Film Difficulty 3

To help you ease your way into our world, we have devised a the film difficulty ranking system to rate the difficulty of each film reviewed on our site. The easiest to watch films (the Rom-Coms and Superhero flicks that you watch anyway) will have a rating of 1. Foreign language films automatically add one point, as do black and white films, and films with strange and hard to follow plots. Welcome to Film Difficulty 3.

Film Difficulty Ranking 3: More of a challenge for those familiar with foreign films. Level 3 is like a mix between an intriguing European mime artist and your most interesting and demanding school teacher.

If you’ve mastered these films, move onto Film Difficulty Ranking 4.

26

Ixcanul (Guatemala) – Witness the Power of the Volcano

Ixcanul Film Difficulty Ranking: 3

In Ixcanul, the volcano is a reminder of the power that nature holds over our lives. Follow Maria as she tries to find a way to escape from her rural community and the looming presence of the volcano.

Why Watch Ixcanul?
  • Hear some Kaqchikel – there’s a lot of people in Central America who don’t speak Spanish
  • To spend some time in rural Guatemala
  • Arguably a great feminist film
  • Feel the constant presence of the volcano
The Breakdown

Ixcanul starts with a close up of a teenage girl’s face. Her mum appears behind her and starts tidying her hair, cleaning her face, and tying her colourful head band. Maria (the teenage girl) looks blankly at the camera. It’s clear that she’s being prepared for something that’s out of her control. Is she getting married? Whatever it is, she seems too stunned to care.

The next scene flashes back to the two of them feeding rum to some pigs to make them horny. The girl waits around and watches the pigs as they copulate. It’s clear she’s bored. The only things she does at home is help her mum with the cooking and care for their livestock. Therefore it’s not a surprise that she finds another teenager that works nearby to have sex with.

The only problem is that her parents have just promised her hand in marriage to their boss. He’s the reason why they’re living in their house with the things they own as he’s the one renting it to them. So when her mum finds out Maria is pregnant she tells her off for ‘not counting her moons’ and puts together a plan to try and get rid of the baby.

The Power of the Volcano

Whilst the volcano never erupts, it’s power is always felt through the film. In every shot of the landscape, it looms in the background as if it is controlling their lives. In a way it is.

It is the wall that is blocking them from prosperity. On their side of the volcano, there is nothing, just barren land and boredom. But on the other side there is the United States and Guatemala City which both promise a better life. Just look at Maria’s fiance who travels to see them once every few weeks. He comes from the other side of the volcano and owns a car, the house Maria and her family live in, and is able to speak Spanish. He is obviously from the same part of Guatemala as her (as he also speaks Kaqchikel), and therefore the same lifestyle, but he has managed to find prosperity by venturing past the volcano.

Image result for ixcanul

Conclusion and What to Watch Next

Ixcanul has great cinematography and strong female characters ensnared by the power of the volcano. It is the blockade between their barren farm and a better life as on the other side is the city and the influence of the U.S. Can they make it to the other side?

If you want to see another film about a young kid/teenager trying to break the monotony of their life, check out Wadjda. It’s a coming-of-age story of a young girl in Saudi Arabia who is desperate to ride a bike, despite all the pressures on her to become a woman.

Or if you want to see more films about young adults trying to find a better life, check out:

  • Makala – a documentary about a young man trying to transport a bike load of charcoal across arid landscape to be able to buy a new roof for his house.
  • City of God – the heart-racing action film about a few kids trying to escape the favelas of Rio de Janeiro.
  • Beijing Bicycle – the story of a teenager struggling to make a bit of change as a bicycle delivery boy in Beijing.

 

27

Makala – Live the Life of a Charcoal Miner in Rural DR Congo

Makala Film Difficulty Ranking: 3

This documentary film is on another level. You’ll rarely get this close to a life completely different to the one you’re used to. Not just because you probably have no idea about the lives of charcoal miners in DR Congo, but because you rarely get films that are this intimate. There are so many close ups and shots where Kabwita’s emotion is so clearly visible that you’ll feel like you’re there right beside him. The only problem is that you’ll feel even worse for not being able to help him up those hills.

