To help you ease your way into our world, we have devised a the film difficulty ranking system to rate the difficulty of each film reviewed on our site. The easiest to watch films (the Rom-Coms and Superhero flicks that you watch anyway) will have a rating of 1. Foreign language films automatically add one point, as do black and white films, and films with strange and hard to follow plots. You’re almost there, welcome to Film Difficulty 4.
Film Difficulty Ranking 4: These films demand full attention for long stretches of time, slowly draining your film stamina. However, these films can be incredibly rewarding, much like the feeling of finishing your last school exam after weeks/months of studying.
If you think you’re ready to take on some of the most challenging films from around the world, you’re almost there. Prepare yourself for films that are 7 hours long and others that demand every millisecond of your interpretative mind and a lot of post-film analysis. Then you’re ready to sit down and enjoy the heights of Film Difficulty Ranking 5.
What does a radical filmmaker do when the energy of the New Wave is fading? He makes a film about the Virgin Mary and Joseph to provoke controversy from the Catholic Church.
So what does a radical filmmaker do when the verve of the New Wave is over? He makes Hail Mary, a film about the Virgin Mary and Joseph to provoke controversy from the Catholic Church.
Here’s another opportunity for you to see a way of life hidden in a remote part of Russia. Again, Loznitsa’s short-documentary is available to watch on YouTube. So you have no excuses for avoiding 20 minutes of immersion into an intriguing mental asylum.
Why Watch Letter?
For another Loznitsa short documentary (I’d recommend checking out Factory and Portrait before this one)
Experience life at a mental asylum in remote North-Western Russia
See how Loznitsa experiments with blurred vision
Another dreamy, peaceful way to spend 20 minutes – find the film here on YouTube
The Breakdown
The film opens with a picture of a forest covered in a thick layer of mist. You can hear the wind blowing and a bird crowing. The forest cuts to a hut in blurred vision which obscures the face of a figure that repeatedly walks to the front of the house to shake a white bed sheet. A lightning strike hits and another human silhouette appears against the whitewashed front of the small mental asylum.
Loznitsa documents a handful of scenes from life in the mental asylum. We witness the residents helping out with harvesting the grain fields and feeding a cow that is left to roam the grounds. One particularly memorable shot shows two men standing at the forefront of the frame whilst a man sits behind them playing an accordion. While a cow meanders around the shot, the taller man nicks the shorter one’s hat and puts it on his head. The shorter man quickly grabs it back before they both carry on staring.
The whole 20 minute film uses blurred vision. Whilst it makes it hard to watch, it does respect the mental asylum residents. Their identity and their location are kept hidden, allowing them to continue life in their isolated existence. In addition, the human sounds, possibly sounds of pain, are kept quiet to respect their lives.
Conclusion
Loznitsa’s Letter is a another short and serene documentary. His experimental techniques make it harder to watch than Factoryand Portrait, but it is equally intriguing. Loznitsa’s short documentaries are opportunities to immerse yourself in ways of life that you are probably unaware of. Enlighten yourself and watch them all on YouTube.
If you’re looking for a heart warming Sri Lankan film with widescreen shots of the beautiful Sri Lankan landscape, you’ve come to the wrong place. House of My Fathers deliberately uses a narrower screen (as you’ll see in the trailer) to focus your eye on the trauma from the Sri Lankan civil war. You’ll meet one man and one woman,one Sinhala and the other Tamil, who are sent to an island together to find peace for the two communities. It’s a contemporary myth/fable full of dreams and visions.
How much do you know about the Arab Spring in Yemen? If you followed the news, chances are you probably know more as the residents of Socotra. That’s because this alien looking island is approx. 380km from the Yemeni mainland and therefore untouched by the mainland’s politics. Unknown Land is a portrait of life on the island and the wandering thoughts of a half dead sailor, marooned on the island following a shipwreck.
Why Watch Unknown Land?
To see the uniquely beautiful landscape of the island of Socotra
If you like listening to dreamy narratives
For it’s musical interludes
To feel truly isolated from the rest of the world
The Breakdown
At the start of Unknown Land a man is washed onto one of the pristine beaches of island of Socotra. It appears that all of his energy was sucked out of him as he struggled to stay afloat after his shipwreck. All he can do is reflect on his past life and make peace with his past choices as he approaches death.
