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The Towrope (Colombia) – Can You Hide from the Colombian Civil War?

The Towrope Film Difficulty Ranking: 3

Could you escape from the Colombian Civil War? Even in the remote parts of Colombia where The Towrope is set, the effects of the Civil War are unavoidable. It seems like everyone knows someone who has been affected by the conflict. However, the part of Colombia in The Towrope is like another world. Welcome to the grey skies and cold rain you don’t see on the Colombian guide books.

Why Watch The Towrope?

To see more evidence of the beautiful, diverse landscape of Colombia (for more evidence see Colours of the Mountain and Embrace of the Serpent)
See how the landscape becomes an extra character (like the sparse desert landscape of New Mexico in Breaking Bad)
Learn how the Civil War has permeated all parts of Colombia
See what it’s like to live in the remote countryside without electricity

The Breakdown

The Towrope starts with the silhouette of a limp figure hanging from a stake. It’s dawn, and the sky is so grey that it’s impossible to see if it’s a dead person or a scarecrow; either a sign of the civil war or a sign of fertility.

It’s not people, but the landscape that sets the tone of this film. The grey sky and persistent rain is not the sunny, hot Colombia that foreigners probably think of. The lake they live by is empty and quiet and not full of tourists or visitors. The landscape and weather defines the life of the locals. They have to continually fix their houses to withstand the weather and their movement and freedom is limited by the lake.

The gloomy weather compliments the dark backdrop of the Civil War. 19 year old Alicia arrives at her Uncle’s house on the lake after her hometown was destroyed by the Civil War. It’s not clear if her family have been killed or abandoned. Her Uncle reluctantly lets her stay with him but does not offer her much hospitality.

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Conclusion

This slow paced film masterfully builds tension. The sound of creaking floorboards and rain and wind battering the sides of the house ominously hint that trouble is nearby. All the signs of Civil War are around, but nothing is explained in any detail. It’s not clear how they have been affected by the Civil War and if danger is nearby. All we can do is keep guessing.

Sand Storm

Image result Sand Storm Film Difficulty Ranking: 2

Want to learn a bit about modern Bedouin life in the Middle East? Well it doesn’t appear to be all rosy in Sand Storm. Explore a small village where gender roles are not always clear and rules are upheld out of habit. This is also your chance to start watching some films from Israel/Palestine. Be sure to check out the excellent Ajami and Omar after this!

Why Watch Sand Storm?

Following on from Ajami and Omar, here is another great film from Israel/Palestine (it’s currently available on Netflix)
To get a feel for life as a Bedouin, including a Bedouin wedding!
See the barren landscape of the Negev desert – it is reminiscent of the Kazakh desert shown in The Wounded Angel
Witness how different life is for men and women, and young and old

The Breakdown

Sand Storm starts with Layla driving a car along a dirt track through the Negev desert. Her father sits in the passenger seat and asks her what grades she got at school. She says she got 63, but her father does not believe her, and voices his disapproval. Despite this, she continues to drive until they reach their village where they switch seats. Because he let her drive and study, and is pretty laid back, the dad appears more liberal than we might expect.

The opening sets the scene for the rest of the film as gender roles are explored. Layla’s mother (Jalila) appears to be the complete opposite to her father. From the outset she is angered by her husband’s loose discipline their daughter. He lets the daughters do what they want, whereas she wants them to grow up to become strong wives.

However, whilst Jalila has some control of Layla, she has no control over little Tasnim. Unlike Layla, Tasnim does not help out with household chores, goes and hangs out with her father and friends, walks around town in trousers, and even gets away with standing on the kitchen counter. She always has the same excuse: “dad says I can”, which exasperates poor Jalila. In the context of the dad’s second wedding (which Jalila has to prepare) you start to sympathise with Jalila. Is her strictness just her way of trying to protect her kids? After all, she has nothing else.

Conclusion

Sand Storm explores gender roles in Bedouin society. Are women free to do what they want or are they ultimately always in the hands of their fathers? Watch to find out and uncover what life is like in a remote town in the Negev desert.

Theeb – Journey Back in Time in Jordan

Theeb Film Difficulty Ranking: 3

Meet Theeb and Hussein, two Bedoiun brothers living in the Arabian desert during the First World War. Their lives are relatively peaceful until an Englishman appears from the desert and drags them into the violence of the war.

