66

Agora

Film Difficulty Ranking: 1

Agora is an epic. It’s The Imitation Game meets Gladiator – there’s celebration of an unknown heroine with plenty of Roman drama to keep you stuck in your seats. There is religion, violence, and philosophy. Plus for all you subtitle haters this ones for you, it’s all in English with great performances from Rachel Weisz and Oscar Isaac (before he was famous) to go with it!

Why Watch Agora?
  • Do you hate slavery, sexism, racism and/or violence? Then watch this film!
  • Wondering where all the female leads are in Ancient epics? Well there’s one here!
  • To time travel back to Roman controlled Egypt!
  • For a romantic flute solo.

Agora opens with the Earth and the stars. From the stars, we descend to earth to enter one of Hypatia’s lectures in 4th century Egypt. She is conducting a lecture on the centre solar system. One wily student suggests that the Earth is not the centre of the universe, to which one of the Christians takes offence, for how can the Earth, the kingdom of God, not be at the centre.

Whilst you might not find this description truly gripping, I promise these opening set the scene for some BIG confrontations!!

Without spoiling too much, Director Alejandro Amenabar exploit mass movement to emphasise the battle scenes. The large casts during the battle scenes show power in ways that 20 people could not. When this massive cast starts moving, there is even more dramatic effect. Seen from above (aerial shots), we see masses of people running from one end of the screen to the other. The mass movement of these large casts emphasises the violence and mercilessness of the perpetrators in a way that a smaller cast could not replicate.

The aerial shots also play another part in the film. A few times the aerial shots of the streets in Egypt zoom out to the country, and then zoom further away showing the earth among the stars. This sequence is also shown in reverse, zooming into Egypt from the Earth and stars, before zooming in to see the streets of Alexandria. As well as being visually impressive, these sequences point out the insignificance of the battles of humanity relative to the universe. All throughout, the Earth remains unchanged as do the stars surrounding us. This supports the directors bias for our astrologer/philosopher Hypatia whose life is dedicated towards our understanding of the universe. (or maybe I’m just seeing it through my own tinted glasses).

Anyway, I strongly recommend this film for those with any interest in the rise of religion or the Roman Empire in Egypt. You should also watch this film to see a woman celebrated for her academic research. Over 1,500 years later, we still haven’t reached true equality.

“You don’t question what you believe… I must”

 

67

Omar

Film Difficulty Ranking: 2

Omar reminded me of a Shakesperian-esque epic. He fights for love and carries the patriotism of Palestine, but for what? Think of a Mexican drug-war thriller like Heli, Miss Bala, or even a film like Zero Dark Thirty shot from the other side and you will be getting close to the kind of film that Omar is. There’s no drugs in Omar, but there is one man fighting for normality whilst dealing with the expectation that he must fight for his people.

Why Watch Omar?
  • Learn a little bit about the Israeli-Palestinian conflict from a Palestinian.
  • Romantic love vs. Patriotism – which would you choose?
  • It was nominated for an Academy Award!
  • It was even screened at the United Nations = must be important!
The Breakdown

Omar starts with a man standing by a large concrete wall watching cars pass by. As soon as the cars on the road disappear he climbs up a long rope attached to the concrete wall. As he reaches the top gun shots fly by him and he drops down quickly on the other side. He made it but his hands are bloodied from the rope burns. He disappears into the streets to dodge any potential chasers.

The tension in Omar is always present. You never know when Omar is going to be chased. He never has complete freedom as the Israeli police are always watching his and everybody else’s actions. Right from the start, the great big West Bank Wall obstructs his freedom of passage from the place he lives to where his girlfriend goes to school. Later in the film, as the pressure mounts on Omar, he struggles to actually climb the wall – showing the extra limits on the already limited freedom he already had. This wall, and Omar’s relation to it, symbolise the oppression of Omar and the Palestinian people.

Another thing to watch out for are the billboards and messages that appear in the background of some of the scenes. One of the billboards has a happy looking commercial for something or other with the words ‘Planting Hope’. Other billboards carry similar positive messages which the director has planted in the background to dramatically contrast with the oppressed Palestinians. The Israeli billboards mark the difference between what the Israelis can do and what the Palestinians cannot. Just like the Wall, they are symbols of the lack of freedom for the Palestinian people.

This is an important film for everyone to watch – plus it’s available on Netflix. So, what are you waiting for? Watch this one now!

 

 

The Wounded Angel Film Difficulty Ranking: 3

Image result for the wounded angel baigazinYou may have seen films from China and Europe, and even the Middle East, but have you seen a film from Kazakhstan? Here’s your chance to see something new. This is an excellent portrayal of Kazakhstan in the mid-90s. A country experiencing an economic and emotional depression after the split of the Soviet Union. Find out what life was like growing up in a remote town in Kazakhstan.

