Mimosas Film Difficulty Ranking: 4

Mimosas is a film of epic journeys. There’s Ahmed and Said who are attempting to guide a Sheikh and his caravan across the Moroccan mountains. Secondly there’s the magical journey of Shakib who travels time to guide Ahmed to a more honourable life. Check out a spoiler free trailer below (I’ve deliberately cut the length).

Why Watch Mimosas?
  • If you’re thinking of going to Morocco but aren’t sure if the scenery is beautiful enough (you’re wrong)
  • To go on an epic journey through the mountains reminiscent of Lawrence of Arabia or Lord of the Rings and an awesome scene with taxis riding across a desert like Mad Max
  • It won Critic’s Week at Cannes in 2016
  • Get lost in time as the past and present meet
The Breakdown

Mimosas starts with a few shots of graffiti on a wall of a castle and garden before switching to a few shots of the mountains. As you’ll see later in the film, the graffiti alludes to the modern world (the present) whilst the mountains provides the setting for the past.

After a screen wipe (a blank shot) we are introduced to Ahmed and Said, two guides helping a dying Sheikh to cross the mountains. They are all wearing traditional clothes and half of them are on horseback. These scenes of Ahmed and Said seem to be from at least hundred years ago, probably more.

In contrast, we enter another world in a Moroccan town bordering the mountains (probably the place where the graffiti from the opening scene was shot). It’s here we meet Shakib, preaching about creation fervently to a group of men. It’s present day, evident from the cars and clothing. He’s picked out by one of the head workmen to go with him for an important job: to go into the mountains, find Ahmed and keep him safe.

It’s in his journey into the mountains and meet up with Ahmed that he magically crosses from the present into the past.

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Conclusion

Who is Shakib? And how did he seem to travel time? Is he a prophet? Mimosas depicts the epic journey of Said and Ahmed which is suddenly surpassed by the epic journey of Shakib. You’ll be actively involved in this film as you try to piece together the gaps.

 

Crime of Father Amaro Film Difficulty Ranking: 2

If you love controversy with plenty of drama, check out The Crime of Father Amaro. It’s a full frontal attack on the Catholic Church in Mexico which many tried to ban. Whilst it’s not as damaging as Spotlight, it will remind you that all of us are human no matter what position we’re in.

Here’s a dramatic trailer for a dramatic film.

Why Watch Crime of Father Amaro?
  • It’s controversial – religious groups lobbied to ban it in Mexico but their attempts backfired as the publicity rocketed this film to success at the box office
  • To see Gabriel Garcia Bernal (famous for Y Tu Mama Tambien, No, Motorcycle Diaries and many more)
  • If you love a bit of melodrama
  • It was Oscar nominated for best foreign language picture
The Breakdown

The opening of the film deliberately leads us to sympathize with the young Father Amaro (Garcia Bernal). Firstly, he’s charitable. When the elderly man he sits next to on the bus is robbed, he reimburses him with his own money. Secondly, he appears friendly. The local kids run around him after he playfully grabs their football and he chills with the fellow pastors to watch football on TV. He has all the makings of a great guy. However, the melodrama slowly kicks to life as he begins to take advantage of one of the parish girls who is clearly infatuated with him.

There are plenty of omens that something is going to go wrong. Firstly,  you’ll notice that wherever Father Amaro is, the statues of the Saints and Jesus are always watching him. There’s a statue of Jesus that watches over him at home, from his bedside table. Furthermore, the director makes sure you notice each of the saints looking down at him whenever he is in the church by cutting to static shots of each one as he walks down the aisle. Nothing he does escapes from their view.

Secondly, the saints have a helper in a crazy old woman aptly named Dionisia after the Greek God Dionysus, the God of Wine, as well as ritual madness and religious ecstasy. It’s clear that Dionisia is both mad and madly religious. In addition, she also comparable to the witches from Shakespeare’s Macbeth. She predicts the love affair between Father Amaro and Amelia.

The two omens (the Saints and Dionisia) are both critiques of Catholicism. Firstly, of all the sins that are committed in plain sight of the saints and then confessed the next day. And secondly, of how it is interpreted by the population (Dionisia has malformed dolls posing as Saints, and tries to exorcise her disabled neighbor).

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Conclusion

The Crime of Father Amaro is another great controversial melodrama from Mexico. It attacks the Catholic Church it’s hypocrisies, so it’s not surprising that Catholic groups tried to ban it. Unfortunately for them, the controversy propelled it to become the biggest film in Mexico.

If you want even more religious controversy, check out Oscar winner Spotlight. However, if you want blatant provocation, check out the Mexican film Battle in Heaven. If you want to see some more great Mexican film, check out our Top Ten Mexican Films here.