Why Watch Makala?
  • Find out how to make a living in rural Democratic Republic of Congo
  • The incredible cinematography! (detail below)
  • Learn how to make charcoal
  • It’s an excellent documentary – it won Critic’s Week at the Cannes Film Festival 2017
The Breakdown

Makala starts with Kabwita (our protagonist). The camera follows him through the bush. He’s carrying two axes on his shoulders. He’s looking for a good tree. After a minute or so, the perfect tree appears near the top of the shrub covered hill. After a quick prayer, Kabwita starts cutting down the tree.

Makala covers the whole process of making a living from charcoal. You’ll see Kabwita make the product (charcoal), transport it, and sell it. This is how he manages to live.

What’s amazing about the film is how intimate it is. The director, Emmanuel Gras, found Kabwita whilst working on his previous documentary (also set in DRC). Kabwita agreed to the film in return for help building the home he mentions in the film. This is how the director manages to get so many close-up shots of Kabwita documenting his trials and tribulations.

Because of the connection the close-ups establish between us (the audience) and Kabwita, there are many times when we want to reach out and help him. We can feel his struggle pushing the charcoal logs up hills and also his frustration when a lorry crashes into his livelihood. Of course, the director could help, but to do so would be to take away from our experience. It’s the director’s responsibility to direct the life of the charcoal maker. It’s our responsibility (the viewers) to be enlightened and be inspired to make a change.

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Conclusion

Makala is a beautiful film. The cinematography at times is almost unbelievably real. A lot of the shots are so intimate and close that you’d be forgiven for forgetting that this is a documentary. We are so used to seeing unrealistic intimate shots in Hollywood films (close-ups of people kissing that you’d never see in real life) but this kind of intimacy is unusual in Documentary film. In Makala you get to experience the life of the charcoal maker, not just witness it.

28

Tanna (Vanuatu) – Transport Yourself to Another World

Tanna Film Difficulty Ranking: 3

Watching Tanna is an experience. It’s not everyday that you can transport yourself to another part of the world and another culture so far from our own. Unless you’ve got a one-way ticket to Vanuatu, this is the closest you’ll get to living in a Kastom tribe in a beautiful island.

Why Watch Tanna?
  • The setting is incredible
  • It’s the first film shot completely in Vanuatu and the first to get nominated for the Academy Awards
  • If you loved the tradition in Whale Rider and want to go one step further
  • Volcano shots! The lava spewing everywhere is amazing! Check the trailer above if you aren’t sold.
The Breakdown

The first thing you’ll notice in Tanna is the incredible setting. The whole film is filmed on the island of Tanna in Vanuatu and all the action takes place in and around the rain forest. Fortunately for us, the landscape includes picturesque waterfalls and an awesome volcano. It’s pretty much impossible to make the island look bad.

Life here is free. The kids run around chasing each other every day in their natural playground. Initially it seems like a life of no worries. However, unfortunately, you’ll learn that it life is not as free and romantic as it initially appears. Firstly, Selim, one of the youngest kids of the group, is told she has to grow up and become a woman. Secondly, when she is taken to visit her spirit mother, her Grandpa is beaten to death by a rival tribe. You’ll have to watch the film to find out the consequences.

Western Influence on the Island

You’d be forgiven for thinking that this film is set before the arrival of Captain Cook and the western world. The tribal life on the island has none of the amenities we take for granted such as electricity, supermarkets, or mobile phones. However, even though they seem like they have never encountered Western culture, you’d be wrong if you thought they were completely cut off. In fact, one of the tribes’ members has a picture of himself with Prince Phillip of England dressed in a suit. Plus, there’s a christian camp with electricity, clothing, and regular houses just over the hill by their camp.