Why Watch The Wounded Angel?
  • To see a film from Kazakhstan!
  • Experience life in mid-90s Kazakhstan after the collapse of the U.S.S.R.
  • You like coming-of-age stories
  • See Kazakh singing in traditional dress and a currency with 3 Tenge notes
The Breakdown

“After the collapse of the USSR, in an effort to preserve the economy, the government cut off electric power every evening”

The film starts with 13 year old Zharas, a young boy living in a remote town in Kazakhstan. He pokes a hole in the top of an egg shell and drinks its contents raw while standing topless in a bare room. He starts shadow boxing before sitting down to make a knuckleduster out of molten metal and a simple mould. Next, he hops onto a train and smokes a cigarette by the door as the train moves through barren landscape.

The Wounded Angel, looks at four 13 year old Kazakh boys living in the same Kazakh town in the middle of a barren landscape. There is an emotional depression. None of the adults ever smile, grimace, or frown. Their permanently expressionless faces have rubbed off on their children who have grown up without emotion. As a result, without emotion, their childhood cannot exist, and they ae forced to become adults.

The fixed camera shots do not hint any change either. The lack of camera movement conveys stillness, therefore mirroring the lack of progress on film (the electricity cuts out, there is no employment, and no emotion).

Look out for the ‘through-the-window-frame’ (or keyhole) shots that appear in each of the four stories. Each one (apart from Toads) shows the character standing within a derelict house by an empty window frame. Each window is a window showing their fate:

  • Zharas: his father walks away, but he runs after him after finishing his cigarette
  • Chick: shows his friends beating up the two kids he didn’t want to fight
  • Toad: he climbs through a hole in the wall and meets a group of kids
  • Aslan: shows a half dead tree
Conclusion

The Wounded Angel is a fantastic depiction of a country in an emotional depression. This is a realist coming-of-age story that contrasts heavily with the nostalgic coming-of-age films that you are used to. Watch this if you are interested in watching something from the great Eurasian Steppe.

69

Snowden

Watch Snowden after watching The Lives of Others

 

Film Difficulty Ranking: 1

This film is a perfect companion to The Lives of Others (from Germany). It reveals that invasive state security is not an outdated institution confined to the old Soviet-bloc, but something that still happens today. Will whistle-blower Edward Snowden be celebrated in decades to come for his bravery or will he continue to be victimised?

Why Watch Snowden?
  • You’re a fan of 1984
  • You have heard of Edward Snowden but don’t know enough about him to keep a debate going
  • Do you want freedom or security? Watch this film to find out.
  • For a dramatized and Hollywood-friendly version of Citizenfour

Anyway, as this is not a foreign or indie film, I’m not going to write another small essay. But, as it’s relevant to one of the other films I have recommended on this site, I’ve included it here in case you want to follow up your interest! Plus it is a good film with a good insight into one of the most controversial figures in politics.

Violence Film Difficulty Ranking: 3

Image result for violencia foreroYou may have seen the great Netflix show Narcos and believe that you know everything about violence in Colombia. However, to truly experience violence in Colombia, you should watch the aptly named Violence. The film will take you to three parts of Colombia where violence exists. It will introduce you to it’s perpetrators and victims without revealing who they are or to which armed group they belong. Ultimately everyone is part of the violence in Colombia.

Why Watch Violence?
  • Experience some of the violent conflicts carried out in Colombia.
  • See the diversity of the Colombian landscape: the jungle, the city, and a small town in the country.
  • Recognise that all the characters are other beings of flesh and blood – perhaps the key to stop violence.
  • Learn how to make a violent movie without showing any violence!
The Breakdown

Violence starts in darkness. The only thing you can perceive is the sound of the jungle: the insects, birds, and cracking twigs. Slowly the outlines of plants and trees emerge from the darkness before the camera moves along the ground. The camera moves to the left and reveals a chain tied to a tree. The other end is tied around the neck of a man asleep on the jungle floor. He has blemishes and bug bite marks all over his body.

As daylight emerges, the camera stays in a close-up of the prisoner. All we can see is the prisoner, and some figures dressed in camo walking behind him, out of focus. The camera is restricted to where the prisoner can go, and it never ventures further than the limits of the prisoner’s chain. This shows us the lack of freedom that the prisoner has. We do not venture outside of where he is allowed to go, and everything outside that range is out-of-focus. We experience his captivity.

Whilst part one happens in the jungle, part two occurs in a Colombian city, and part three in the country. Firstly, the three locations showcase the diversity of the Colombian landscape. Secondly, the diversity of the locations show that violence is present everywhere (and not just Colombia). Even though we don’t directly see violence, we can tell it has occurred or will occur. Violence is evident in the character’s uniforms, the character’s actions, the words spoken, and the character’s faces.

Conclusion

Jorge Forero’s film shows the existence of violence of Colombia without showing the causes of it or offering a solution. Instead Ferero’s goal, as explained here (where you can also watch the film for a fee) is to make us recognise every character as human beings of flesh and blood. In doing this, we might just make it harder for another to commit violence against us.