 

Three Lives and Only One Death Film Difficulty Ranking: 4

Do you want to get lost in reality? Try watching Three Lives and Only One Death. It follows Marcello Mastroianni as a character that spans a few storylines in and around Paris. At times the story lines seem normal, but before long you’ll realise that they are just illusions. See if you can find your way around Raul Ruiz’s world – free to watch here on YouTube.

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Why Watch Three Lives and Only One Death?
  • If you like your films mysterious (think David Lynch or Ingmar Bergman)
  • For Marcello Mastroianni in one of his last roles (the great actor from La Dolce Vita, Divorce: Italian Style, and many more)
  • To question your own reality
  • You can watch it here on YouTube
The Breakdown

A narrator that looks like a late night news anchor starts the film. As he starts narrating about a man who wakes up because of a baby crying, we see the man he is talking about. The narrator tells us that the man has a headache and goes to the pharmacy, and then, as if controlled by the narrator, the man on screen does the same.

In the pharmacy queue, another man starts talking to our protagonist. It starts off like the normal expected small talk before becoming much more unnerving for our protagonist. This stranger reveals that he knows exactly where this man lives, who he is, and who his wife is. Our protagonist wants to get away from him but the man offers him a lot of money just to sit down and chat with him.

From then on, it gets even weirder. The man reveals that he was the previous husband of our protagonists wife. He tells him he didn’t disappear for 20 years but rather lost 20 years of his time watching these little fairies (yes that wasn’t a typo). He even takes our protagonist into another room to show him these fairies. At this point the camera goes completely red and zooms in and out to disorientate us. Where are we? And what is real? Only the director Raul Ruiz knows!

Conclusion

You’ll experience a lot more of the unnerving world that Raul Ruiz has created if you watch the full film. There’s plenty of things to throw you off. Just like in the great David Lynch and Ingmar Bergman films you’ll be questioning a lot by the end of this film, but it is a great ride!

 

 

 

fLESH oUT Film Difficulty Ranking: 3

Verida is getting married, and in Mauritania, that means she has to fatten up before the wedding to make sure she’s as beautiful as possible. You’ll get eat all the bowls of cous cous and meat with her on her journey to becoming a big beautiful woman. Flesh Out is a well made portrait of a woman caught in a culture that clashes with modernisation.

From: Mauritania, Africa 
Watch: TBC - IMDb Page
Next: Mustang, Sand Storm, Supersize Me
Continue reading “Flesh Out – Eat More to Become More Beautiful”
Illumination Film Difficulty Ranking: 4

If you love film and philosophy, Illumination might be the film for you. It’s like watching an existential essay: you’ll follow the main character as he stumbles through life trying to find meaning. It’s experimental and brilliant. Watch the film here (Buy on Amazon).

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Why Watch Illumination?
  • You love philosophy (bonus points if you love existential philosophy)
  • Or if you love science (some parts are not for the squeamish)
  • Or if you don’t know what to do with your life and want to watch someone else who struggles to find meaning in theirs
  • It’s experimental – the editing will remind you of Bergman’s Persona (if you haven’t seen Persona watch it now)
The Breakdown

“What is illumination? Illumination is a term and concept of Augustine. We obtain knowledge by an enlightenment of the mind.”

The film starts by musing what the meaning of illumination is. Then it cuts to a half naked man taking a medical check. The camera cuts from a close up of his hand to a close up of his foot. Then someone asks the male subject for his name, his surname, his place of birth, height, and weight. In this opening, Zanussi (the director) reduces Franciszek to his physical being before we’ve had a chance to get to know him. This raw physical being is the starting point of this philosophical film essay.

After we meet Franciszek the film flashes to ‘reality’. You’ll see footage of the moon landing, and troops marching ready for war. These images quickly provide us with context. From them we can assume that the film is set in the late 1960s/early 1970s during the Cold War between the U.S. and U.S.S.R. These cuts of footage are also included to disrupt the rhythm of the film. Zanussi includes a lot of interjections like this in his film to intentionally jumble up the story. His intention is to show us the mess of images we see during our lifetimes and to make it difficult to follow the film, to reflect the struggle to find meaning in life.

Conclusion and What to Watch Next

There is a story-line in Illumination (the story of Franciszek) but it is hard to follow. Zanussi only uses Franciszek’s life as a framework for the film’s progression. Franciszek’s struggle to find enlightenment is the framework for the film’s commentary on the world’s struggle to find meaning in life. (Warning: you may be filled with existential angst/dread when watching this film).

First up, you need to watch Ingmar Bergman’s Persona if you haven’t already. It’s one of the best explorations of the human psyche (and at a level above David Lynch’s Mulholland Drive).

For more from Zanussi, I strongly recommend watching The Structure of Crystal before this one. It’s easier to watch and is one of those films that makes you feel at peace with life and death (a bit like Wild Strawberries).

Or for more straight up philosophy check out the stream of conscious genius of My Dinner With Andre.