. Okja helps Mija catch fish and harvest fruit and even saves Mija’s life in one of the opening scenes. These early scenes with Mija and Okja establish that Okja is a sentient and intelligent being.

However, Mirando, like the real life Monsanto and any good capitalist business is all about profit margins. Despite the best PR attempts of Lucy to hide her company’s lack of responsibility, it is obvious to us that they are bad!

Conclusion

Okja brings the ugly corporate controlled food industry to Hollywood with style! It has everything you want if you’re used to Hollywood blockbusters and you can watch it at home on Netflix!

Favourite quotes from the film (the first is also a personal goal of mine):

“Learn a new language – it opens doors!”

“Translations are sacred”