Film - Page 5 of 10

Ratas, Ratones, y Rateros (Ecuador) – Crime-Filled Fun in Quito

Ratas, Ratones, y Rateros Film Difficulty Ranking: 2

If you’re looking for a fun, fast-paced crime-thriller from South America, Ratas, Ratones, y Rateros is the film to watch. You’ll try and evade the law with crazy ex-con Angel and his amateur thief cousin Salvador, accompanied by his teenage friends. It’s probably the closest you’ll get to the style of Trainspotting or Run Lola Run from South America. Plus it’s available to watch with subtitles below (thanks to Vimeo).

Why Watch Ratas, Ratones, y Rateros

See one of the best opening action scenes!
To meet one of the craziest characters – the bleached blond haired Angel
If you like Run Lola Run, Kung Fu Hustle, or Layer Cake– this is another fast-paced stylised action film
For a grimy rock music soundtrack typical of the late 1990s

The Breakdown

The film starts with a close up of a Angel’s face upside-down. He opens one eye and the camera zooms out to show him lying upside down, hanging off a bed, lying beside a woman. The camera starts fast-cutting between Angel, as he starts rolling a cigarette, and the bedroom door, which he keeps looking at.

It’s obvious he’s uneasy. The woman tries to reassure him that “no one saw him coming in”.

All of a sudden the door busts open and two armed men run in. Angel manages to escape the room and jump across a few tin roofed houses as the two men chase after him. The grimy rock music kicks in at this point as if to cheer on Angel vs. the chasers.

The chasers lose him in a large cemetery until Angel ambushes them and knocks dead one of the men chasing him to end a adrenaline-filled opening scene. (As words can’t accurately capture the feeling of the opening, I recommend checking out the opening here or in the embedded video above).

What happens after the awesome opening?

Quite a lot. We meet Salvador and his friends back in Quito. Salvador is Angel’s cousin, and he’s excited to hear that his cousin will be returning to the capital to see him. Salvador and his friends are all amateur thieves of their own, but when Angel arrives, he’s looking to take them to the next level.

Without giving too much away, he has some enemies in the capital, and Salvador also has some rich friends.

Conclusion and What to Watch Next

All action or crime thriller fans will enjoy this film. It looks and feels like a great Hollywood indie film so it will be familiar to all Hollywood film fans. Check it out here on Vimeo.

If you’re after something similar (another stylised action thriller) I strongly recommend checking out the German thriller Run Lola Run. You could also check out Kung Fu Hustle or Layer Cake, two more films full of style that will keep you entertained throughout.

Otherwise for more South American thrillers, check out The Secret in their Eyes (just make sure it’s the Argentinian original). It’s one of the best foreign language films to start your world cinema journey with.

Reminiscences of a Journey to Lithuania – A Return From Exile

Reminiscences of a Journey to Lithuania Film Difficulty Ranking: 4

Have you ever been displaced or exiled from your home? Or simply been away from home for more than a few months? Well you may sympathize with Jonas Mekas when watching this film. Reminiscences of a Journey to Lithuania is a walk in the shoes of a displaced person. It’s the incredibly intimate diary film of Jonas Mekas’ return to Lithuania to see his mother and family after 25 years in exile.

Here’s an example of three minutes from the film.

Why Watch Reminiscences of a Journey to Lithuania?

To see what makes a great diary film (films like a diary, often shot home video style)
Experience the life of a displaced person by seeing Mekas’ return from exile, shot mostly from a 1st person perspective
It’s one of the most intimate films you’ll see (you’ll be transported into Mekas’ life)
Because it was added to the U.S. National Film Registry because of it’s cultural, aesthetic, and historical significance

The Breakdown

Reminiscences of a Journey to Lithuania is made up of three parts:

Shots of Mekas and his brother in Brooklyn, New York from just after they were moved there from displacement camps in Germany
Footage of their return to Lithuania after 25 years in exile
Hamburg, the place they were both detained in Nazi German slave labour camps after fleeing Lithuania

The most time is spent on part 2, shooting their reunion with their mother and family after 25 years in exile. But because of the way the film is shot, it never really feels like they were home.

How the Style of the Film Emphasizes their Displacement

There are a few things you’ll notice straight away when watching Reminiscences of a Journey to Lithuania.

There are a lot of cuts! The entire film is made up of short shots, so you never really have time to concentrate on one image.
There’s no diegetic sound (ie. sound that comes directly from the film shown, apart from two singing scenes). All the sound comes from the melancholic piano soundtrack or from Mekas’ brother’s narration.
As above, there’s also no dialogue. The whole film is narrated by Mekas’ brother.

When these three stylistic elements are combined in the film, it makes everything appear to be a memory from the past. Each short shot is like another memory of their former life in Lithuania.

If you’re not convinced, think of your childhood. Can you actually visualize a 3 minute long memory from your childhood with all the emotions you felt without relying on old VHS footage? If you can, you’re gifted. If not, your memory is probably composed of a load of snippets of things that made you laugh, smells, tastes, and people’s faces. This is exactly how Reminiscences of a Journey to Lithuania is composed, with short snippets of fresh fruit, family faces, and funny memories.

So even though the film is from the present, it looks like a distant memory that can never be relived. The style matches their inability to return home, after fleeing the country as Nazis and Soviets advanced in WW2.

Image result for reminiscences of a journey to lithuania

Conclusion

Because the film appears like a distant memory it’s pretty melancholic and nostalgic all the way through. The sounds of the piano and crackling film also don’t help to lift the mood.

Melancholy aside, it’s no surprise that this film was added to the U.S. National Film Registry by the Library of Congress. It intimately depicts the experiences of a displaced person abroad and returning home. No other filmmaker allows the audience to get as close to the displaced person experience as Jonas Mekas. For this, and because it’s a beautifully made film, you should watch Reminiscences of a Journey to Lithuania.

