Thrill: Nerve-shredders that’ll get your adrenaline pumping and keep you on the edge of your seat
If you’re a teacher, The Hunt is your worst nightmare. Set in a small town in Denmark, The Hunt shows how one lie can bring down a credible and likeable man and turn him into the victim of a modern day witch hunt.
From: Denmark, EuropeContinue reading “The Hunt (Denmark) – A Teacher’s Worst Nightmare”
Watch: Trailer, Amazon Prime, Amazon (rent)
Next: Festen, The Shining, Gone Girl
Witnesses follows a group of brothers who have returned from the front lines of the Croatian-Serbian War as broken men. Their thirst for revenge fuels a late night attack on a Serbian neighbor. Rumors of witnesses pushes them to solemnly work to eliminate all of them. However, stuck in a bleak city on lockdown in a narrative that keeps replaying the past indicates that their fate is unavoidable.
From: Croatia, Europe Watch: Tubi, Kanopy Next: The Load, Sleepwalking Land, Shok
It feels like the three brothers are doomed right from the start when they murder their Serbian neighbor. As they drive towards his house crammed into a small car, they’re completely silent and lifeless. Their lack of emotion makes it feel like their condemned to act instead of acting willingly. After the murder, they appear solemnly sat around the table in their mother’s house in silence. Their mother is dressed black in mourning, and their father is lying next door in an open coffin. An empty bar is the only other place the brothers are pictured, sipping on pints of beer in silence. It feels like they’ve already resigned themselves to their fate and are simply waiting for it to catch up with them.
Their hopelessness is also imbued into the setting. The skies are constantly overcast which shrouds everything underneath them in a bleak palette of greys. The lack of light makes the brothers faces appear more ghostly and pale, in contrast to the more vibrant colors of their flashbacks on the front lines of the war in a time before they’d lost hope. Now, with trauma from the war and having murdered a neighbor, their pale faces are a mark of the life that has left them. They’re sleepwalking like zombies towards their fate.
The narrative structure also serves to construct the prison of trauma they’re stuck in. Following the murder, they’re never given the same freedom as in the opening scene where the camera follows them around the town in their car in one shot. As the film moves on, the same scenes start replaying: scenes of the three brothers in the bar, scenes of the three brothers around the table by their dead dad, and scenes of the three brothers at funerals. Repeatedly showing the brothers in the same places traps them within a limited area. Furthermore, the scenes are all shot with still cameras that don’t move, mimicking their guilt by trapping them within the frame. Even though they haven’t been found guilty, the way the cyclical narrative and fixed cameras become their prison. They’re stuck within the deserted town to be consumed by their guilt and trauma from the war.
The bleak setting, emotionless characters, and cyclical narrative imbues hopelessness into the look and tone of Witnesses, turning it into a gloomy but effective film about the futility of war and hate, and the grief and trauma it causes.
If you’re looking for more bleak portrayals of the Balkan Wars, I strongly recommend watching:
Or if you’d rather watch more bleak films featuring characters blindly moving forward in divided countries check out Mozambique’s Sleepwalking Land or Rwanda’s The Mercy of the Jungle.
Are blood ties stronger than spirituality? Find out in Cocote as one man returns home to bury his father. Is it worth sacrificing a stable Christian life in the city for a family life he has tried to leave behind.
From: Dominican Republic, North AmericaContinue reading “Cocote – Religion and Ritual in the Dominican Republic”
Watch: Trailer, Buy Direct, Kanopy, Hoopla
Next: Batuque, White Sun, Blue Ruin
Drugs, corruption, and extra-marital affairs feature in this Kenyan thriller centred around a macho politician. If you’re looking for excitement, danger, and a token white guy, this film is for you. Check it out here on Netflix.
People picking trees, leaves filling sacks, sacks thrown onto trucks, money changing hands… Veve starts with some quick cuts showing the distribution of veve from the trees it grows on to Kenya’s cities. Along the way it passes through a bunch of middle men and check points. You’ll also see money changing hands a few times along the way, but who does the money end up with?
The next scene reveals the prime candidate behind the drug-trafficking. Meet Amos, a local member of parliament campaigning to become governor of the region. Judged on first impressions, he’s a friendly husband who is popular in the region he is campaigning to govern. However, there’s more to Amos that meets the eye.
Simply put, he’s the prototype of the macho African ‘big man’ politician.
Firstly, you’ll see how he uses intimidation to try and guarantee votes. He tries to extort local businessmen as well as threaten farmers to vote for him. Secondly, you’ll witness his machismo. The director intentionally shows him criticise his wife for buying scented body lotion and chide his secretary for playing kid’s puzzles. Just in case that’s too subtle, he’s also cheating on his wife. He’s not a nice man.
By giving Amos the characteristics of the ‘big man’ politician the director uses Amos to critique the power hungry men in Kenyan politics. It’s a subtle warning carried in a thrilling film well worth watching.
If you want to see more African ‘big men’ on screen, check out Last King of Scotland, a political thriller with Forrest Whitaker playing Ugandan dictator Idi Amin.
Or if you want to see African films with more violence and corruption, check out Beasts of No Nation featuring kid soldiers in an unnamed African country. You can also check out the living perpetrators of the Liberian Civil War in Fragment 53.
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