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Nevia – International Competition – SBIFF

With her mother dead and her father in prison, Nevia and her little sister live with her grandmother in a container park on the outskirts of Naples. It’s not the best place for her to grow up. Her grandmother rents out her rooms to prostitutes and runs odd chores for the local crime boss to try and repay the debts Nevia’s father owes. Nevia despises her grandmother for bringing men into their home.

Nevia’s other problem is that Salvatore, the 30 year old son of the crime boss, is infatuated with her. Even though she’s only 17 (and looks younger), he’s already asking her grandmother for her hand in marriage. The prostitution to many men or prostitution to Salvatore is what Nevia fears is her fate.

To escape, she finds work with the local circus. They provide her independence and a more complete family then the one she has at home. It allows her to wean herself away from her grandmother and Salvatore. But when she finds the circus leader has his own problems, she’s redirected to the fate she tried to escape.

Nevia looks a lot like the recent Neapolitan films of Matteo Garrone (Gomorrah, Dogman). It contains the same grimy urban landscape of rubbish strewn across roads, battered apartment blocks, and lots of concrete and tarmac. It’s a hopeless forgotten Italy in which opportunity doesn’t exist. The only people who succeed are involved in crime, and those that don’t are inevitably linked to them whether they want to or not.

Like Dogman’s main character, Nevia is linked to the criminal underworld by means outside her control. She comes into contact with the criminal bosses because of her father and grandmother. She’s doomed to Salvatore just for living where she grew up. It’s not a problem with her but a condition of the hopeless environment she grows up in.

The welcome difference of Nevia is that it’s led by Nevia, a young female protagonist growing up with her female relatives. It therefore provides a female perspective of life in the hopeless outskirts of urban Italy. The environment for them is much more restrictive than the criminal freedom it afford the men.

Epicentro – An Outsider’s Perspective of Cuba

Epicentro Film Difficulty Ranking: 3

Why Watch Epicentro?

It’s an interesting outsider’s perspective of a forgotten country
To meet anti-imperialist and anti-colonialist locals
Watch a filmmaker unwittingly become part of the cycle of exploitation

From: Cuba, North America
Watch: Trailer, IMDb, Website
Next: The Project of the Century, I Am Cuba, Let it Burn

Once Upon a Time in Venezuela – Sundance Film Festival

Once Upon a Time in Venezuela starts with images of the famous Catatumbo lightning silently flashing over Lake Maracaibo. The lightning is an atmospheric phenomenon unique to the region, occurring for 140 to 160 nights per year. It’s what drew filmmaker Anabel Rodriguez Rios to the region, but ultimately became one of the least interesting happenings in an area that serves as a microcosm for the socioeconomic and political crisis in Venezuela.

The once thriving town of Congo Mirador becomes the focus for this observational documentary. It’s a town built upon stilts above Lake Maracaibo, complete with a church, a school, and houses. Everyone gets around on boats, whether they’re commuters, cake sellers, or musicians. The water is the lifeblood of this town. It’s their road that connects everyone, their bath to wash in, and their sewage.

Therefore, it’s not a surprise that sedimentation is brought up first. It’s the most urgent problem for the community, and not the political movements happening in the big cities elsewhere in the country. Sedimentation blocks their transportation paths by making the routes too shallow for boats to move, it blocks the free flow of sewage, and pollutes the towns’ supply of fresh water. Shots of people washing juxtaposed against shots of dead fish, highlight the immediate problems that sedimentation causes. As the film progresses, the director makes sure you can see the physical change in the community. Houses are uprooted and moved on boats, and plants start to take over the once fluid waterways.

It’s not clear where the sedimentation comes from; perhaps it stems from the oil reserves that have started contaminating beaches nearby, or maybe it’s just happening naturally. However, what is clear is that if nothing is done, this town will gradually be consumed by dirt and pollution, thus becoming uninhabitable.