Why is it important that they are not cut off? Because it shows the strong and enduring legacy of tribal life. It shows that they have chosen to live life in the rain-forest even though they could switch to the ‘luxuries’ of western culture. It’s a great example of cultural relativism: the idea that all cultures should be understood individually and not judged against each other. No way of life or culture is better than another. However, unfortunately most of the cultures subject to western colonialism weren’t given a choice.

Conclusion

Tanna is beautiful. If you’re one of those who watched Avatar and felt depressed afterwards because our world wasn’t the same, then you might feel the same way after you watch Tanna.

*****Spoilers*****

But romanticizing aside, there’s a great story-line which draws parallels to a Shakespeare classic. And ultimately there’s a somewhat happy ending. That the indigenous culture of Tanna are managing to adapt whilst still opting to remain completely independent from Western culture.

 

29

Honeyland – Traditional Lifestyle on the Brink

Honeyland

Honeyland Film Difficulty Ranking: 3

If you love documentaries that stray into the fictional or very real docu-dramas, you’re in for a treat. Honeyland is one step up: it’s a docu-epic. It follows a middle-aged bee keeper in rural North Macedonia living on her own with her frail grandmother. Their survival is delicately in the balance when a large family join them looking for a better life. It’s a tale of modernity vs. tradition, and greed vs. modernity: a real showdown for the ages. Plus it’s shot beautifully.

From: North Macedonia, Europe
Watch: Now Showing in the U.S, Screening Times Elsewhere 
Next: Makala, Hale County This Morning, This Evening, Nobody Knows
Read The Full Review
30

Fragment 53 (Liberia)

Fragment 53 Film Difficulty Ranking: 3

War. What is it good for? Absolutely nothing.

However, you can learn a lot from this documentary about the Liberian Civil War. It features interviews with the people responsible for killing hundreds if not thousands of people. You’ll also get to hear from all sides in the conflict and what they did in the role and what they think of the murders they committed now that the conflict is over. If you can’t imagine a time in which eating a heart is normal, I recommend you check out this film to find out.

Why Watch Fragment 53?
  • You don’t know anything about the Liberian Civil War, or anything about Liberia for that matter
  • Learn about the nature of war from the warlords, generals, and soldiers that fought in the Liberian conflict
  • Hear from General “Butt naked”
  • It’s a perfect compliment to Indonesia’s The Look of Silence and The Act of Killing
The Breakdown

Fragment 53 starts with the sound of a trumpet, a sound connected to war memorial services. The sound of the trumpet sets the tone of this war documentary, a tone that both recognises those lost, but also questions the nature of war. Alongside the trumpet we are shown a montage of statues and statuettes. Each one of them is a deity of war from various human cultures. War has been around for millennia. Is it a part of humanity or something we can stop?

Before, and also between the interviews of the war generals, the film hints at the surreal. We are shown shots of people working at roadside stalls, a cloud of fruit bats stripping the leaves off of a tree, and hills covered in rain forest and mist. Why are these images included? They are included as they show time passing. These mundane images are just as natural as war is to mankind. Bats will always strip the leaves off of trees, mist will always collect in the hills, and people will always be making a living. These things, just like war, will also continue into the foreseeable future.

The director’s also manipulate the interviews with the warlords and generals. Each interviewee is given the same introduction text and are all shot in close-up. But look out for how the director leaves them after the interview is complete. The first interviewee is rather vague about his opinion of war so his interview finishes with a blurred and dark image of him getting up to leave. The second interviewee is consistent in his views of war and his role and therefore the director ends his interview with a clear head shot. This is just one of the ways a director can influence our perception of interviewees in documentaries!

Conclusion

Fragment 53 is an intriguing look into the nature of war. Is it something that is a part of humanity or can it be eliminated? Hear from seven warlords/generals from Liberia. Their answers offer an insight into both the Liberian war and humanity as a whole.

For more documentaries on the nature of war, check out The Look of Silence and also Little Dieter Needs to Fly.