Mommy – Sexy Moms and One Uncontrollable Teenager

Mommy Film Difficulty Ranking: 3

Sexy Moms + One Uncontrollable Kid = Mommy, a film with Canadian Karaoke and Violence. Sounds like a game of Cards Against Humanity right!? A smart-phone like aspect ratio takes headlines in this one in a beautifully shot film about a single mother trying to raise her unpredictably violent son.

From: Canada, North America
Watch: Trailer, Rent on Amazon, Buy on Amazon
Next: We Need to Talk About Kevin, Tangerine, Room

The Missing Picture (Cambodia)

The Missing Picture Film Difficulty Ranking: 4

Have you heard of Pol Pot and the Khmer Rouge?

If you have, great, watch this film to understand how they changed Cambodian society.
If you haven’t, no problem, watch this film to learn who/what they were and how they revolutionised a country on film and destroyed it in reality.

Why Watch The Missing Picture?

To learn about life in Cambodia in the 1970s before and after Pol Pot and the Khmer Rouge came to power
To imagine a country where your only possession was a spoon
Learn about a country where artists were prohibited – the only images left are of a myth created by Pol Pot and his regime
Clay figures!

The Breakdown

The Missing Picture starts in a darkish room full of stacks of film rolls. The floor is covered with film strips. Someone picks up one of the film strips and looks at the still images it contains. It shows a Cambodian woman dancing in traditional dress. This Cambodia, traditional Cambodia, was left to be forgotten by the Khmer Rouge so they could forge a new country.

Image result for khmer rouge logo rice paddy factory The Khmer Rouge created a new country by creating a new mythology. Art and tradition was thrown to the side. Now “the spade is your pen, and the rice field is your paper”. The picture on the right shows the Khmer Rouge’s utopia. There is a factory, irrigation, corn harvest, and rice fields but no people. This is Pol Pot’s vision for a state driven by work and void of culture.

The clay figures represent many things. As they are motionless, they represent the death: death of the past and death of the many Cambodians that died during under the Khmer Rouge. The clay figures also represent ‘the missing picture’ ie. everything that was not documented by the Khmer Rouge on film. As the Khmer Rouge only documented films of people working the rice fields, the clay figures end up recreating a lot of undocumented life. They re-enact the famine, death, and forced labour that the Khmer Rouge did not document. This is the untold story of Cambodia under the Khmer Rouge.

Conclusion

The Missing Picture allows us to recreate a more accurate history of Cambodia under the Khmer Rouge. It shows us the real footage shot by the Khmer Rouge and adds in ‘missing’ scenes of famine and death that the Khmer Rouge ignored. As a result, this film importantly documents the horrific events that the Khmer Rouge tried to absolve from history. If you’re after a true documentary of the Khmer Rouge – this is as close as you can get.

For another great South East Asian documentary, I strongly recommend watching The Look of Silence (available on Netflix).

Umberto D (Italy) – An Introduction to Italian Neorealist Film

Umberto D Film Difficulty Ranking: 3

Here’s your chance to introduce yourself to Italian neorealist film. Umberto D. is one of the standout films of the neorealist genre. You’ll meet the elderly Umberto, a man who has been forced into poverty by his government and landlady. It’s a must watch for all film fans.

You can watch the film here on YouTube if your Italian is up to scratch. Otherwise you can rent it here for the price of a coffee.

Why Watch Umberto D?

For the perfect introduction to Italian Neorealism
To see how bad poverty was in post-war Italy
It’s emotional – it’ll get you angry, sentimental, hopeless, and hopeful
It’s actually De Sica’s favourite film (above Bicycle Thieves)

The Breakdown

Umberto D starts with a protest in one of Rome’s city squares. An organized group of elderly men are all demanding a raise in their pensions. One of these men is Umberto D. Ferrari, a retired government worker.

Unfortunately for Umberto, life isn’t going too well. Even though he worked all of his life for the government, he can’t afford to live on the pension they’ve given him. As a result, his unsympathetic landlady is kicking him out.

Despite this, Umberto is always well-dressed in a suit, tie, and hat. He manages to keep his smart dress throughout the film. It’s almost a symbol of his dignity. The only time he thinks about begging is when he removes his hat and gives it to his pet dog Flike to beg on behalf of him. It’s the only short moment in which he relinquishes his dignity and asks for help.

Umberto is not the only one that needs help. You’ll notice some beggars asking for money. But there’s also the landlady’s maid, one of the only friends of Umberto. There’s one iconic scene which focuses on her, pretty much the only scene that isn’t focused on Umberto. In the scene she walks from one end of the landlady’s kitchen to the window to watch a cat wandering over the neighbours roofs. Whilst it may not sound that significant, the scene emphasises the maid’s lack of freedom. Whilst the cat can freely roam the roofs of Rome, she is confined to the landlady’s kitchen. She cannot afford to live by herself or go to school and ultimately she will share the same fate as Umberto later in life. It shows that, unless there’s change, poverty will continue to exist.

Image result for umberto d

Conclusion

De Sica claimed that Umberto D. was his favourite film that he made. In addition, it’s probably one of the best examples of Italian Neo-realism. It’s full of emotion, and quickly gets you to sympathise with Umberto. It’s a must watch if you’re into foreign film.

If you want to get to know more classic Italian films, I’d recommend checking out Divorce: Italian Style for a comedy that inspired Martin Scorsese, and La Dolce Vita from maestro Federico Fellini. For more Neorealist film check out the following:

La Terra Trema (Visconti)
Germany Year Zero (Rossellini)
Bicycle Thieves (De Sica)