To help you ease your way into our world, we have devised a the film difficulty ranking system to rate the difficulty of each film reviewed on our site. The easiest to watch films (the Rom-Coms and Superhero flicks that you watch anyway) will have a rating of 1. Foreign language films automatically add one point, as do black and white films, and films with strange and hard to follow plots. You’re almost there, welcome to Film Difficulty 4.
Film Difficulty Ranking 4: These films demand full attention for long stretches of time, slowly draining your film stamina. However, these films can be incredibly rewarding, much like the feeling of finishing your last school exam after weeks/months of studying.
If you think you’re ready to take on some of the most challenging films from around the world, you’re almost there. Prepare yourself for films that are 7 hours long and others that demand every millisecond of your interpretative mind and a lot of post-film analysis. Then you’re ready to sit down and enjoy the heights of Film Difficulty Ranking 5.
Panahi is an inspiration for the film industry. He made This is Not a Film whilst under government orders not to make a film (after being charged with making propaganda against the Iranian government). Luckily, Panahi cannot simply stop making films, it’s part of his nature. Also, luckily, someone smuggled this gem out of Iran on a flash drive hidden inside a cake. So consider yourself lucky that you can watch this film!
If you love film and philosophy, Illumination might be the film for you. It’s like watching an existential essay: you’ll follow the main character as he stumbles through life trying to find meaning. It’s experimental and brilliant. Watch the film here (Buy on Amazon).
Why Watch Illumination?
You love philosophy (bonus points if you love existential philosophy)
Or if you love science (some parts are not for the squeamish)
Or if you don’t know what to do with your life and want to watch someone else who struggles to find meaning in theirs
It’s experimental – the editing will remind you of Bergman’s Persona (if you haven’t seen Persona watch it now)
The Breakdown
“What is illumination? Illumination is a term and concept of Augustine. We obtain knowledge by an enlightenment of the mind.”
The film starts by musing what the meaning of illumination is. Then it cuts to a half naked man taking a medical check. The camera cuts from a close up of his hand to a close up of his foot. Then someone asks the male subject for his name, his surname, his place of birth, height, and weight. In this opening, Zanussi (the director) reduces Franciszek to his physical being before we’ve had a chance to get to know him. This raw physical being is the starting point of this philosophical film essay.
After we meet Franciszek the film flashes to ‘reality’. You’ll see footage of the moon landing, and troops marching ready for war. These images quickly provide us with context. From them we can assume that the film is set in the late 1960s/early 1970s during the Cold War between the U.S. and U.S.S.R. These cuts of footage are also included to disrupt the rhythm of the film. Zanussi includes a lot of interjections like this in his film to intentionally jumble up the story. His intention is to show us the mess of images we see during our lifetimes and to make it difficult to follow the film, to reflect the struggle to find meaning in life.
Conclusion and What to Watch Next
There is a story-line in Illumination (the story of Franciszek) but it is hard to follow. Zanussi only uses Franciszek’s life as a framework for the film’s progression. Franciszek’s struggle to find enlightenment is the framework for the film’s commentary on the world’s struggle to find meaning in life. (Warning: you may be filled with existential angst/dread when watching this film).
First up, you need to watch Ingmar Bergman’s Persona if you haven’t already. It’s one of the best explorations of the human psyche (and at a level above David Lynch’s Mulholland Drive).
For more from Zanussi, I strongly recommend watching The Structure of Crystal before this one. It’s easier to watch and is one of those films that makes you feel at peace with life and death (a bit like Wild Strawberries).
Or for more straight up philosophy check out the stream of conscious genius of My Dinner With Andre.
Who said you couldn’t make fun of a dictatorship whilst living in under a dictatorship? Luis Bunuel proves us wrong by returning to Spain to deliberately make this film that satirizes Franco. Would anyone dare do this today?
Check out this sleepwalking scene for a mere taste of the controversy.
Why Watch Viridiana?
Get to know one of the dark side of one of the most famous directors of the 20th century: Luis Bunuel
To see a film that savagely pokes fun at Spain under Franco, dictator from 1939 until 1973 (the film was banned in Spain until his death in 1975)
For a ‘Last Supper’ scene which got it banned in the Vatican
If you like laughing at human nature and the absurdity of life
The Breakdown
We meet Viridiana in the courtyard of her convent talking with her mother superior. She is told to go visit her uncle before she takes her vows to become a nun. A strange request as she hardly knows him. In a Bunuel film, this can only mean trouble.
Sure enough after Viridiana arrives at her uncle’s house, she is fetishised by Bunuel (meaning she is made into the object of her uncle’s sexual fetish). Bunuel shows her taking off her stockings and nun frock in one scene and has the uncle’s maid spy on her through a key hole.