Meanwhile in one of the town’s of Socotra, a old man listens to an old radio as he smokes from a pipe fashioned from a goat horn. The radio gives us our only connection to the outside world. We hear that a sailing boat has sunk off of the shores of Socotra and all of the crew have gone missing. We also hear about the Yemeni protests on the mainland, but the old man’s indifference shows that these are insignificant to the inhabitants of Socotra. The island is too far away to be affected by what happens on the mainland.
The island’s isolation is reflected in the serene footage of Socotra. Firstly, the alien plants and landscape are unlike anything you’ve seen before. There are trees which look like spindly umbrellas, and mountains that disappear into pristine white beaches and emerald coloured sea. Secondly, the islands inhabitants rarely get any dialogue on screen, so you never get to connect with them. This is particularly noticeable with the old man who reappears throughout the film smoking from the same goat horn with a blank stare. The director deliberately emphasises the alien setting and distant people to make the island appear even more remote and dreamy.
Conclusion and What to Watch Next
If you’re into dreamy narratives and alien landscapes, then check out Unknown Land. However, if you’re more of an action thriller fan, it’s best you check out some film difficulty level 2 or 3 films before you watch this.
For another dreamy film from the Middle East, check out Ahlaam (literally translated as dream) from Iraq. It follows a few Iraqis before and after the Iraq War. Otherwise, if you’re looking for something surreal from the Middle East, check out The Challenge. It’s your chance to live the life of the richest Sheikhs in Qatar.
Or if you’re simply looking for easy to watch films from the Middle East, check out some of the following (they’re all great):
Wadjda: A Saudi Arabian coming of age tale featuring an awesome little girl
About Elly: A slow-burning thriller from Iran (although not the film to watch before you go on a big family holiday)
Silvered Water: A portrait of war-time Syria, a great documentary constructed from first-hand footage to experience the horrors of the Syrian conflict.
Piedra Sola, like Notturno (one of the other films at this year’s AFI Fest), is beautifully shot. Set in the hamlet of Condor in the northern highlands of Argentina, it contains a lot of otherworldly landscapes and local ceremonies that look unusual to foreign eyes.
However, the exceptional images hint at a higher meaning that isn’t really decipherable in the film. For example, there’s the opening shot of a horse with its two front legs tied, hopping over a rocky hill at dawn. It’s a striking image, and beautifully captured in low light conditions, but it’s not clear how it fits into the narrative of Piedra Sola. The horse never reappears and doesn’t have too much of an impact on how we perceive the film, except to create intrigue. That’s not to say the film needs to have a narrative – it doesn’t – however, the scenes don’t feel like they all come together to unlock the mystery that they each contain. It feels more like a collection of sublime images than something complete.
This also comes across in the focus of the film, the lama herder. We see him go travel to a nearby town to sell his wares and get involved in the local festival, but beyond that we don’t have much of an understanding of him. It’s made vaguely aware that his livestock is being attacked by a puma, but it’s never clear if this is imagined, real, or an allegory for something else. His silence and emotionless face don’t give away any of his feelings either way. He is as mysterious as the collection of images that make up Piedra Sola.
His lack of agency also comes across as a bit problematic. Combined with his silence and lack of emotion, it presents another image of the passive Latin American indigenous person. Like Cleo in Roma and Justino in The Fever (two more films directed by non-indigenous directors), things happen to the lama herder that he quietly reacts to. Instead of initiating things himself, he only responds to things around him, which makes him seem a bit characterless.
There’s also the exoticization of the isolated Andean community. The director, Alejandro Telemaco Tarraf beautifully captures the ceremonies and the hamlet, but he also others it. The unique culture is viewed with a gaze that highlights the differences between the highland culture of Argentina from the city culture of Buenos Aires. It makes their culture seem a bit rustic and old fashioned, situating the community as if it exists in another world and time.
If you’re looking for a beautifully shot, esoteric movie set in the remote highlands of Argentina, you’ll love Piedra Sola. However, the mystery in the images and narrative make it hard to access, whilst the exoticization and passivization of the portrayals of the remote community make it hard to love.
Head to our AFI Fest Hub for more reviews and short films from AFI Fest 2020.
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