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La Haine (Hate)

La Haine Film Difficulty Ranking: 3

This film was so provocative and great that the French Prime Minister at the time commissioned a mandatory screening for all entire French cabinet. The film brings social unrest to the big screen, showing us that Paris is not the romantic and happy city that Hollywood and beyond have portrayed it as. Here are the people we have forgotten. Like Taxi Driver and Do the Right Thing, La Haine gives a voice to the marginalised.

Why Watch La Haine?

You have been to Paris and seen the Eiffel Tower
If you love a good cinema verite film (other cinema verite favourites include Che, and Battle of Algiers)
For a male equivalent to Girlhood
Because just like Spike Lee’s Do the Right Thing, this film is a timeless representation of social unrest

The Breakdown

I’m not even going to narrate the opening scene. Instead here’s the opening quote, read over the top of ‘documentary’ film of rioting in Paris.

Heard about the guy that fell off the skyscraper? As he falls, he tries to reassures himself by repeating:

“So far, so good. So far, so good.

It’s not the fall that matters. It’s the landing.

But it’s not just the powerful narrative that makes La Haine a great movie, the film is also full of incredible camera work. Pay attention to the introduction of Said. He is introduced, facing forward, in the middle of the frame with the housing projects behind him. His eyes are shut, but as the camera zooms into his face, they open. The director cuts to a POV shot with only the back of Said’s head in focus. As the camera moves towards Said, it focuses on what he is looking at, a bunch of policeman who are as static as the birds in Hitchcock’s Birds. They are not here to serve and protect. This sets up the rising tensions between Said and his crew and the police.

For all of you who are familiar with New York City hip-hop, this paragraph is for you. For all of those who aren’t familiar with New York City hip-hop, go listen to Nas’ Illmatic and tell me if it could be a soundtrack to La Haine. Here’s my reasoning:

Hip-hop culture is prominent throughout the film, from breakdancing to DJing, it’s all covered.
The words “The World is Yours” (the main track on Illmatic) feature on a billboard which Said changes to “The World is Ours” to claim the streets and city which he lives in despite their disenfranchisement.
Both portray teenagers trapped within urban poverty and categorised because of it – there is no way out.

Conclusion

This film garnered so much critical buzz at Cannes and beyond. It is a timeless portrayal of disenfranchised teenagers growing up in the forgotten realms of cities. In addition, the camera work is extremely innovative. This might be the earliest film you’ve seen which uses drone cameras. In fact, apart from the appearance of Francs in the film (France’s old currency), I would have believed someone if they said that this film was made in the last few years.

(For an excellent piece on this film I’d recommend reading Indiewire’s review of the film 20 years on right here, although beware of Spoilers!)

Extraordinary Stories (Argentina) – Storytelling at it’s Finest!

Extraordinary Stories Film Difficulty Ranking: 3

This is storytelling at it’s finest. If you’re a fan of Borges or Pynchon’s mysteries you’ll love this film. Save this 4 hour wonder for a long journey or break it up into three viewings (with the 2 intervals). You can even try watching it here on YouTube.

Image result for extraordinary stories film

Why Watch Extraordinary Stories?

To see another great Argentinian film which is up there with Wild Tales and Secret in their Eyes (not the Hollywood remake)
Witness storytelling at it’s finest!
If you want 4 hours to go quickly (perfect for a long journey), otherwise this film is broken into three parts so easy to break into multiple viewings
Perfect for fans of Borges or Pynchon!

The Breakdown

Extraordinary Stories starts with the story of X, a man walking down a road. He is walking to a nearby town, not really sure if he will find a job there. Whilst he is walking down the road, he witnesses a shootout in a farm field next to the road. Have the perpetrators seen him watching?

This opening episode makes up episode 1. Next up is the story of Z, a man who has just started a new job in a remote town. The third story centres a bet between two rivals.

Without giving anything more away, each of the three stories get more and more interesting and extraordinary as the film progresses. Each one progresses in 5-15 minute episodes and you are often left wanting to see more at the end, like a good TV series.

The strangest part is that you never really find out much about the three main protagonists (X, Z, and H). You never learn their name or their background; each of them remains a mystery. They reminded me of characters from a Borges short story or a Pynchon novel.

