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If you’re looking for a comedy beyond the Iron Curtain, check out Cosy Dens. You’ll meet a mixture of Czech families celebrating Christmas in the 1960s – some Bolsheviks, some apolitical, some fans of America. As with any big family Christmas, there’s a lot of arguments. These ones often get hilariously out of hand.
From: Czech Republic, EuropeContinue reading “Cosy Dens – Dark Humour in Communist Czechoslovakia”
Watch: Trailer, Watch on Amazon
Next: Closely Watched Trains, The Royal Tenenbaums, Toni Erdmann
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Granma Nineteen and the Soviet’s Secret takes us back to Jaki’s childhood living in a coastal African town with his Granma, family, and friends. There’s no sign of school or any other schedule filling activities for young Jaki, so he creates his own entertainment with his friends Pi and Charlita. They start investigating the construction site of a huge mausoleum guarded by Russian soviets. Their innocent adventures uncover the Russian’s plot to demolish their neighborhood, so they plan to foil it by setting off their secret explosives.
Granma Nineteen and the Soviet’s Secret revolves around Jaki’s childhood in the 1980s. The characters give the film (and award winning African novel by Ondjaki) its flavor. There’s Jaki and his two friends, a trio of innocent adventurers that Americans will recognize from many 1980s U.S. films such as The Goonies or E.T. There’s a loving Granma that never loses her spirit even when her toe is covered in gangrene. You’ll also meet two foreigners fighting for her company in a Portuguese speaking Russian and a Spanish speaking Cuban doctor. None of the characters are threatening or unfriendly, even ‘Sea Foam’, the only homeless man in the film is friendly and happy. It creates the kind of neighborhood you wished you grew in.
The film is also told in flash back, of an older Jaki reminiscing on his childhood. This flash back narrative adds to films saudade, a classic feeling in Portuguese language novels and films which describes feelings of longing, melancholy, or nostalgia for an object that you’ll probably never have again. In this case, it’s Jaki’s saudade for his happy and innocent childhood. The director emphasizes his good memories by coloring the memories of his childhood town in warm pastel colors and filling the story with only happy memories. Eradicating the greys and downplaying the threat of the Soviet construction work and the absence of Jaki’s parents keeps the story positive in a way that only a person looking back on their life with saudade could.
Whilst I haven’t read Ondjaki’s novel, João Ribeiro’s adaptation is a heart warming coming of age story told through the rose tinted lenses of Jaki looking back on his childhood.
Head to our Pan African Film Festival Hub for more reviews from PAFF 2020.
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