The town community need the help of higher powers to help. However, Once Upon a Time in Venezuela chooses two rivals to center this documentary to represent the division in the community: Mrs. Tamara, a Chavista and town representative, and Natalie, a local teacher. Their rivalry, and the progress it hinders, represent the political division in the country and the slow decline of the town, the sinking state of Venezuela.

Mrs. Tamara: the Hugo Chavez fan girl, with a large spacious house, Hugo Chavez dolls, and a farm along the lake. She’s shown boating around the lake to buy votes and relaxing in her hammock.
Natalie: a humble teacher and single mum that appears apolitical and lives in a small house. She’s shown hand washing clothes and teaching kids.

The class distinction between the two, and way they talk about each other (Natalie rarely mentions Mrs. Tamara by name) help us choose our allegiances in Congo Mirador and Venezuela. Ultimately, their rivalry distracts us from the decline of the town, just like the presidential rivalry between Maduro and Guaido has provided a distraction from resolving the political and social crises in Venezuela.

If you’re looking for more films from Venezuela like Once Upon a Time in Venezuela, check out La Soledad or It’s All Good for two more films set within the crisis You could also watch Hermano for a Venezuelan film featuring gangs and football. Or, head to our Sundance Film Festival hub, if you’re looking for more reviews from the festival.

Uski Roti – Waiting for Change in the Country

Uski Roti Film Difficulty Ranking: 4

Uski Roti is the antithesis of your typical Bollywood film. Instead of bombastic musical numbers and extravagant costumes and decor, Uski Roti‘s rural setting is banal and empty. There’s minimal action as the characters are plagued by having too much time; the wife occupies herself with domestic work and waiting, whilst the husband kills time busing around the country spending time with different lovers to keep from boredom. Both characters seem compelled to live out of a duty rather than because of their own happiness which is reflected in the slow pace of the film. For those with patience, Uski Roti is a portrait of the downtrodden of the world – those condemned by poverty and the patriarchy to a life of nothingness.

From: India, Asia
Watch: Trailer, JustWatch, IMDb
Next: When the Tenth Month Comes, Daughter in Law, The Cow

Eyimofe (This Is My Desire) – AFI Fest 2020

Eyimofe is split into two stories. One features Mofe, a middle aged man who works as an electrician and lives with his sister and her children. The other features Rosa, a young woman who works as a hairdresser that takes care of her younger, pregnant sister. They share two obvious things in common. Firstly, they’re both trying to escape Lagos by obtaining visas to emigrate to Europe. Secondly, they’re both struggling to get by. Together, they represent a desire to escape poverty.

However, their visas definitely don’t seem legitimate. Mofe tries to obtain his from a guy with a computer that works at a stall in the middle of the street. Rosa’s method is worse, as she’s found a local mafiosa woman that has offered to get her and her sister visas in exchange for their baby. Their methods are symbolic of the global apartheid that restrict the underprivileged from freedom of movement. As we saw in AFI Fest’s I Carry You With Me and Farewell Amor, the legal routes for obtaining a visa to ‘the West’ are extremely limited for those without money.

Their lives aren’t just affected by their inability to get visas. They’re also stuck in the bureaucracy of inadequate social welfare at home. After Mofe’s sister dies, he gets caught in a long process of different forms and fees he has to fill out and pay before her death can be resolved. We see the whole process, from paying the morgue where the body is interred through to settling the inheritance. Likewise, Rosa has to fork out endless fees and debts to help out her pregnant sister. In contrast, life for the middle and upper class is a breeze. Mofe’s wealthy father can hire an expensive lawyer to swoop in and claim his daughter’s inheritance even if he hasn’t seen her for 10 years. And Rosa’s new American boyfriend can suddenly ghost her when she needs him for financial support. The wealthy can take advantage of the underprivileged (Mofe and Rosa) when they’re up, and avoid them as soon as they’re asked to help.

Eyimofe is a two part film which captures the wealth and class divide in Lagos. When you’re doing OK, you’re allowed independence and respect, but as soon as you meet hardship, everyone avoids you or takes advantage.

Head to our AFI Fest Hub for more reviews and short films from AFI Fest 2020.