Conclusion

You won’t find storytelling better than this. I was skeptical about this 4 hour movie, but I couldn’t stop watching it after I hit play. The director gives you enough to pique your interest in each short episode, always leaving you wanting to watch more.

Ali: Fear Eats the Soul (Germany)

Ali: Fear Eats the Soul Film Difficulty Ranking: 2

Buy this film by clicking on the Picture above!

Can you imagine a world 20 years after the fall of Hitler and the Nazis in which a former Nazi ended up in love with an Arab immigrant? Well you don’t have to, you just have to watch this film. You’ll experience racism, prejudice, and loneliness. The experience will hopefully be enough to help you feel the loneliness of life as an immigrant and to drop any prejudices you may have. The film is currently available to watch on YouTube (click on link).

Why Watch Ali: Fear Eats the Soul?

It will provoke a lot a debate! So much to talk about!
It is one of acclaimed German director, Rainer Werner Fassbinder’s masterpieces (it won awards at the prestigious Cannes film festival)
Experience racism and prejudice in Western Europe in the 1970s
See some excellent camerawork – partly discusses below

The Breakdown

Emmi, an old white German woman walks into a bar to get out of the pouring rain. The camera cuts 180 degrees to show a group of Arabs watching Emmi from the other end of the bar. Then the camera cuts back 180 degrees to show Emmi sit down at a seat closest to the door. The camera marks the distance between Emmi and the Arabs drinking at the other end of the bar. Will the distance between Emmi and the Arabs be broken?

One of the barmaids challenges Ali, one of the Arabs, to go and dance with the old woman. Not one to refuse a challenge, Ali crosses the race threshold and walks to the other end of the bar where Emmi is sitting. He asks her to dance, and she accepts! They both cross the threshold and walk past the other Arabs to a dance floor at the back of the bar. All of the bar’s clientele watch them in silence.

Through Emmi and Ali’s relationship we get to experience the horrible amount of racism and prejudice they face from shopkeepers, Emmi’s family, and the people she works and lives with. What stuck with me was the image of Emmi’s son-in-law (played by Fassbinder) sitting on the couch reading a newspaper. He is dressed shabbily, is skipping work, and threatens to hit his wife if she doesn’t go get him a beer. Whilst he is acting like a pig, he complains about all the Arab immigrants and refers to them as pigs. The best metaphor of hypocrisy.

Conlcusion and What to Watch Next

The camerawork and unlikely relationship make this film great. It will challenge your own prejudices. Amazingly there are still a load of remnants from the time of Hitler – Emmi even admits she was a Nazi just like everyone else living in Germany whilst he was in power. For an excellent film on race in Europe go watch this film!

For more films about immigration and the migrant experience check out:

Black Girl: Sembene’s classic about a Senegalese girl taken to France to work for a French family. It’s essential viewing and available on YouTube.
Sin Nombre (Amazon): A Central American thriller following one boy trying to flee the country to escape the notorious Mara gang
Paddington (Amazon): One Peruvian immigrant tries to fit in in the U.K.

Wild Strawberries (Sweden) – How Did You Live Your Life?

Wild Strawberries Film Difficulty Ranking: 3

Do you have a grouchy grandpa or a grumpy old friend? Well this is the perfect film to watch with them. It reminds of us of our mortality and explores the meaning of life. Are we better off grumpy or friendly – watch and decide. I admit, it’s not a barrel of laughs, but it is thoughtful, beautiful, and worth every minute of your time.

Check three reasons to watch it below. Then watch it here on YouTube.

Why Watch Wild Strawberries?

For the perfect introduction to Swedish maestro, Ingmar Bergman
To explore the meaning of life!
It’s one of the greatest road trip films (although it is completely different to the extroverted Hollywood road trip films)
To see some scary dreams and visions

The Breakdown

Wild Strawberries starts with Isak, a 78 year old professor about to receive a doctorate. He thinks how he has become lonely in his old age (in an inner-monologue that we hear from a lot in this film) before he introduces us to his family and goes to wake up his maid. He is ready for a road trip!