Bunuel makes it even weirder when the uncle asks Viridiana to wear his dead wife’s wedding dress (she died on her wedding night). Sure enough she looks just like her.
Bunuel’s depiction of the weird uncle is a satire of the aristocracy under Franco. He paints them as perverted and stuck in tradition (his house is full of old artifacts and looks like Mrs.Faversham’s from Dickens’ Great Expectations).
But Bunuel does not just satirize the aristocracy. Everyone is a victim in this film!
Conclusion
Bunuel has a pretty dark view of humanity. No one in this film gets away without being made fun of from the creepy old uncle to the group of beggars Viridiana takes care of. Even Viridiana is made fun of with her saintly actions.
One scene which perfectly depicts Bunuel’s world view is a scene in which Jorge (the uncle’s son) buys a dog that is being dragged along on a lead under a running horse cart. He buys the dog to free it. However, as he walks off with the dog, he does not see another cart drive past with another dog being dragged along under it.
Want to truly get involved in a film? In Felicite you are given the story-line and a bit of character development before you are almost left to your own devices. Like the great works of literature, you’ll have to add your own interpretations to draw your own conclusions. Also, there’s one thing that this film has over the great works of literature: the music!
Why Watch Felicite?
If you like music. The Kasai Allstars are all over this film!
To experience the chaos of Kinshasa
To take part in the film making process – like in the best pieces of literature, you’ll get to add your own interpretations
Come on, how many opportunities do you get to watch great film from the DRC?
The Breakdown
The film starts with Beya singing in a dusty bar in Kinshasa. The bar is small, the lighting is dim, and locals are clustered around tables drinking and catching up. As the locals drink and chat Beya puts crams everything into her voice. It’s like she’s trying everything to get everyone’s attention, to stand out in chaotic bar in a chaotic city.
Music is the driving force of Felicite. There’s the expressive, more free form music of the Kasai Allstars and Beya, and the structured symphony orchestra. The structured orchestral music signifies the moments of our lives that we cannot control: fate. It appears when Beya’s son is hospitalised and for other events out of her control. In contrast, the bluesy music of the Kasai Allstars signifies Beya’s response to fate. The melancholic emotion she puts into her singing is her acceptance of her fate and inability to control it.
The film is split into two parts. The first part is told in a classical format that all of us brought up on Hollywood films would recognise. You learn a bit about Beya, then her son is hospitalised, so she has to try and find money to pay for the treatment. It’s pretty familiar storytelling. In contrast, the second part is a lot more artistic and subjective. There’s some visions and dreams mixed into all the music. Unlike in part one where we can just accept what is shown to us, in part two we have to actively engage with the film and construct our own interpretations.
Conclusion
Felicite is a work of art. Not in the sense that all movies are works of art, but in the sense that it pushes the boundaries of film. It is a champion of creativity, and uses music, and art (through the visions and dreams) to create a much more unique film. Best of all, unlike a lot of films, you are expected to take part in the film making process and add your own meaning.
Do you know how to identify a witch? If you do, do you know how to keep them from flying away? I am not a Witch will provide you with all you need to know about witches in Zambia. Go watch this dark satire based on real life ‘witch camps’ in Africa.
Why Watch I Am Not a Witch?
See your first film from Zambia! (If you’ve already seen a Zambian film let me know what you saw – comment below)
Learn how to identify a witch and prevent them from flying away!
If you love satirical films – especially with a hint of magical realism
Because 9 year old Margaret Mulubwa is excellent in the star acting role
The Breakdown
Little ‘Shula’ is taken to the police for strangely staring at a local villager. As no one knows where she has come from, and because she is too shy to respond to speak, she is quickly denounced as a witch.
So what happens to the people denounced as witches? First, they’re taken to a special witch camp, which is pretty much an outdoor zoo where tourists can come and take pictures. To keep them there, each ‘witch’ has a ribbon attached to a tree attached to their back to stop them flying away. Life as a witch isn’t great!
Director Rungano Nyoni subtly satirises the whole film. There are moments when you think the police officer doesn’t believe in witchcraft before he convicts Shula. Nyoni walks a fine line between making the film too comedic and too serious. Ultimately she does it incredibly well and creates a film that communicates a serious matter without being too heavy or light.
The Breakdown
I am not a Witch is original and clever. It’s a satirical film about real life witches in Zambia splashed with dashes of magical realism. The film is carried by the excellent performance of 9 year old Margaret Mulubwa. Go find and watch this film if you want to celebrate unique international film.
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