From: Jordan, Asia
Watch: Trailer, Amazon Rent, Amazon Buy
Next: Lawrence of Arabia, Mimosas, Rabbit Proof Fence

Felicite (Democratic Republic of Congo) – A Champion of Creativity

Felicite Film Difficulty Ranking: 4

Want to truly get involved in a film? In Felicite you are given the story-line and a bit of character development before you are almost left to your own devices. Like the great works of literature, you’ll have to add your own interpretations to draw your own conclusions. Also, there’s one thing that this film has over the great works of literature: the music!

Why Watch Felicite?

If you like music. The Kasai Allstars are all over this film!
To experience the chaos of Kinshasa
To take part in the film making process – like in the best pieces of literature, you’ll get to add your own interpretations
Come on, how many opportunities do you get to watch great film from the DRC?

The Breakdown

The film starts with Beya singing in a dusty bar in Kinshasa. The bar is small, the lighting is dim, and locals are clustered around tables drinking and catching up. As the locals drink and chat Beya puts crams everything into her voice. It’s like she’s trying everything to get everyone’s attention, to stand out in chaotic bar in a chaotic city.

Music is the driving force of Felicite. There’s the expressive, more free form music of the Kasai Allstars and Beya, and the structured symphony orchestra. The structured orchestral music signifies the moments of our lives that we cannot control: fate. It appears when Beya’s son is hospitalised and for other events out of her control. In contrast, the bluesy music of the Kasai Allstars signifies Beya’s response to fate. The melancholic emotion she puts into her singing is her acceptance of her fate and inability to control it.

The film is split into two parts. The first part is told in a classical format that all of us brought up on Hollywood films would recognise. You learn a bit about Beya, then her son is hospitalised, so she has to try and find money to pay for the treatment. It’s pretty familiar storytelling. In contrast, the second part is a lot more artistic and subjective. There’s some visions and dreams mixed into all the music. Unlike in part one where we can just accept what is shown to us, in part two we have to actively engage with the film and construct our own interpretations.

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Conclusion

Felicite is a work of art. Not in the sense that all movies are works of art, but in the sense that it pushes the boundaries of film. It is a champion of creativity, and uses music, and art (through the visions and dreams) to create a much more unique film. Best of all, unlike a lot of films, you are expected to take part in the film making process and add your own meaning.

Agora

Film Difficulty Ranking: 1

Agora is an epic. It’s The Imitation Game meets Gladiator – there’s celebration of an unknown heroine with plenty of Roman drama to keep you stuck in your seats. There is religion, violence, and philosophy. Plus for all you subtitle haters this ones for you, it’s all in English with great performances from Rachel Weisz and Oscar Isaac (before he was famous) to go with it!

Why Watch Agora?

Do you hate slavery, sexism, racism and/or violence? Then watch this film!
Wondering where all the female leads are in Ancient epics? Well there’s one here!
To time travel back to Roman controlled Egypt!
For a romantic flute solo.

Agora opens with the Earth and the stars. From the stars, we descend to earth to enter one of Hypatia’s lectures in 4th century Egypt. She is conducting a lecture on the centre solar system. One wily student suggests that the Earth is not the centre of the universe, to which one of the Christians takes offence, for how can the Earth, the kingdom of God, not be at the centre.

Whilst you might not find this description truly gripping, I promise these opening set the scene for some BIG confrontations!!

Without spoiling too much, Director Alejandro Amenabar exploit mass movement to emphasise the battle scenes. The large casts during the battle scenes show power in ways that 20 people could not. When this massive cast starts moving, there is even more dramatic effect. Seen from above (aerial shots), we see masses of people running from one end of the screen to the other. The mass movement of these large casts emphasises the violence and mercilessness of the perpetrators in a way that a smaller cast could not replicate.

The aerial shots also play another part in the film. A few times the aerial shots of the streets in Egypt zoom out to the country, and then zoom further away showing the earth among the stars. This sequence is also shown in reverse, zooming into Egypt from the Earth and stars, before zooming in to see the streets of Alexandria. As well as being visually impressive, these sequences point out the insignificance of the battles of humanity relative to the universe. All throughout, the Earth remains unchanged as do the stars surrounding us. This supports the directors bias for our astrologer/philosopher Hypatia whose life is dedicated towards our understanding of the universe. (or maybe I’m just seeing it through my own tinted glasses).

Anyway, I strongly recommend this film for those with any interest in the rise of religion or the Roman Empire in Egypt. You should also watch this film to see a woman celebrated for her academic research. Over 1,500 years later, we still haven’t reached true equality.

“You don’t question what you believe… I must”