It doesn’t seem like anyone really likes him though. In his old age, he has become lonely because he doesn’t like hanging out with his family or community. To add to that, he is plain rude. Whilst driving, he chauvinistically tells Marianne to stop smoking because she is a woman, and feigns forgetfulness when she brings up how rudely he dismissed her relationship with his son.

Luckily, he begins to change as he starts to look back on his life. One particular dream sets him on this path. In this dream Isak stops outside a house with boarded windows. He anxiously walks to the left of the house, but doesn’t walk more than 10 steps (the camera stops him). He walks to the right, but stops himself again. He looks up at the town clock, but there are no hands on it to tell the time. Then he sees a hearse approaching. As it moves closer, one of the wheels of the hearse gets stuck on a lamppost and the coffin falls out. As Isak moves closer to close it’s lid, the hand of his own corpse tries to pull him inside. Is he already dead?

Conclusion

Wild Strawberries is one of Ingmar Bergman’s classics. It takes a grumpy old man who doesn’t care for his family or community and shakes him with dreams and visions to try and change him. The road trip is his journey to understanding the meaning of life.

Wings of Desire (Germany) – Live as an Angel in Cold War Berlin

Wings of Desire Film Difficulty Ranking: 3

Ever wonder what it’s like to be an Angel? In Wings of Desire you’re immortal, but confined to a half-reality. You can see and hear reality, but you cannot feel it. So all you can do is wander the world watching it change. Be an angel and watch Wings of Desire here (rent of buy on Amazon).

Image result for wings of desire

Why Watch Wings of Desire?

To see Berlin before the end of the Cold War, complete with Berlin Wall
Because every line is quotable – it’s a philosophical muser’s paradise
To live like an angel (although it’s not as heavenly as you might think)
Because Wim Wenders won Best Director for this film at Cannes and it has a beautiful soundtrack.

The Breakdown

An eye opens and cuts to a sweeping aerial shot of Berlin. The eye belongs to Damiel, a winged angel, and the aerial shot is his view of Berlin from the top of one of the cities highest monuments. The only people that see him perched at the top of the building are a few passing children who stare at him in awe.

Damiel and the other angels wander the city invisibly. They cannot talk to humans and they cannot be seen by humans, but they can hear all of their thoughts. Therefore, all they can do is wander the human world as observers.

The director (Wim Wenders) portrays their wandering with extreme melancholy. Firstly, he shows them trying to help people in vain, like a man who commits suicide. Secondly, he shows their lives in black and white whilst the Berliners they listen and watch are shown in vibrant colour. By creating their lives as a half life (without feeling, colour, and action) it makes us sympathize with their desire to be human.

Portrayal of Berlin

Wings of Desire was shot in the decade before the reunification of Germany. Therefore you will see the Berlin Wall and East Germany looming in the distance. The melancholic lives of the Angels are a reflection of the melancholy in Berlin, a city that still hasn’t recovered from the the Second World War.

There are reminders of the war placed throughout the film, from the actors dressed as Nazis and Jews on a nearby film set to the Berlin Wall. However, the most prominent example of the wars devastation on life in Berlin is the fate of Potsdamer Plaza.

A storytelling character aptly named Homer walks through the no-man’s land wasteland by the Berlin wall where Potsdamer Plaza used to be located. He reminisces about the Plaza when it was full of life. Before the war, it was full of friendly people and tradesmen. But later Nazi flags filled the square and the people became unfriendly. And now it’s just part of an empty wasteland that runs alongside the Berlin wall, with no life at all.

Conclusion

Wings of Desire is a beautifully melancholic film that meditates on the plight of humanity in the 20th century. In the political volatility today, this film is particularly relevant. It’s almost a warning of what could happen if we let love abandon us; we’d become Angels wandering the wastelands.

For another great German film of almost epic proportions I strongly recommend watching Fassbinder’s The Marriage of Maria Braun. It charts 20th century German history through the stoic Maria Braun, who is widowed as her husband fights in WW2.

If you love the melancholic philosophical musings I also recommend watching The Seventh Seal (rent or buy on Amazon), the story of a knight who is stalked by death.